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Razorcake #84

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Undifinable Blows: CD

Two pretty good songs by a rapper surrounded by twelve really bad rock and rapcore songs.

–Jimmy Alvarado (Undifinable)

Your Scene Sucks: CD

Okay, this made me do some math. There’s twenty-eight bands on here and, of those twenty-eight, approximately 3 percent are worth a piss. The remaining 97 percent fall in either the emocore, “hardcore” (read that as “metal for bald people”), and popcore genres. Sounds like a pretty accurate breakdown of the punk thang these days, meaning that I figure if you go out and pick a random release out of a new CD bin at any record store, you have a 97 percent chance of it sucking. Same thing with going to a random punk show on a Saturday night – you have a 97 percent chance that 97 percent of the bands playing at the club are gonna bite the weenie. I like the fact that this is not merely another label sampler disguised as a comp, but I wish they would’ve focused more on finding more of the bands that fall in the “3 percent” pigeonhole instead of being content to bank the marketability of this disc on suck-ass “name” bands. Sorry, but with a 3 percent success rate, your comp sucks.

–Jimmy Alvarado (Go Kart)

Addicted to Oi!: CD
Touted as a new addition to the original oi compilation series, this puppy even includes liner notes by Gary Bushell hisself. Most of the tracks on here are amazingly good, considering how utterly crappy this genre has become, especially in recent years. All of the tracks are new, many are unreleased. In order, Discipline: imagine the Vanilla Muffins with the gruff singer of the 4-Skins up front. Cockney Rejects: Vocals lack the intensity of the first couple o’ albums, but the song itself, a ditty with a requisite chorus that would make a good terrace chant, ain’t too shabby. Argy Bargy: Thought their last album was slightly above okay, but this is a nice bit of virulent viciousness with throat shredding vocals. The Business: Dude, it’s the fucking Business, for chrissakes. Do I really need to rant on about how good this track is? Let’s just say you could sandwich it between any of their “classic” tracks on a mix tape and no one would ever notice. Klasse Kriminale: Loud, brash, brief, up-tempo and melodic in all the right ways. The Filaments: Hate most modern ska anymore, thanks to radio over-saturation, but dug this song lots. Fuck the pigs, indeed. Deadline: Reminds me a little of the old LA band the Eyes, only with louder guitars. Nice ballsy pop with female vocals. Agnostic Front: The story so far: band forms, plays ultra thrash, then bad speed metal, and then reinvents itself yet again as a traditional oi band. To their credit, the song ain’t all that bad, although I still highly doubt I’d buy one of their newer releases. Red Alert: Another classic track from these guys, this a rocker that feels nowhere close to the four minute length it is. Resistance 77: Rough-edged punk with pop hooks up the ass to facilitate singing along while tearing the place apart. Last Resort: Apparently, Roi still has violence on his mind. I was afraid he might’ve gone soft over the years. Menace: Pretty straightforward oi tune. Not bad, but I was expecting more considering the band. Slaughter and the Dogs: Uh, maybe it’s time for another long retirement, guys, ’cause bad glam still ain’t made a comeback and this sure won’t speed up the process. Beerzone: Sounds like early Test Tube Babies, which is by all means a compliment. Blood Brothers: Sounds like “Guns for the Afghan Rebels”/”Lust for Glory”-era Upstarts, which makes perfect sense considering it features Mensi and Cast Iron. Crashed Out: The piano solo, a piss-take of the “Halloween” theme as its base, was perfect. Great tune. Special Duties: “Pop star punks? No, we're real shock troops…” Couldn’t put it any better myself. Foreign Legion: Another pretty standard tune, not to misconstrued as meaning it sucks, ’cause it doesn’t, but they just ain’t as mind-blowing as some others included here. The Crack: Have always liked what I’ve heard from these guys, but I don’t really think the world needed yet another cover of “House of the Rising Sun.” The Gonads: The history of punk set to a modern crunch metal riff. Final verdict? Jeez, try as I may, I can’t help but give this a glowing recommendation.
–Jimmy Alvarado (Captain Oi)

