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No Idea Records

Record Reviews

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VARIOUS ARTISTS:
I Don’t Want to be a Part of Your So Called Punk: CD
Twelve tracks of punk, ska and metal, courtesy of Fork, Freedumb, Vaya con Satan, and others. I know the bands themselves aren’t responsible for it, but the irony of this compilation’s title is that every one of the tracks here sounds like it’s trying very hard to fit within a given pigeonhole, with none really aiming to set a new bar or break out of the box, so you’re left with pretty much more of the same ol’ same ol’. –Jimmy Alvarado (Kraft Pest, kraftpest.com)


VARIOUS ARTISTS:
3 v 1: CD
Yeah okay, I am gonna do my best here to figure out what’s going on with this CD because google translate is just not helping. You know how a single word can have several different meanings? None of the possibilities for these band’s names makes sense. It took me forever just to figure out that this is all in Czech after I assumed German. It’s a spilt between three bands: Čertůf Punk, Do Řady!, and Šanov. There are twelve tracks, but I can’t tell for sure which band did what because the way the songs are ordered and listed is confusing. With that in mind, please forgive any false information that I am about to give you. Šanov is the metal band with the growling vocals. No thanks. Čertůf Punk are the street punk guys with the superfast guitar and drums and predictable song formulas. Okay. Do Řady! plays catchy punk rock in a way that’s hard to describe because I’m not used to it, but I could definitely see myself singing along if I understood what they were saying! Definitely the best band out of the three and I’ll be listening to their songs again. One more thing I want to mention about this CD: there’s a phrase in English on the cover that I thought was really weird, “Old Punks Never Die.” What? Never? I’ve heard that “Punks don’t die when they turn thirty, they start writing books.” But eternal life? Really? Stateside, we’ve seen plenty of punk rock veterans pass away over the last few years. So I don’t know, maybe the punk rock fountain of youth is over in the Czech Republic and we all need to head over there once we turn fifty. What do you think? –Lauren Trout (Papagájův Hlasatel, phr.cz)


VARIOUS ARTISTS:
A Tale of a Rotten Orange: 2 x CD
A double disc compilation featuring twenty-four bands over thirty-nine tracks as the first release by a new label called Orange Fight Records. I assume the label is based in the OrangeCounty area, due to the fact most bands on the record are from that region, but I could not locate a mailing address to verify that fact. I was unfamiliar with all the acts appearing except legendary OC punks the Crowd who contribute a mid-tempo punk rocker entitled “Masquerade.” The overall sound of the comp is a definite throwback to the early ‘80s OC punk sound, as well as ample skate rock vibes from the same era, but it varies enough from track to track not to test the listener’s patience with a completely one dimensional sound. While nothing on the disc struck me as bad, none of the songs stoked my interest to want to hear more by any of the bands. A respectable, if middling, mediocre punk rock collection. –Jake Shut (Orange Fight)


VARIOUS ARTISTS:
A Tale of Rotten Orange: 2 x LP

Just a little over ten years ago, there was a somewhat healthy music scene here in the SoCal area. A few bars would host punk, punk’n’roll, whatever the fuck, on a weekly basis. There were times I would be at shows at least four times a week. Often traveling from L.A. to OC to catch bands like Smogtown and the Stitches. Saw some great shows during that time and saw a lot of crap as well. For every Smogtown or Stitches, there were at least ten mediocre bands behind them. After awhile, the garbage bands began to stink so bad it was hard to want to leave the house to watch one good band. It gets old paying a cover charge, then stand outside the club while some band drags on and on inside. Listening to this comp tells me that not much has changed since then. There’s some good stuff on here like Crazy Squeeze, The Dogs, Social Task, The Hitchhikers, Smogtown, Stitches, and Foul Response. But the majority of what is on here outnumbers the good. If anything, seek out individual releases from the mentioned good bands.

 

 

–Matt Average (Orange Fight, orangefight.com)


VARIOUS ARTISTS:
Retro as Hell – A Tribute to the Dehumanizers: CD
The title here says all you need to know to suss out what you’re getting into here, with Raw Power, Potbelly (who sound like early White Flag here for some reason), Luxury Esc., Demoni, Barista Suicide, Trauma, Reptilicus Maximus, The Upstairs, Coven (apparently not the ‘60s band responsible for “One Tin Soldier” on the Billy Jack soundtrack) Crom (who turn an originally two minute song into an eleven second song), Citizen Useless, Astrobalance, RXGF, and Howlin’ Houndog each taking a tune from the Dehumanizers’ oeuvre and ostensibly making it their own. The results are about par, meaning the whole endeavor is likely more an honor for the band than it is a revelatory experience for the listener. A song or two might qualify as “good,” but the overwhelming majority tunes here are pedestrian at best. –Jimmy Alvarado (P.I.G)


