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| Can't find Razorcake at your favorite store? Lend us a hand and we'll send you a free issue. |
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 | Razorcake will send you one free issue if you ask your librarian if they would carry Razorcake in their stacks. (This offer is good for both traditional libraries and independent libraries.) To get the free issue, you must send us the librarian's name and email and the library's postal address. We will then contact them directly and donate a subscription to them. U.S. libraries only, due to postage. | |
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INTERNATIONAL NOISE CONSPIRACY, THE:
Capitalism Stole My Virginity: CD-single
Simple rock’n’roll here with a keyboard. The problem is,
there is no rock in their roll. These songs stir nothing in me. Not that they
are awful; they just don’t do anything for me. Now, with that aside, I got a
chance to see this band live on tour with The Hives (who were fucking great and
should not be missed). I decided to wait around and give them a chance. I saw
the keyboard and right away I was like, “uh oh.” Then they came out. It was
very strange. The band looked like they were rocking out. Everybody had all the
“rock” moves down pat. The music was a different story. It was as if someone
was playing a joke on them and unplugged all their instruments and played a
tape of a dull rock band with a keyboard instead. My eyes and ears were in a
bit of an argument together. Then, they continued to play and I realized that
it was indeed the band on stage that was coming out of the speakers. Even when
the singer introduced the band members and they did there little solo jam thing,
it still didn’t jive. The bass player stepped forward and went crazy but the
music never really changed. This all fucked with my alcohol-soaked brain and I
ran out of the club screaming for my mommy.
–Toby Tober (Burning Heart)
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