Barricaded Suspects and Four Old Toxic Shock 7: CD
Back in the early 1980s there were very few sources in the LA area to buy obscure punk rock. You could get the Black Flag and TSOL, but to get anything by a smaller band at the time was difficult. One record store you could count on was Toxic Shock. The problem was they were located in Pomona, CA and I lived on the west side. I also didn’t have a car that would go that far or make it up to freeway speed. The distance was too great. I was fortunate to go there a couple of times. Man, it was a great store! They seemed to have almost every punk release under the sun. To show how good it was there, my brother literally purchased two feet of 7"’s there on one of my visits. They were a store for the punks run by the punks. I think the store moved to Tucson, AZ around the mid to late '80s and changed the name to Westworld / Toxic Ranch. That was a great blow to the local scene. They also became a label in that early time period while in CA and these were some of the releases from the legendary label. They were also responsible in introducing Raw Power of Italy to a larger scale after Chris / BCT had put out a tape. Bill / Dr. Strange was smart enough to re-release this classic material to the masses. I hadn’t seen or listened to these songs in years (or a couple of decades?). My brother was the owner of the originals and made me not purchase it on my own. To see how good these releases are check out who’s on what. Barricaded Suspects contains Peace Corpse, Human Therapy, Red Tide, Killroy, Romulans, Knockabouts, Abcess, Suburban Mutilation, Septic Death, the Doll, Massacre Guys, Decry, Roach Motel, Bonded in Unity, Mad Parade, The Hundredth Monkey, Vision / Decay, Hue & Cry, Pillsbury Hardcore and Zimbo Chimps. 4 Old Toxic Shock 7" EP’s contains the Noise from Nowhere comp that features Kent State, Modern Industry, Moslem Birth and Manson Youth; Peace Corpse Quincy 7"; Red Tide Kelp and Salal 7"; Massacre Guys Behind the 8 Ball 7". Man, that is a lot of shit! Good to see that there is a demand of the past and I don’t have to pay Ebay prices for it. History is not a bad thing!
–Donofthedead (Doctor Strange)

Battle for the Airwaves Vol. 2: 7"
Wow! The Workin' Stiffs, The Bodies, The Wretched Ones and The Templars all on one 7 inch. These are four bands way up on my high rotation list already. Each band holds their own on here with a song a piece. One hell of a teaser, but one hell of a quick rush. If you aren't familiar, all four bands have a working class, street punk kinda sound. Influences from late '70s English punk can be heard. This is great, but too damn short. Gimme more damnit!
–Toby Tober (Radio)

Cuts Vol. 1: CD
I’ve never professed to being a professional writer or an expert on punk rock. I do have an opinion though. I have pretty much stuck around for the last twenty plus years listening to this noise. As I read the intro to this release, I am in agreement that comps are different these days. Bands in the past would send their best effort and make it pretty much exclusive to that one release. If it wasn’t good, it wouldn’t be released. Lately, you get record label sampler comps that flood the rack space or comps with recycled material. It’s rare that you find a comp that completely has unreleased tracks. If you see what the old comps go for on Ebay, you can see that they are worth something. Enough of my old man memories. Back to opinion. I don’t listen to a lot of the OC beach punk garage stuff personally. So, many of these bands I have never heard of. The two that I recognize and have heard are the Smut Peddlers and Cell Block 5. Retodd told me of the up-comers Broken Bottles. He liked them so much, he booked them on a Razorcake show recently. Tracks that stood out to me were from the previously mentioned and The Thunder Pistols, D-Cup, Beer City Rockers, Extortions, The Negatives, The Switch-Ups, The Spooky, The Put-Ons, The Stand and The Cadavers. That’s a high percentage of bands on this eighteen band comp that peaked my interest. A good comp doing what it’s supposed to do – introduce me to some new bands I have never heard of.
–Donofthedead (Hostage)

Drinking About Songs: 2 X LP
First off, I've got a deep admiration for Very Small Records. Know it or not, they've released many mighty influential comps and helped out a ton of then-obscure, now-well-known bands (like Operation Ivy, Pinhead Gunpowder, Green Day, Neurosis, and Jawbreaker) when they were just starting out. The guy who runs the operation, Dave, is probably one of the most up-standing citizens in a business and scene that is rife with a lack of ethics. You'd do very well to look at Very Small's catalog. That said, this is my least favorite comp they've put out in awhile. Although I admire the open ear – there's straight-up country numbers, let-me-suck-that-bar-towel drunk punk, and Small Wonder's "Crop Duster" that sounds like it could be on a Indigo Girls solo album (or a female top forty song. Don't press me. It's not my realm of expertise.) , it's an iffy affair, making it hard to put on and like – or at least tolerate – all the way through. There are some cool songs in the thirty-three: Super Chinchilla Rescue Mission, Grabass Charlestons, The Foxy Sluts, The Civic Minded Five, and the Bar Feeders don't disappoint. But then there's too much that's just okay or something I'd wish not to hear like '70s bar rock, mediocre pop punk, and just "plain, blah" rock. I say go with Faux Pas Potpourri, or either one of the two alcoholic-themed comps proceeding this one: Songs About Drinking or Liverache, which I like and recommend to this day.
–Todd Taylor (Very Small)

