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Razorcake #90
White Murder, both LPs
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No Idea Records

Record Reviews

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PNEMONIAS, THE:
Self-Titled: 7"
Very Ramonesy, but done really well. The thing that confuses me is that, although they appear to be in their late twenties, they’re singing about being rejected at the high school dance. Maybe they do things differently in France, or maybe they need to let something go. –megan (High School Reject)


PNEUMONIAS, THE:
Self-titled: 7” EP
Thuddy garage punk, very Loli and the Chones/Rip Off Records. Songs are approximately twice the length they need to be, but this’ll do the trick in a pinch. –jimmy (High School Refuse)


PNEUMONIAS, THE:
Automatic Pistol: 7"EP
If you were wondering whether there are any French bands that strike a garagey midpoint between Les Hatepinks and the Four Slicks, there are, and these are they. I would jump around some, but my boss called and told me i have to work early tomorrow, so when this record is done i’m just going to go to bed. Maybe i’ll jump around some tomorrow. BEST SONG: “Computer Girl,” because no native English speaker could pronounce “computer” that way, even if they tried, which i did. BEST SONG TITLE: “Automatic Pistol.” Actually, that’s really stupid. FANTASTIC AMAZING TRIVIA FACT: I had pneumonia when i was four. –norb (Frantic City)


PNEUMONIAS, THE:
Still Lurkin’: 10”
The Pneumonias—France’s awesome response to The Spider Babies—celebrated their ten-year anniversary by recording ten songs for a 10”. Obsessed with American culture, violence, and fun, this is the sort of record that’s only polarizing in a room full of people who hate fun. There’s a delightful viciousness to the vocals, as if you might get hurt if you turn the volume up, down, or go anywhere near your receiver. Recorded right at the beginning of the year to ensure proper 2014 anniversary delivery, this is as kick-ass as anything else I’ve heard from The Pneumonias. This record will be lurking near my turntable for a long, long time.  –Art Ettinger (Frantic City)


POCKET ROCKETS, THE:
Discrete and Powerful: CD-R
This is straightforward grunge-style barroom rock that’s musically similar to Thelonious Monster, Dinosaur Jr., Meat Puppets, and early Soul Asylum. Although the vocals are just a tad too slurred, whiny, and annoying for my inebriated tastes, the tight instrumental interplay is perfectly created with the utmost of talent and finesse. And even though a couple of the well-versed songs on here suffer from watered-down sluggishness, this is still a fairly unique aural offering that will assuredly receive a decent amount of attentive affection from my ears. The Pocket Rockets just might be on their way to a higher plateau of sonic splendor in the very near future, so be on the look-out, folks. –Roger Moser, Jr. –Guest Contributor (Independent)


POGO, THE:
Police Story: 7"
I think, logically, this is what my old band would have sounded like if they kept me on vocals. Hell, even the pictures remind me of my stupid freshman haircut. My only conclusion is that this band is from an alternate universe where I still like street punk. I didn’t realize street punk was getting into quantum physics. Just to be clear, if a street punk band were to start singing about science, it would be metric buttloads better than this 7”. –Bryan Static (Loud Punk)


POINT BLANK:
Self-titled: 7”EP
Point Blank’s self-titled 7” is hardcore done right. You’d expect nothing less from Danny D., a founding member of Underdog who plays bass, and Ken “KWE” Wagner, a scene legend in his own right who rocks the mic. The opener “No More” was a fast one, setting the tone for most of the record. Point Blank’s namesake anthem was a slower jam certain to inspire epic singalongs and pile-ons when played live, and it was one of my favorite tracks. Lyrically, the band tackles issues both personal and political. I was particularly a fan of the positive messages in the tracks “Live for You” and “Well Defined.” They were a nice juxtaposition to the violent imagery in the band’s name, logo, and interspersed in their other lyrics. These negative images didn’t detract from my appreciation of the band. On the contrary, this record was one of my favorite discoveries of 2015. If you’re a fan of Underdog, or classic NYHC in general, you need to check this out. –Paul J. Comeau (Not Like You, pointblanknyhc@hotmail.com)


POINT JUNCTURE WA:
Heart to Elk: CD
How this came to Razorcake, I’m not sure. This sounds very coffee shop to me. I mean that it’s something that one of your local baristas would probably enjoy, but it’s not anything that would scare off the morning rush who are there only to get their coffee (or whatever) on the way to the office. It’s kinda drone-y and ambient indie rock while not forgetting to have some aim at pop. Nothing on here gets out of control, but nothing gets too accessible, either. –Vincent Battilana (Self-released)


POINT OF VIEW:
Burner: 12” EP

There was a bit of a ska influence creeping into the riffs opening the record, which quickly gives way to slightly generic pop punk sound that didn’t really move me. I was also slightly annoyed that Side B was the same tracks as Side A. At least some art on the other side would have been cooler than simply a repeat. Speaking of art, my favorite parts of this record were the dark and gritty-looking hand-drawn and painted cover artwork, and the collage art in the liner notes, all of it dope as hell. I think if more of this record sounded like the title track, I’d have been into it, but as it stands, I’ll pass.