VARIOUS ARTISTS:
Seriously!, Volume 1: 7"
Holy crap, a regional comp that doesn’t blatantly suck. Now there’s a rarity. Seriously! features four Washington bands that all manage to deliver the goods. Snuggle sounds more aggro than I remember them (though I remember their earlier work tending to drag on a bit, and the song here follows suit). One Day’s song is ferocious and fuzzed-out and sounds like something that coulda been on a long lost EastBay comp like Benicia or Lest We Forget. No Hi Fives To Bullshit know the meaning of brevity and also sound strikingly like Crimpshrine, and Know Your Saints deliver a slower, simmering tune that showcases the fact that they’ve definitely learned their way around writing a song. Not a dud in the bunch, and everyone involved should be stoked. Nicely done. –Keith Rosson (Abandon Hope)


VARIOUS ARTISTS:
This Is Peterborough Thrice: CD
A disc showcasing the local talent from the city of Peterborough in the U.K. Twenty-one tracks and the great majority of it is an icky mix of alternative radio, bland-ass indie rock, sappy acoustic numbers, and overproduced soulless pop punk. Three of the bands, Taconite, Dun2Def, and The Destructors, contributed some mediocre street punk that did not make my finger immediately itch for the track skip button. A band called the Castros offers up some snappy indie rock with ample English post punk vibes which was decent. The best of the bunch is the song “Decadence” by Five Go Mad In Europe, which does an enjoyable imitation of The Fall with deliciously offbeat meandering. But, on the whole, this is a very bad record. –Jake Shut (Rowdy Farrago)


VARIOUS ARTISTS:
A Tale of Rotten Orange: 2 x CD
Took a thorough look at the credits provided, ‘cause this has that Rick Bain/Hostage Records sound all over it, but no, it looks like this is this label’s inaugural release, and a doozy it is. Two discs of grade-A punk from south of the (L.A. County) border from both legendary acts and new jacks alike—Druglords Of The Avenues, Disguster, Narcoleptic Youth, The Piss Pops, The Dogs, Crazy Squeeze, The Boners, I-9, The Crowd, Social Task, Broken Bottles, The Hitchhikers, Bonecrusher, Smogtown, The Junk, Fork Tailed Devils, Killing California, The Loyals, The Stitches, Foul Response, No More Saints, Neon Maniacs, Raw Helmet, and The Uncivil all contribute at least one song to the ensuing shenanigans. Omitted from the proceedings are the endlessly boring pop punk and ska acts that too often these days are propped up and handed the OC punk flag to run right into the ground, and instead the listener is treated by what is arguably the true OC underground sound, with styles ranging from the rock/punk to the trashy to the hardcore spectrums and back. Good stuff all the way ‘round and destined for a slot on upcoming year end lists of this year’s better comps.
–Jimmy Alvarado (Orange Fight, orangefight.com)


VARIOUS ARTISTS:
Buffalo Brutality: EP
I can’t remember the last time I’ve listened to a comp that was half way decent. Let me think.... Hmmm... Ummm.... Let me think... err... Nope, can’t remember. It has been a while. Welp, this comp is actually pretty good, and not one with a couple good songs and the rest shit. This one is good the whole way through. Focused on Buffalo, NY bands, this delivers on the hardcore, grind, and thrash fronts. Resist Control crank out two songs of hardcore with some Infest influence, though not a direct copy. Ordinary Men And Women blow my cloudy mind with some down-tuned, bass-heavy lurk. What I wish MITB would have sounded like. Avulsion, who should get some sort of reward for still being around (I remember them well from the ‘90s), have one song of their patented grind that’s tighter than hell and hits with brute force. Morax have a bit of crust side in their sound. I like the rawness of the guitar here. Inerds, Scheisse Krieg, and Ancients Of Earth keep the needle in the red. A comp worth picking up...
–Matt Average (Warm Bath)