Fat Music Vol. VI - Uncontrollable Fatulence: CD
Do you know the drill? The drill is this is the sixth in the series of the Fat sampler. Duh! Well they get better every time since they are adding more unreleased tracks on these comps. What me, get a Fat comp? I can’t have that in my collection. I will lose major punk points if my friends find out. Me, I don’t care. Lost many a punk point in my day. Besides, I’m getting pretty old and I don’t have a lot of friends anyway. I shouldn’t have to describe what these bands sound like to you. Vanessa at Fat is really good at what she does and is a good person also. You get unreleased tracks from: The Lawrence Arms (good track, like it better than their previous output), Mad Caddies (goofy mariachi, cowpunk for a good time), Lagwagon, Strung Out, Rise Against (I keep forgetting to go out and buy their CD), Swingin’ Utters (I can’t stop hearing Mike Ness and Social Distortion when I listen to these guys), Frenzal Rhomb, Anti-Flag (So good and thought provoking!), NOFX, Wizo (These guys don’t record enough!), and Me First and the Gimme Gimmes (A Prince song originally performed by The Family and then covered by Sinead O’Connor and desecrated by these guys, making it sound like a Billy Joel song). The rest of the comp is rounded off with tracks off of their current releases: Propagandhi, Dillinger Four, No Use for a Name, Avail, Less than Jake, Sick of it All, and Good Riddance. This should be reasonably priced, so use that X-mas money that you might have leftover.
–Donofthedead (Fat)

First Strike: CD
Craig from Schizophrenic has been working like a mad man on a mission to get these BCT tracks that were originally only available on tape out on CD. If you don’t know BCT (Borderless Countries Tapes), they were heavily responsible in introducing international hardcore to the states from 1982 to 1986 one tape at a time. I’ve seen the tape deck. BCT is up and running again if you want the original tapes by contacting Chris / BCT @ bctinsd@aol.com. I know Sound Idea Distribution out of Florida also carries the tape. It’s great that this is out again. Another thing I haven’t listened to in a couple of decades. This is the first comp tape of the twenty-seven tape series. American bands like the Clitboys, Future Ruins, Violation, Vatican Commandos (Moby’s punk band!), Skoundrelz (I think Dogtown legend, Tony Alva, played in this band at one point or another), Mr. Epp, Poison Center, Eat the Rich, Cultural Breakthrough and The Accused (Seattle legends). Some studio and some live recordings that still stand the test of time. This takes me back to high school. Ten bands, fifty songs. That’s a lot to soak in, but well worth the purchase.
–Donofthedead ($10ppd to Schizophrenic)

Four Old Toxic Shock 7” EPs ’83-’84: CD
The title says it all: four old seven-inch EPs from the Toxic Shock Records vaults, all remastered and digitized nice and purty for the new millennium. Included here are the Noise from Nowhere comp (featuring Kent State, Moslem Birth, Human Therapy and Manson Youth), the first EP from Peace Corpse (formerly Moslem Birth), Red Tide’s Kelp and Salal EP and Massacre Guys’ first EP (featuring a future member of Descendents/All). Most of the tracks stand up pretty well to the passage of time and are a fun, if not always crucial, reminder of some of the stuff that was going on in the scene at that time that didn’t involve the Circle Jerks and Black Flag. One very minor gripe: Considering the fact the Dr. Strange released Manson Youth’s posthumous seven-inch EP, it’s strange that they didn’t go through the trouble to change the incorrect title of the band’s contribution to Noise from Nowhere, here still incorrectly titled “Penis Brain” but actually a sort-of medley of three shorter songs.
–Jimmy Alvarado (Dr. Strange)

Global Hostility: CD
This showed up in the Razorcake PO Box from England, and I happened to be the guy opening the envelope. I took a look at the packaging and it’s totally DIY – cut and paste, photocopied – but done so well that it was clear these guys had been doing-it-themselves for a while. I looked at the band list and saw bands from places like Estonia, Nepal, Argentina, Finland, Uruguay, Israel, and over a dozen more countries. I looked for the US representative. It was The Boils. I like The Boils. I thought to myself, it’s been a long time since I was taken totally by surprise by a comp. Maybe this one will show me something new. And it did. It blew me away. It’s largely a collection of oi/street punk bands, but it’s done so well. Whenever you get bands from this many places, you’re going to get a nice blend of scenes and influences and takes on the sounds of the Stiff Little Fingers and the Business and Cocksparrer and all those other great working-class bands. And here is a bunch of bands I’ve never heard of, like Portugal’s Les Baton Rouge and Italy’s The Sbirros and Holland’s Uit de Sloot, taking those basic influences and kicking ‘em in the ass. It amazes me that this label could find this diverse of a group of bands and put them together into one fucking awesome comp. This is highly recommended.
–Sean Carswell (No Front Teeth)

