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Toys That Kill / Future Virgins, Split 7"
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Record Reviews

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PERKELE:
Punk Rock Army: 7"
This three-song record came out as an appetizer to the new Perkele full-length and it’s another fine release from this popular Swedish streetpunk band. Fans will especially dig the corny, but awesome acoustic version of the old Perkele staple, “Heart Full of Pride,” exclusive to this 7” only. It was pointed out to me not long ago that skins like some of the wimpiest music imaginable. No one would disagree with that fact, but the detractors with their noses in the air are missing out on some of the catchiest, most lovable bands around. Pride is lame, unless it’s taking pride in adoring seemingly asinine music. How asinine is it, then? –Art Ettinger (Oi! The Boat, oitheboat.com)


PERMANENT:
sink/swim: CD
Thrash metal/punk with a lil’ bit of emo thrown in. Not bad, but not memorable either. –Jason Donnerparty (6131)


PERMANENT / RESONANCE:
Self-titled: Split 7”
Side Permanent, simply said, I don’t like it. I couldn’t wait for the record to be over. It’s dark toned and trying a bit too hard to stay that way. I want to give them credit for having lyrics that aren’t totally retarded, but this band needs to relax a little bit. Have a few beers, maybe, and then rewrite some of this stuff. Bands like Off With Their Heads write dark lyrics, but at least they sound like they’re having fun when they’re writing them. Permanent seem like they need a wedgie or something for being so emo. Don’t misunderstand though, because the music isn’t emo, just the lyrics. The music is like a crappy late Hot Water Music record mixed with metal. It just tastes bad. Side Resonance is a pleasant surprise after listening to the Permanent side. It doesn’t quite match up. It sucks when you have an entire side of a record that you don’t like, even if it is a mere two songs. Excusing the other side, I’m into it. I like the line in the first song: “I am one of Pavlov’s dogs, can’t stop the action, but the reaction…yes, I can change the reaction.” Thumbs up from this girl, or high fives…or whatever it is that’s cool these days…except dibs, I hate dibs. –Corinne –Guest Contributor (Collapse, www.myspace.com/collapserecords)


PERMANENT BASTARDS:
Emericans: CD
There’s a sort of new school of punk (hell, maybe that’s what I’ll call it: nü-punk) that seems to be pretty present now. Music that seems to be really influenced by Against Me! and the more basic rock sound of current No Idea Records bands. Fortunately, they don’t necessarily have to suck as bad as Against Me! (And all apologies to Permanent Bastards if Against Me! is not an influence.) Passionate, at times folky, and indie singey at other times, but still very punk. It’s like a new generation thing,you might say, and I’m down with it when it’s done well, even if I won’t be listening to this kind of thing often. (The genre, anyway. I probably will come back to this band.) The lyrics on Emericans range from being overtly political to socio-political, which provides a pretty good balance. The lyrics are actually what carry the album, driving out a damaged, youthful hope. The lead singer’s voice is off-key and sort of, well, weak. Which gives the songs a sincerity when he belts out the choruses the best he can but it has none of that Leatherface/Hot Water Music-biting, if-you-sing-it-gruffly-enough-it-will-sound-like-we-mean-it trend in punk. Instead, it really pretty much has to grow on you. The rest of the band’s gang vocals help him out with choruses and some whoah-oh-ohs here and there, which works out well. This is a great punk album, the kind my music snob roommate would dub “shitty punk rock,” the kind of punk that record geeks and hipsters who only swear by the classics of The Clash and The Fall would never quite get. Which means it’s a damn good punk album for the punks. I can definitely get behind this. –Craven (Self-released)


PERMANENT DAMAGE:
Booom: LP
Lo-fi garage rock that sounds like it was recorded on a ghetto blaster placed in a cardboard box, stuffed with cotton and old rags and then wrapped tight with duct tape. Whatever floats your boat, I guess. –Jimmy Alvarado (Rockin’ Bones)


PERRY H. MATTHEWS:
Self-titled: CD
I don’t like it when a band’s name can be mistaken for an individual’s name—it presents confusion into my record-filing system, which is the only thing in my life that is consistently orderly, stable, and reliable. It also fucks with my grammar, and I have a vested interest in such things. I may be showing my age through such unnecessary griping, and if that means I’m becoming a curmudgeon, so be it. Now then, this is a pretty good record. The sound is hard to define. I mean, it’s rockin’ and all, but not in the style of normal 4/4 tempo’d rock‘n’roll doodlings. This has more starts and stops, more changes in rhythm and melody, more off-kilter fillers than standard rock. All in all, it has an early- to mid-‘90s middle America sound (the band is from Omaha, after all) mixed with tantalizing bits of the arty and the experimental. I wasn’t sure about it at first, but now I can say that I like this record—Perry H. Matthews is one of those bands that you have to break in like a new pair of sneakers, but once broken in they feel real nice. –The Lord Kveldulfr (Doom Town)