VARIOUS ARTISTS:
East Infection: 7"
Mess Folk: I mistakenly put this record on at 45 rpm and thought this was some seriously deranged fast and noisy rock with a screechy female lead singer. Cool! About thirty seconds in I realized my error, started the record over, and realized this some seriously deranged slow and noisy rock with a male lead singer. Still cool! I don’t even know how to place this: like if The Cramps scrapped their rockabilly influences in favor of Scratch Acid? Meat Curtains: More deranged rock and roll. The guitar player is playing the same repetitive four-chord riff over and over again while the drummer beats the shit out of his drums and the lead singer screams incoherently over it all. Awesome! Strawman: Straight forward rock and roll. Not all that bad, but not particularly memorable. The Shats: Garage rock that could have easily been written by someone from Denton, TX (aka Mind Spiders, Bad Sports, etc). Pretty damn good! Oh, I just realized both bands on the A side are from Nova Scotia and both bands on the B side are from New Brunswick. Nova Scotia by a mile! Three cheers for the underdogs!
–Chris Mason (Foul & Fair)


VARIOUS ARTISTS:
Bloodstains across British Columbia: 7” EP
Though the title might be a bit misleading to fans of compilation albums featuring tons of moldy punk oldies, this is a collection of thirteen bands each delivering a one-minute tune about the titular Canadian locale from whence they hail. The sounds mined here are well varied—vaguely ‘60s pop, skronk, punk, trebly indie-rock, even a band that sounds like they’re on a Urinals bender, and so on. The bands could’ve easily just knocked off and sent over any shit, but by the sound of it, they took the idea seriously and delivered some pretty good listening and, as a result, a strong regional comp. –Jimmy Alvarado (Mammoth Cave Recording Co., mammothcaverecording.com)


VARIOUS ARTISTS:
Calvinball / Rumspringer / Mayflower / The Dauntless Elite: 4-Way Split: 7”
Calvinball: Gruff punk rock that’s not breaking any new ground but has enough anthemic energy to keep things interesting. Rumspringer: This is really weird, because I recorded a different version of this song for the band several months ago and I’ve heard that other version a million times before—so it’s hard to listen to this without getting caught up on how those subtle (and not so subtle) imperfections are no longer present. But that’s clearly just me because next to no one reading this has ever or will ever hear that version. Rumspringer is one of the best DIY rock bands around (don’t call them a “punk” band). They’ve written some of the best songs of the last several years and this one is right up there. Mayflower: Pretty much the same as Calvinball. I’ve heard this song a million times before by thousands of other bands, but somehow I’m not sick of it yet. The Dauntless Elite: Fuck yeah! How can you not love this band? Bouncy and catchy punk rock with a cockney accent. I have no clue what half of the words in this song even mean, but that won’t keep me from trying to sing along. –Chris Mason (Not Shy Of DIY, notshyofdiy.com)


VARIOUS ARTISTS:
Here’s Your Donkey Show: CD
People always ask about the donkey show thing. It doesn’t exist. I’ve yet to meet a human being who can vouch for its existence. You want a fucking donkey show? Here’s your donkey show! I uploaded this album to my iPod without putting any information in, so I wouldn’t know the names of the bands and attempt to circumvent any bias. You see people, I’m from Tijuana, this is my scene, and I’ve seen most of these bands a bunch of times. In fact, I’ve been going to Bumbklaatt shows for about a decade now. Like most scenes in big cities, this spans a few genres such as hardcore, punk, ska, and… well, I guess that’s it. It’s a great compilation featuring the best Tijuana has to offer, which is Bio Crisis, Teenage Kicks, DFMK, and Bumbklaatt. There are also three non-TJ bands, one of which, Dias De Radio are straight off a late ‘90s Hellcat comp. That song alone almost made me want to spike my hair and break out a certain jacket that hasn’t fit in years. –Rene Navarro (Blood Pact, bloodpactrecordstijuana.com)


VARIOUS ARTISTS:
Midwest Thrash Attack: Double 7”
If you see me walking around with my skull burst open and bits of my brain shooting out like meaty popcorn, it’s because of this four-way split of Wisconsin and Minnesota hardcore bands. It starts with two bands of yesteryear, including Stand Off, a name I never thought I’d see on a new piece of vinyl. They were around in the mid ‘90s, a precursor to Remission and Wartorn, but more on the straightforward American hardcore end of things. Damage Deposit keeps it hardcore and keeps it Midwest with a Die Kruezen cover. The second record starts with current Minneapolis mosh kings, In Defence, and an answering machine message from a disgruntled parent complaining that his son went to a show and got an Easter egg full of pubic hair. The message almost overshadows the awesome hardcore songs that follow. Almost. Choose Your Poison serves as the modern Wisconsin band with a quick burst of aggro that’s gone too fast. –MP Johnson (Give Praise)