I Hope the End Is Always the Beginning: CD
I think so many neat things have come from the Japanese: sushi, Takara Blythe, Sanrio stationery, cutting-edge fashion for one-foot-high dolls and five-foot-high people. Most recently, though, I think the absolute best thing that’s come from Japan is the latest compilation of Japanese punk rock from the people at Snuffy Smile. Snuffy Smile may be a cute name, but there is nothing sissy about the bands on this label. I Hope the End Is Always the Beginning is one CD that is comprised of two sections: Chapter One and Chapter Two. Chapter One consists of original songs by fourteen different bands, including Minority Blues Band, Bottledirt, and Pear of the West. Chapter Two consists of the same fourteen bands covering songs by bands like The Replacements, Stiff Little Fingers, and Cock Sparrer. There are twenty-eight tracks on this album, and every single one rocks. Even though more than half the time I can’t understand the lyrics, I still want to sing along. I love this CD. Get your own copy now.
–Felizon Vidad (Snuffy Smile)

Life Is Ugly So Why Not Kill Yourself: CD
Wow, I was wonderin’ when someone would get around to reissuing this, and in this case, it appears that the culprit is Danny Phillips, who was one of those responsible for the original release. What you get here, kids, is a chance to own one of the early, definitive Southern California punk comps, featuring tracks from (in order of appearance) Red Cross (Redd Kross before the other Red Cross threatened to sue, and before they were bitten by the glam bug), Descendents, Anti, Ill Will, Civil Dismay, China White, Mood of Defiance, Minutemen, 100 Flowers/the Urinals, Zurich 1916, Plebs and Saccharine Trust, nearly all of which aren’t available anywhere else. Although nearly all of the tracks hold up pretty well considering it’s been twenty years since it was originally available (Mood of Defiance’s track in particular is still a stunner), it’s worth the price of admission alone to hear Red Cross (which at the time consisted of the McDonald Bros, future Circle Jerk Greg Hetson on guitar and future Black Flag singer Ron Reyes on drums) uncharacteristically thrash things up a bit. Rumor has it that the other two releases in the series are to be reissued as well, so keep your eyes peeled, as all three volumes are highly recommended.
–Jimmy Alvarado (Delirium)

Punch Drunk IV: CD
It’s a shame that street punk and oi got the bad rap that they got. I’ll admit that some street punk bands did need to go, and that the wanna-be-working-class anthems did run thin, but for a few years there, TKO picked up the street punk banner and really ran with it. Their first couple of Punch Drunk comps were great. They introduced me to awesome bands like the Reducers SF, the Bodies, and the Beltones. This Punch Drunk, though, isn’t nearly as exciting as the old ones. Maybe it’s the trends of street punk or maybe the guys at TKO are just changing their musical tastes, but this comp definitely has more of a bar rock sound to it, thanks to bands like the Generators, Electric Frankenstein, Anti-Seen, and Cocknoose. There are also songs that don’t stray too much from the bar rock sound, but are still pretty good, thanks to bands like Hollywood Hate, Terminus City, and Bottles and Skulls. The Slaughter and the Dogs song makes me race for the fast forward button, and the new, otherwise-unreleased Smogtown song brings me back to the old days, when the Punch Drunk comps reaffirmed my faith in punk rock.
–Sean Carswell (TKO)

Punk Rock Jukebox: CD
So-so comp of mostly punk bands doing punk rock covers.
–Donofthedead (Blackout!)

Rise Above: CD
This is a benefit CD for the West Memphis 3 (See the documentary Paradise Lost). I’m sure you heard about this. I read about it in the Los Angeles Times. It has different people singing Black Flag songs, backed by Henry Rollins and the band Mother Superior. I like the premise of the CD – to raise awareness and support a cause. The part that irks me is that Henry is using punk when he long abandoned the scene. Would anyone buy this if it was songs from his solo career? No. I had a coupon, so I bought this out of curiosity. I was disappointed. I grew up on Black Flag. The songs do not have the ferocity of the originals. The lack of Greg Ginn’s guitars sound is definitely missing in the energy. If you are looking for good Black Flag, I would recommend Everything Went Black. Damaged is not their best record! It contains songs that were recorded before Henry joined the band. My opinion is that the end of Black Flag was when Henry started singing. I much preferred when Ron Reyes (Chavo) or Dez Cadena was the singer. This is like going out to see the Dead Kennedys with Brandon Cruz singing.
–Donofthedead (Sanctuary)