PERSONAL AND THE PIZZAS:
Raw Pie: LP
Here’s the CD/LP version of the cassette released a few months ago, a compilation of their singles. The cover has been changed (doubtful that Iggy Pop knew his likeness—munching a slice—was used on the tape, or even some of their 7”s.) The Pizzas throw Stooges riffery on top of Ramones rhythms and sing in New Jersey-like accents. Plenty of songs about pizza, as you would expect (“7.99 for Love,” “I Don’t Wanna Be No Personal Pizza.”) As a native New Jerseyan, I questioned these West coasters using Guido shtick, but their fan club has a Hoboken address, so maybe they really are from the Motherland. I’m glad this record finally came out. I have most of the 7”s, but not the tape (my tape deck broke long ago and I don’t see the need to replace it.) I don’t understand the cassette resurgence the world of rock‘n’roll seems to be experiencing; smacks of hipster douche-ism to me (what, vinyl isn’t exclusionary enough?). –Guest Contributor (1-2-3-4 Go!)


PERSONAL AND THE PIZZAS:
Raw Pie: LP
There is a law of diminishing returns when it comes to gimmick bands. Both in the sense that with each new joke band and with the longer the band exists, the less valuable the joke becomes. Of course there are always outliers and Personal And The Pizzas is an outlier. Their shtick is clever and original: three greased-up and leather-clad lunkheads from Hoboken, NJ with a particularly fierce hankering for the Ramones and, of course, pizza. It certainly helps that the band has a keen sense of humor (a sense of humor about themselves, specifically, and of punk rock, generally) and that the music is treated well and is quite fantastic, showing real admiration for bubblegum pop and proto-punk songs about cars and girls (and for four of the songs here, pizza) that the MC5, Dictators, and Ramones perfected. I find that with their nudge and wink they themselves display greater authenticity with that which they lovingly lampoon than the generations of punk rockers who so fiercely try to re-create and live within the narrow confines of what Personal And The Pizzas smirk at on Raw Pie. –Jeff Proctor (1-2-3-4 Go!)


PERSONAL & THE PIZZAS:
Diet, Crime, and Delinquency: 7”
Just when the burns on the roof of my mouth finally healed from the last time, here comes a piping hot new slice from Personal & The Pizzas! The boys are back in fine form with three more rippers. I gotta say that as much as I love the tunes, I’m just as big a fan of the intros that Personal lays down on some of the records. This one had me choking on a crust! Keep up the good work, Numbnuts! –Ty Stranglehold (oopsbabyrecords.com)


PERSPEX FLESH:
Self-titled: 7” EP
An interesting take on hardcore here. The couple o’ tunes that rev up the tempos are good, but the real gems come to light when they slow down. Things take on a hue of anguished fury that recalls both the intensity of the finest of Scandinavian fjordcore and the brute simplicity of Midwestern hardcore. Best of all, when the last of the four tunes here winds down, you’re left with that aching feeling that what was given you was nothing more than a snack to tide you over ‘til they decide you are worthy of another sampling. –Jimmy Alvarado (Video Disease, videodisease77@gmail.com)


PERSUADERS:
Forced to Fuck: CD
One of the most p_r_i_m_i_t_i_v_e bands I’ve ever heard, dirty punk rock in the fuzz gutter like you wouldn’t believe. New Orleans total rejects King Louie, Jason “Panzer” Craft (who now make up Kajun SS) and Shaggy made a full-length and some 7”s in the 90s—they are all here, plus unreleased tracks. You can’t be this totally raw without some misses on the anthology. But there are incredible static classics like “Savage” and “Left for Dead” too. Hurry up and order from the label and you can get their “Live and Shattered” cd too, recorded live in Feb 1999. –Speedway Randy (Shattered)


PERSUADERS/ THE BLACKS:
Split: 7” EP
Persuaders: One lo-fi punk tune and one sludgy instrumental. The Blacks: They manage to do with one tune what The Persuaders couldn’t with two, which is come up with a remotely interesting tune. Nothing particularly special – stuttery guitar, 8-bar garage rock format, you know the drill, but it works here. –Jimmy Alvarado (Rockin’ Bones)