VARIOUS ARTISTS:
Speed Kills…But Who’s Dying?: CD
Three bands here repping a nice spread across the hardcore spectrum with five songs each. On one end you have Sheisse Minnelli (a play on “Liza Minnelli,” with the first word in their name translating to “shit”), who are more or less a straightforward hardcore band. They keep the tempos ratcheted up, with some interesting chord and tempo changes, and liberal doses of humor and intelligence in the lyrics. On the other end you have The Shining who, while also keeping things quite zippy, go with a more “metalcore” (as we would’ve said in the mid-’80s) sound, with muffled chugga-chugga guitar strumming and screamed vocals. Between the two we have the belles of the ball here, Verbal Abuse, turning in work more along the thrashy lines of Just an American Band than Rocks Your Liver. No surprise, this considering Nikki Sikki is back manning the mic, and as an added bonus they even serve up a ramped up cover of Sick Pleasure’s (is it a “cover” if the singer sang for that band as well?) “Three Seconds of Pleasure.” While the new Verbal Abuse stuff is hands-down the reason to pick this up, and it’s fuggin’ aces to hear they’re back in such fine form, all three bands turn in admirable work, making this definitely worth the search. –Jimmy Alvarado (Just 4 Fun, j4f.dk)


VARIOUS ARTISTS:
City Limits: Down and Out in Toronto and Montreal: LP
Twenty-three songs by twenty-three bands who all hail from the fair cities of Toronto and Montreal, Canada. Plenty of household names (Career Suicide, Inepsy, Urban Blight, Brutal Knights, School Jerks, Burning Love) some eyebrow raisers (Mad Men, Foreign Bodies, Mature Situations) and um, the rest. Such is the curse of a compilation album with this many bands on it: too much filler. At first glance, the better-known bands make this record seem like a steal because, yes, the good songs are really fucking good. But upon closer inspection, the intent of giving some seemingly deserved, lesser-known newer bands some exposure doesn’t quite meet the standards set by their predecessors. Also, the fact that all the best songs are almost all on the first side of this platter makes me wish this were a single-sided LP. –Juan Espinosa (High Anxiety / No Idea)


VARIOUS ARTISTS:
Crack Rock City Volume II: CD
Seriously, if there’s a Crack Rock City Volume III, I’m buying a gun, finding some kinda bell tower, and people are gonna die. (So, yeah, I wrote the previous sentence like a month ago, and it seems mighty fuckin’ insensitive in light of recent events in Norway. I obviously wouldn’t shoot anybody over a bad record. If you’re offended, get a life. This CD still sucks though.) –Ryan Horky (Pirated)


VARIOUS ARTISTS:
Kill Rock Stars: LP
This is a special limited Record Store Day version of Kill Rock Stars’ first release, to celebrate the twentieth anniversary of the record and the label. That many of the bands on this comp are now considered “legendary,” or “classic,” is a testament to how smart the folks at Kill Rock Stars were at putting together a collection of some of the best bands of the era. Featuring tracks from Melvins, Bikini Kill, Nirvana, Nation Of Ulysses, Mecca Normal, and others, this album is more than just a document capturing a particular era of music, it is also a collection of some of the best music of all time. Fans of great independent music of any stripe owe it to themselves to add this comp to their collection. I can’t recommend this enough –Paul J. Comeau (Kill Rock Stars)


VARIOUS ARTISTS:
We’re All in This Together: LP
A hardcore punk comp here with four tracks each from Triple X, MDC, Hanker Hoax Haphazard, Asspiss, and Crackbox. Music’s good, but the advertisements stuffed in for good measure—one for the Institute for Anarchist studies, one for Asspiss’ Fuck Off and Die seven-inch, one for the label’s other releases, an Asspiss stencil, and a patch with the label’s logo on it ostensibly so some punker can give ‘em some free advertising at a show—seems a bit capitalist-overkill, considering this looks to be some sorta anarchist-themed release. Then again, the white vinyl and great cover art’s gotta get paid for somehow, I guess. –Jimmy Alvarado (Suburban White Trash)