–Paul J. Comeau (Hella Mad, hellamadrecords.com)


POINTBLANK:
Self-titled: CDEP
You know what I love? I’ll tell you what I love. I love good thrash music. I usually can’t take too much of it (whoever invented discographies has the musical stamina of a god), but an EP or 7” is usually the perfect dose. Pointblank is good. They play fast hardcore that would fit on 625 or Havoc, and they sound pretty original. They still definitely keep that punk tip, too...minimal metal here. Fast, hard, stressed vocals, basic progressions, etc. Keeps up with the greats, fo’ sure. –Will Kwiatkowski (myspace.com/bloodshotmind)


POINTED STICKS:
Waiting for the Real Thing: CD
If you have any love for sweet-toothed new wave punk from the original wave, the Pointed Sticks are a go. I put them in that awkward-fitting triumvirate of The Vapors and The Human League: bands perhaps known for one or two songs (like “Turning Japanese”), but much more solid and talented than that. The good news: this here is a collection which includes many unreleased and super-duper-hard-to-find songs. Awesome. These Canadian obscurities from the late ‘70s/early ‘80s hold up. You get peeks into the rawer beginnings and also the polished bone snap (with sweet candy marrow) of songs that spanned their short career. The so-so news: a good clump of these songs were just recently re-released on the Perfect Youth album. The archivist and pure music lover in me would like two totally separated experiences where you’d get to pick which collection of songs fit a mood better. In the end, that’s a small quibble that gets shadowed by this simple fact: man, what a great, fun band to listen to. –todd (Sudden Death)


POINTED STICKS:
Perfect Youth: CD
Don’t let the name fool you into thinking this is a hardcore band. This is the 25th anniversary re-issue of some of the best Canadian pop with punk sensibilities (spiky pop) ever released. I put this up on a pedestal with The Go-Go’s Beauty and the Beat, The Vapors New Clear Day, and Elvis Costello’s My Aim Is True. Non-sappy, exciting, timeless (well, two and half decades with no sign of obvious wear) pop that, if you’re in the mood to sing along to instead of shaking your fist to, you can’t go wrong with. Great for dates, also great as “ambassador music,” music you can introduce to people who “don’t really like punk,” so they’ll soften up a little bit before you turn up the heat. Geek notes: Dimwit, drummer of the Subhumans, joined them pretty early on and the songs off of their 7” are the bonus tracks. –todd (Sudden Death)


POINTED STICKS:
Perfect Youth: CD
This album is a re-release of the only album by Vancouver sensations the Pointed Sticks, which was originally released twenty-five years ago. Pointed Sticks formed in 1979 and they broke up in 1981, leaving a highly influential mark on the Canadian punk scene. This album is impeccable. To my embarrassment, this is the first time I have heard it. I hang my head in shame for not already being familiar with this album. But I am sure happy I can enjoy it now. The vocals sound like they are stuck in Nick Jones’ throat. They are a high pitched, semi-whine, clogged nose kind of a sound, as he belts out great lyrics to pop/rock/punk songs with a subtle keyboard to compliment him. The vocals are intoxicating and they automatically catch your ear for their unique sound. “Marching Song,” “Perfect Youth,” “True Love,” “Way You Do,” and “Out of Luck” are fantastic. –jenny (Sudden Death)


POINTED STICKS:
Xmas: 7”
My love of Canadian punk rock and Christmas punk has finally been merged. Living legends of the early Vancouver punk scene Pointed Sticks have brought forth an early gift to put under the tree. For those not in the know, the Sticks could very well be described as Canada’s answer to the Buzzcocks (or for a better, more detailed description, check out Sam Sutherland’s amazing Canadian punk tome Perfect Youth). The single kicks off with “Power Pop Santa” and it is the catchiest Christmas list I’ve heard in a while. They name check a lot of bands and people all while reminding us how to pogo. The flip side gives us “Xmas Time Again,” which is easily the lesser of the two tracks. It’s still pretty good, but just can’t keep up to the former track. It’s a bit slower with piano accents. For some reason it reminds me of a mid-era Stiff Little Fingers B-side or something. This slab of festive green vinyl is a very welcome addition to my ever-growing Xmas punk collection. –ty (La-Ti-Da)


POINTED STICKS:
Self-titled: CD
I’ve got to be completely honest. I was scared to listen to this when I saw it in my stack of review stuff. I love Pointed Sticks. They are full-blown Canadian legends. They were architects of Vancouver’s punk rock scene along with the likes of The Young Canadians, DOA, The Subhumans, and others. I love them, but I was scared because I have seen them play twice in the last couple of years and I just wasn’t feeling it. I was worried that I would put this disc on and all of those great tunes from the old days would end on a sour, dull note. I can’t say how relived I am that isn’t the case. Pointed Sticks are old punks in their fifties and sixties who just managed to put out an amazing pop album. These songs are beautiful—not just in how they sound, but in how they are built. I can guarantee that there are legions of hacks out there—being played on the radio and getting awards for music—who are half of the songwriters that these guys are. Is it punk rock anymore? Not really. Do Pointed Sticks really have to prove anything to anyone at this point? No. It’s just good, relaxing music.  –ty (Sudden Death)