PERVERTS, THE:
In Yer Ear: CDEP
There are bands that I don't really care for that I wish no harm. The Perverts are one such band. They're just boring. They play bar rock with a reverby guitar and a '50s pop lean. Mostly, it sounds like these guys are doing chores. Not even the line, "I wanna fuck your mom but I don't want to be your dad," can save it. Pass. –Todd Taylor (No address)


PERVERTS, THE:
In Yer Ear: CDEP
There are bands that I don’t really care for that I wish no harm. The Perverts are one such band. They’re just boring. They play bar rock with a reverby guitar and a ‘50s pop lean. Mostly, it sounds like these guys are doing chores. Not even the line, “I wanna fuck your mom but I don’t want to be your dad,” can save it. Pass. –Todd Taylor (No Address)


PERVZ, THE:
Self-titled: 7” EP
When you hear a name like the Pervz, you tend not to expect much from ‘em, so it is one helluva shock when the needle hits the groove and you get rocked outta your boots. When you procure a copy of this hunk of wax, rest assured you’re getting four solid tunes that sonically fall smack dab in the middle of the “Western Triangle” of punk – part Northwest Dirtnap ‘77 update, part SF “‘77 by way of ‘66” trash punk update, and part ‘80s Hostage thug beach pop update. The songs are ultra-catchy and sure to drop the jaws of anyone within hearing distance. Neato die-cut cover, too.  –Jimmy Alvarado (Wood Shampoo)


PERVZ, THE:
Pieces of You: 7"
Saw this band recently and I was probably the only one impressed with this Las Vegas trio. They had the terrible option of opening to a total of six people, but they rocked harder than anyone on the bill that night. That took a lot of cajones to do. They play punk that is equal parts Dead Boys and Iggy Pop from the past, to modern day bands like the Stitches or the Briefs. When you see them live you expect you are going to hear a Green Day cover band because of how young they look. But before you blink, they kick you in the groin to bring you back to reality and rock you a new hole. –Donofthedead (Wood Shampoo)


PESD:
Politikarepoizonekurvae: LP
Truly interesting release that reminds me of Ministry and KMFDM. Featuring members from two legendary punk bands out of Poland, the guitarist from Post Regiment and the singer from Tragedia. Industrial drum beats with gloomy synths and keyboard sounds that create moody layered waves of tension. They also throw a lot of fast punk parts into the mix to bring in the aggressive factor. Vocals are delivered in a yelled fashion and sound like both artists participate in the barrage of verbiage. Lyrics that I believe are in the Polish language and translated for the dumb American for convenience. This is exciting to hear this type of sound coming from a couple of punks. It shows that instead of playing by the rules of genres, they want to also explore the possibilities of what can be made. The end product is a masterful and intriguing mixture of guitars and electronics that is nowhere close to being horrible techno dance music. This release should peak the interest of those who sometimes want something different from the norm. –Donofthedead (Prank)


PESTS, THE:
Misdirection: LP
Seventies style power pop from the Twenty-first Century. Meaning, today, the here and now. Listening to this, I get mental pictures of Sunset Blvd. from thirty years ago, girls in short shorts, feathered hair, and Sixteen magazine. “Can’t Keep Myself Straight,” which opens this, is the choice cut. Good tempo and drive. “Leaving Home” is a nice little burner with a quick bouncy rhythm. Solid listen. –Matt Average (Static Impulse, www.staticimpulserecords.com)


PETER & THE TEST TUBE BABIES:
Alien Pubduction: CD
A reissue of PTTB’s most recent release here, dating from 1998, I believe. On the whole, it’s a pretty middle-of-the-road affair, not quite achieving greatness, but not quite wallowing in the netherworld of god-awfulness, either. I kept waiting for those patented guitar leads to thwack me over the noggin’, and they did make appearances here and there, but they never quite delivered the coup de grace. Let’s hope the next one gives me a right proper beating. –Jimmy Alvarado (Captain Oi)


PETER & THE TEST TUBE BABIES:
Alien Pubduction: CD
A reissue of PTTB’s most recent release here, dating from 1998, I believe. On the whole, it’s a pretty middle-of-the-road affair, not quite achieving greatness, but not quite wallowing in the netherworld of god-awfulness, either. I kept waiting for those patented guitar leads to thwack me over the noggin’, and they did make appearances here and there, but they never quite delivered the coup de grace. Let’s hope the next one gives me a right proper beating. –Jimmy Alvarado (Captain Oi)