VARIOUS ARTISTS:
12th and G, Chino, CA: LP
One yardstick to hold up a comp of a super-down DIY place (1919 Hemphill, 924 Gilman) is looking at the listing on both sides. (This doesn’t work as well digitally. I’m looking at you, interwebs.) But don’t treat them as sides of a record. Treat them as two shows. Would I go to side A’s show? Side B’s? And even if you don’t know all the bands, are you in good hands? Do places make friends? No—12th and G was just a leaky warehouse with a skate ramp, a fridge, and a PA—but the people inside those places can. Friendly, honest, fun-loving, down-for-the-cause people. Not hypothetical circumstances, not a fantasy football version of punk rock or a corporation rock version of punk. This is rent-to-pay-is-not-an-excuse-to-be-a-douche-to-bands punk rock. And the comp. reflects the guiding principles of 12th and G. well. It’s unmistakably DIY punk at its core, but it’s unafraid to lend high fives to bands who also dip into metal, hip hop, and the mellower fare. The strongest testament to this comp is that it’s a direct, honest reflection of music that’s being made in America today; of music that came through their doors, to music that they helped nurture by providing a genuinely great place to play. Due to cops on the interwebs (again, fucked by digital) being bummed that the city of Chino wasn’t getting their graft and kickbacks—and under the guise of “protecting the children”—the warehouse was shut down in April, 2011. This comp is a love letter. I intentionally didn’t mention one single band in this review because it’s bigger than just one band. It’s a matter of trust, like when Donna Ramone or Horror Tim or Marty Ploy or Christina Zamora say, “Dude, just listen to this band.” You put time aside in your busy schedule and just listen to some really good shit. –Todd Taylor (On The Real, ontherealrecords.tumblr.com)


VARIOUS ARTISTS:
8Up Records: CD-R
Once again, another shoddily thrown-together compilation from 8Up Records. Packaged in a photocopied paper sleeve—one that doesn’t bother to list the band’s song names—is a CD-R simply marked in Sharpie with an 8 and an arrow pointing up. Of course, this is probably free. Nonetheless, a little effort goes a long way. If you’ve written for Razorcake for any length of time, you’ve probably got a compilation from this label to review. You’re just as likely to have reviewed something by the ever-ubiquitous and prolific A Disco For Ferns, who always seem to sound completely different. The first CD-R demo I got from them was really shitty, growling grindcore or something of that sort. I also got a tape of joke punk songs from them that was equally as shitty in quality, but was, nonetheless, quite funny. This time, they play some weird stuff with a hugely distorted bass and a male/female vocal exchange. The bass was often so distorted it sounded like Suicide’s synths. I kind of liked it. Everything else on here is shitty punk rock. –Craven (8Up)


VARIOUS ARTISTS:
PML Zine Compilation: 7” EP
According to the front cover, this is the “foreign edition” of a compilation featuring Four Finnish bands, originally released in 2010 with issue four of PML zine. Lebakko drop another virulent bit of punk/hardcore, Escape To Death take a more traditional thrash route, No Heroes brings to mind the best of DS-13, and Anvils Drop are more on the pain/hardcore end of the spectrum. Excellent teaser of what’s going on in the Finnish underground—four rock solid tracks and zero bullshit. –Jimmy Alvarado (PML, pikakelauksellamaailmanloppuun@gmail.com)


VARIOUS ARTISTS:
Box of Sand: CD
If you’re a regular peruser of Razorcake and its review section, a lot of the bands making an appearance here—like Shang-a-Lang, Too Many Daves, Unfun, Rations, and Abolitionist, f’rinstance—will sound familiar. They, and many more crank out poppy indie-punk of various shades, hues, and sizes. Gotta say while this stuff ain’t always my cup o’ poison, there is much here to be diggin’ and diggin’ hard. –Jimmy Alvarado (Lost Cat)


VARIOUS ARTISTS:
Traveling with George: 2 x CD
A few L.A. veterans making appearances here—like the Gears, RF7, and Symbol Six—alongside more recent hellraisers like the Livingstons, Spermometers, Puke For Breakfast, TV Eye (who again are mind-blowingly kick ass, but I digress), Standard And Poor, American Jihad, and tons of others, enough in all to fill two discs with punk rockin’ of all kinds of hues and shades. As can be expected, there is a clunker to be found here and there, but, for the most part, this ain’t shabby at all—diverse enough to keep things flowing nicely, yet very much on the “rock” side of the punk fence. –Jimmy Alvarado (Scare America, myspace.com/scareamericarecords)


VARIOUS ARTISTS:
UDC 4 Way Split: LP
Four current Alabama musical outfits come together for an intriguing taste of some weird ass shit that’s currently going down in the region. The outer edges of each side are occupied by elder acts—Rise Up Howling Werewolf and The Baker Street Irregulars—while the middles contain Shining Path (who are technically not allowed to be a band by the state of Alabama, because they painted black face on a Confederate statue!) and Walker Yancey. Musically, it varies from rootsy folksiness to psychy punkness. This record is an endearing multi-generational snapshot of four bands that are keeping DIY well and alive in the non-stop state of Alabama. Totally legit. –Daryl Gussin (UDC Audio)


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