POINTED STICKS:
Northern Electric: CD
“Impatient” is a nice bit of snotty power pop, “Tin Foil Hat” is built on a choice jazz shuffle, and the lion’s share of the remaining tracks are heavy on ‘70s rock and pop. The songs are definitely well written, as can be expected, but somehow, the aforementioned exceptions notwithstanding, this just ain’t sparking for me like it should. Could be the laid back delivery, could be a million other things, but, while most definitely good, I was rootin’ for great, a bar this falls just shy of. –Jimmy Alvarado (Sudden Death)


POINTING FINGER:
Best Bruises Collection: CD
Bland, faceless youth crew hardcore stuff from either Brazil or Portugal, judging from the members’ names. –jimmy (Third Party)


POINTING FINGER:
Best Bruises Collection: CD
Bland, faceless youth crew hardcore stuff from either Brazil or Portugal, judging from the members’ names. –jimmy (Third Party)


POINTS, THE:
Self-titled: CD
Yer basic thud punk here from a three-piece with a keyboardist where a bassist usually goes. –jimmy (Mud Memory)


POISON ANTHEM / SIBANNAC:
Split: CD
Poison Anthem starts this thing off with a flop. Not a fan of this kind of this Epitaph records-style punk. “Choke and Die” and “Sinking Ship” are aptly named. Perhaps too harsh? What I can say about Poison Anthem is that the vocalist has some serious range and the drawl of Chrissie Hynde. Things pick way the fuck up with Sibannac, with their “fuck pop culture” sermon and kicks into a pretty gnarly pit-worthy ska beat. It’s some serious skank that’s charming and well done. It reminds me of my confused skater punk youth. However, things take a turn for the worse, yet again, with “Decades 2 Late,” which has even grizzlier vocals and ska beat breakdowns that are 311-esque. Never a good thing. They close out with the live “Pick & Choose,” which is poorly recorded, but not terrible, and probably kind of fun to see live.  –Camylle Reynolds (Self-released, sibannac.bandcamp)


POISON ARROWS, THE:
Straight into the Drift: CDEP
This features an ex-member of Don Caballero, but that does little to save this one: devoid of any type of excitement whatsoever, and meandering to the point of oblivion. Oh shit, guess my indie card will be revoked post haste. –koepenick (File 13)


POISON CONTROL:
The Violent Years: 7” EP
Four servings of punchy, mid-tempo hardcore. I kept expecting them to shift into overdrive at any second, but they never did, which made it all the better. Keep ’em guessing, you know? Good stuff. –jimmy (Deranged)


POISON CONTROL:
The Violent Years: 7”
Guttural, fierce hardcore always has its place, but doesn’t always leave its mark. The first three songs of this 7”, for example, are great hardcore songs, but don’t really have any chance of staying in rotation of my listening. That’s why it’s all about the transition from the third to fourth—and final—song of this record. Halfway through the B-side, the music does a 180 and turns from an all-out attack of fist-pumping punk to a genuine introspective of someone who suffers from social anxiety, while maintaining the energy and fury of the first three songs but raising the intensity to an almost frightening level. One of the top 5 B-sides of 2007, and definitely one of the most intense songs as well. If you were at the Fest this year, that dude who sang those SSD songs with Witches With Dicks is the lead singer of this band. –Daryl Gussin (Deranged)


POISON IDEA:
Feel the Darkness: LP
This is a reissue of Poison Idea’s classic 1990 album. If you’re a fan of the band, you know you need this album. If you don’t know Poison Idea, Feel the Darkness is a good introduction. It shows the band at their best—blending straight ahead rock’n’roll elements (like being able to play their instruments amazingly well and texturing songs with guitar parts that flirt with the idea of a solo without once wanking off) and punk rock (in the gruff vocals and raw honesty of the lyrics). On a first listen, Feel the Darkness gives you a lucid insight into where bands like Turbonegro and the New Bomb Turks got so many good ideas. On repeated listens, you’ll just think, man, I need to own more stuff by Poison Idea. –sean (Farewell)


POISON IDEA:
Darby Crash Rides Again: 7"
I know I don’t have to review this, but what the hell. TKO released a repress of this rare gem for International Record Store Day and I’m sure happy to have snagged one. Poison Idea are one of the greatest bands to come out of the early American hardcore scene. The songs still rage after all these years! Nice pale blue clear vinyl is just the icing on the cake. Listen to me... record collectors are pretentious assholes! Haha. –ty (TKO)


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