PETER & THE TEST TUBE BABIES:
Schwein Lake Live: CD
A reissue of the band’s second live album, recorded in Munich on their 1995 tour for the Supermodels album. Lotsa classic tracks here done all nice and purty and the band sounds great. Of note are particularly good versions of “Blown Out Again” and “Spirit of Keith Moon.”
–Jimmy Alvarado (Captain Oi)


PETER AND THE TEST TUBE BABIES:
Loud Blaring Punk Rock: CD
Loud Blaring Punk Rock: CDTheir third album sees PTTB taking a step backward from the complexity of “Mating Sounds of South American Frogs” and instead nicking another band’s set and adding some of their oldies, all in an apparent attempt to ride the wave of good press surrounding them at the time by keeping the releases coming. The results are for the most part good, with some classic tracks that live up to the album’s title and only a few clunkers. Although it was recorded later, the stuff here is more akin to Banned from the Pubs than The Jinx, so if you’re looking for their more poppy stuff, you’re better off picking up the next in the series of reissues, Soberphobia. For those of you who don’t give a toss about dynamics and hooks and just want some good, old-fashioned punk rock, you couldn’t ask for more –Jimmy Alvarado (Captain Oi)


PETER AND THE TEST TUBE BABIES:
Loud Blaring Punk Rock: CD
Their third album sees PTTB taking a step backward from the complexity of “Mating Sounds of South American Frogs” and instead nicking another band’s set and adding some of their oldies, all in an apparent attempt to ride the wave of good press surrounding them at the time by keeping the releases coming. The results are for the most part good, with some classic tracks that live up to the album’s title and only a few clunkers. Although it was recorded later, the stuff here is more akin to Banned from the Pubs than The Jinx, so if you’re looking for their more poppy stuff, you’re better off picking up the next in the series of reissues, Soberphobia. For those of you who don’t give a toss about dynamics and hooks and just want some good, old-fashioned punk rock, you couldn’t ask for more. –Jimmy Alvarado (Captain Oi)


PETER AND THE TEST TUBE BABIES:
The Mating Sounds of South American Frogs: CD
Strange how some albums can bring back a flood of memories and moods in flashes, much like smells sometimes do. This, like Husker Du’s New Day Rising (hell, who am I kidding? Change that to all of Husker’s releases), reminds me of long ago summers. Flashes of long won (and lost) fights, lost loves, my younger brother putting this on for the first time in my aunt’s basement in Spokane and feeling cheated ’cause it wasn’t as “hard” as Banned form the Pubs and then having it turn into one of the most played albums in the collection throughout the '80s, driving around in a big-ass car covered from roof to tires with assorted graffiti just begging to get pulled over by a pig looking for someone to fuck with, and long-ago gigs in long forgotten backyards are all tied to the songs contained on this, the band’s second album. Like Husker Du, this album is up to its eyeballs in hooks and catchy guitar bits (maybe not as overdriven, densely packed and played as Bob Mould’s famous noodling, but there nonetheless), yet manages to maintain more than enough edge to leave no doubt in the listener’s mind that this is a punk rock record made by a decidedly punk band. Lyrically, this ain’t the Clash or anything, but Peter does get his point across succinctly and the music is so damn good that it doesn’t really matter in the long run. My only gripe is that the album version of “Blown Out Again” has been deleted and the single version included twice. Aside from that, no complaints from this end of the world. Easily one of the best punk records ever released. Consider this mandatory listening, kiddies. –Jimmy Alvarado (Captain Oi)


PETER AND THE TEST TUBE BABIES:
Soberphobia: CD

I remember not liking this album much back when it first came out. My biggest gripe back then was that the intensity that fueled Mating Sounds of South American Frogs was largely absent, leaving some lackluster pop songs with a tinge of a punk edge. While I think that assessment might’ve been a little harsh, I still don’t think, fifteen years later, I was that far off the mark. It’s very true that there’s a decided lack of “oomph” to the proceedings and some of the tracks here are obviously filler, but there are some good songs to be found here as well, most notably “Keys to the City” and “Spirit of Keith Moon,” either of which almost make this worth the green and the inclusion of assorted B-sides and live tracks, however, further sweeten the deal considerably.

–Jimmy Alvarado (Captain Oi)


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