Two Turds and a Golfball: CD
I picked this up outta the review pile because the Grand Pricks, whose “High Kicks to Your Dicks” is one of thee punkest albums of the last five years. I regretted that decision when I saw it was a compilation of bands playing the same song, one that shares the same name as the compilation itself, and then was pleasantly surprised when I put this puppy on. WILDLY diverse in sound, from grind to hardcore to rap metal to straight punk to country to industrial noise and beyond. The fact that virtually none of the lyrics match from one version to the next leads me to believe that this is more a case of bands performing songs with the same name rather than covering the same tune. Either way, this was some pretty entertaining listening. Pick it up. Need more impetus? There’re exclusive Anal Cunt and Dahmer tracks on here, you discerning punkers, you.
–Jimmy Alvarado (Hollow Bunny)

We Don’t Need Society: CD
Another tribute album, this one for DRI, and I have to admit that, while I liken the tribute album phenomenon to walking up and kicking a musician square in the nuts for all his hard work, this one wasn’t as bad as expected. Some choice covers of songs spanning the bulk of DRI’s career are provided courtesy of Ratos de Porao, Electric Frankenstein (a smoking cover of “Plastique,” believe it or not), Hollywood Hate, Retox, Capitalist Casualties and more. As it’s a tribute album, I refuse to recommend buying this under any circumstances, but I’m not above suggesting that you find someone that was dumb enough to buy it and ask ’em to tape it for you.
–Jimmy Alvarado (Malt Soda)

You Call This Music?!?, Vol. II: CD
Finally a disc that offers up some seething straight up punk with blood on its boots, piss in its gut and hate in its veins. This has a nice helping of bands with snotty female vocals, something I'm rather fond of myself. For whatever it's worth, my favorites are the Jag Offs, Backside, Pillbox Terror and the Voids. A little bit of something for everyone, including a handful of duds, but all with a nice chippy attitude. I think this would make a decent party CD.
–aphid (Geykido Comet)

You Call This Music?!?, Vol. II: CD
Thirty-five of your favorite bands make a ruckus. Features Operation Cliff Clavin, ESL, Pornshot, Toys That Kill, Four Letter Words, Nazis from Mars and oodles of others. Personally, the highlight of the whole disc was the outtro.
–Jimmy Alvarado (Geykido Comet)

Greeting: CD
Sampler from the Lobster Records roster. Represented here are Staring Back, Yellowcard, Mock Orange, Buck Wild, Park, Whippersnapper, Yellowcard, Joystick and Jargon. Kinda like the minor league team for Fat or Epitaph. Give it a chance and see if you like any of the bands if you are into melodicore. –Donofthedead (Lobster)

Home on the Range Volume 1: CD
A Midwest comp with twelve more bands that ain’t worth the trouble it took to listen to ‘em. Apparently limited to 1,000, which is about the best thing I can say about this. –Jimmy Alvarado (Bingo Lady Record Collective)

Nearvana: CD
Oh, hey, look – it’s a Nirvana covers CD. Nirvana completists will probably want this. If you want mine, drive over to the front of my place and honk – I’ll come out and throw it at you (not TO you – AT you). Why? Because you wasted some high-priced gasoline to drive over here for nothing, except for a jewelcase-sized dent on the side of your vehicle. Shame on you for even considering it. –Designated Dale (Tinnitus)

No One Left to Blame: Twenty American Punk Unknowns ‘76-’82: LP
Yet another one of those Killed by Death-ish comps. This time around, the best stuff here is from (surprise!) my hometown of Milwaukee! The Prosecutors do a great, chaotic song not too far from the Replacements in sound! All right! There’s also Antler Joe and the Accidents with “Dogshit,” one of the more ridiculous songs I’ve heard lately. The rest of this album is pretty much take it or leave it, unless you’re a record collector. LOTS of bands that sound like either the Sex Pistols or the New York Dolls. LOTS of bands with fake British accents. If this were a cereal, it’d be one of those variety packs with lots of mediocre cereals from long ago that, sadly, the cereal execs were correct in discontinuing. Wow. Metaphor overload. –Maddy (Not listed)

Power of Ten: EP
A piece of the current Northwest hardcore scene is captured here. All bases covered from the more metallic side like Himsa, Left With Nothing, Contingent, to the more traditional sound of Spitting Teeth, and on to bands like Stay Gold, The Entropy Project, To See You Broken, The November Group, Screwjack, and Positively Negative, who are carving their own niches in hardcore. All in all, a pretty good comp. –Matt Average (1-2-3-4 Go!!!)

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