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Razorcake #84
Tim Version, Ordinary Life LP + bonus 7"
Radon, 28 LP
Zisk #25
Razorcake #83


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Record Reviews

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Below are some recently posted reviews.

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RAW NERVES:
Futile Efforts: LP
Goddamn is this some crushing hardcore! Portland’s Raw Nerves serve up a full length’s worth of mid-paced, gruff hardcore hoisting the same flag as favorites like Rorschach and Strung Up. The speed barriers are hardly broken here but that’s exactly what is going perfectly well in the songwriting process with the focus being on brutally heavy riffs and pounding drums. Truth time: I’ve heard of Raw Nerves prior to getting this handed to me, but ignored them due to the fact that I was more into Raw Nerve from Chicago whose popularity exploded when Youth Attack put out their records. Not to take anything away from Raw Nerve, whom I do like a lot, but now that they’ve called it quits I don’t see why the spotlight shouldn’t primarily be on Raw Nerves from here on out. If a prolonged hardcore beat down is what you seek then your search is over. –Juan Espinosa (Man In Decline, manindeclinerecords.com/rawnerves)


HOLOPAW:
“Golden Sparklers” b/w “Yearlings Darlings”: 7”

All of my alarm bells are going off. Ding! Ding! Ding! High alert! Be careful! Super-pretty playing. Clean, enunciated, sung male voice. Careful instruments. Ultra-clear recording. It’s such a slippery slope to Dave Matthews, Indigo Girls, Maroon 5 (I’m just naming stuff that I think blows and have been exposed to more than I care for; it’s a limited exposure and unfair to Holopaw. I agree.). But there’s something in Holopaw that makes me not hate it (besides Replay Dave’s recommendation), that makes me think that they’re on to something that reclaims some of the bad memories/horrible bands playing on radio waves/satellite/whatever today’s technology is. Holopaw are pretty-sounding, but have verve and a low-burning fire. My toes tap along. They sound delicate and precise, but not fragile. This is a tough sell between listening to the welcome slashings of Neighborhood Brats and Flag Of Democracy, but I’ll give ‘em their due. Indie rock done well.

–Todd Taylor (Wild Kindness)


HOLLOW HILLS:
She Said Die: 7”

Ah, yes. Spooky surf music. Cramps comparisons are easy, but this isn’t so cookie cutter that I’d stop there. Think The Ghastly Ones, El Ray, etc., but less camp and with a bit more punk structure, almost Murder City Devils-esque in terms of actual songwriting and dynamics. Cool stuff that I bet rips live.

–Dave Williams (Hot Trash, hottrashrecords.bigcartel.com)


RANDOM CONFLICT:
Tradition Is the Enemy: LP
Another full-length from this long in the tooth Southern hardcore band. The delivery’s a bit more feisty than on previous albums, but in the end, nothing really stands out or sets them apart from the pack. Really wanted to like this more than I actually do. –Jimmy Alvarado (No Profit, noprofitrecords.limitedrun.com)


HIRED GOONS:
Demo: Cassette

86 Mentality style oi-influenced hardcore from Canada with those good Sheer Terror-style vocals. The recording is a little spotty (vocals and cymbals overtake the mix), but the songs are good and it is just a demo tape. There are these really cool, very minimal guitar overdubs on the tracks that on a better recording would stand out a lot better and show some good rethinking of the basic “one-two power chord riff” that will fare these guys well later on. The last song, “Red & Black,” is the slowest of the bunch and while I can’t make out much of the lyrics, it has a really good ominous and paranoid-sounding vibe to it. This was pretty limited and I think that when the label sent it to me they were already running really low, but this is definitely a band worth looking into for future releases.

–Ian Wise (Nobody Cult, nobodycult.bigcartel.com)


RADIATOR HOSPITAL:
Something Wild: LP
Bedroom projects often need trimming. I like to think I understand an individual’s “need” to get their music out, but, for me, most bedroom recordings don’t hold up to repeated listening. That being said, bedroom projects that get re-imagined with a full band (especially with members of Swearin’, Very Okay, and The Fucking Cops) have a lot of potential. The full band songs rollick and swagger along while Sam’s voice weaves in with a lazy college rock drawl (a la Cheap Girls). However, the backing/layered vocals are unnecessary, a bit annoying, and detract from Sam’s voice during the full band tracks. The bedroom type solo tracks…. maybe younguns will connect with the love angst. Me, I wish the full band songs were divided up to their own side of the LP. Then I wouldn’t have to turn the LP over. Ever. Wheat from the chaff, y’all. –Matt Seward (Salinas, Salinasrecords.com)


HEALTH CARE:
“U 2 Me” b/w “Lies!”: 7”

This is a two-song teaser from Health Care, the brainchild of Dan Bush, formerly of Thee Makeout Party. The approach is in such lo-fi fashion that it distorts the lines of power pop and twee with searing vocals and strategic use of unconventional rock instruments like the glockenspiel and a farfisa organ. Nevertheless, the songs are quite endearing and could be much more memorable if not for their brevity/quantity. I’ll be paying attention if a full-length drops.

–Juan Espinosa (King Song, sdanielbush@gmail.com)


HEADIES:
Meta-Pop: LP

RIYL on your one sheet? Ugh. But I’ll roll with it. Want some keyboard with your Weasel? Headies can give you a couple of those. “Please Kill Me,” “Kelly Wears Keds,” and “Meta-Pop” are solid fun, might even cause some spontaneous tighty-whitey dancing around the turntable. There are some Thunders-type vocal inflections and riffs on some of the other songs that don’t fit. Maybe fun live? And three cover songs? Please.

–Matt Seward (Square Of Opposition, squareofopposition.com)


PSYCHOTIC TURNBUCKLES:
Destroy Dull City: 2 x CD
A double-dose of historical noisemongering from this legendary Australian (via PismoBeach) garage punk unit. Included are the Destroy Dull City EP, the Beyond the Flipout LP and assorted rarities on the first disc, and a complete collection of single A and B-sides, plus some more rarities on disc two, making for about as fine an introduction to the band as you’re probably ever gonna get. Throw in some extensive liner notes and track commentary and you have yourself a party, kiddo. As can be expected, shit’s loud, primal, fuzzy as hell, and wholly worth the trip. –Jimmy Alvarado (Citadel)


HARD FEELINGS:
Swell…: LP

Apparently, Doc Corbin Dart or Paul Curran is leading a small-musical-instrument-wielding Warriors-type gang of EastBay via South Florida punks through the slush-covered streets of Duluth, Minnesota. If that sounds like your kind of uproar, Swell… will not disappoint. Oddball nasal vocals howling out personal grass-isn’t-always-greener lyrics over jangling guitar and crashing drums. The lyrics border on stream-of-consciousness, but contain just enough one-line nuggets to be relatable (“But by the end of these nights when we feel alright only to wake and it’s all forgot”—”Bright Side of Life”). Do Ya Hear We? festers got graced with a Hard Feelings set this year, which puts a lot of context around which side of the punk bread their butter is on. Re-purposed screen printed covers and a Xeroxed one page lyric sheet round out this superb release. Like Rembrandt, I’m ready to follow the Hard Feelings gang into enemy territory and leave their tag on every available wall.

–Matt Seward (Plan-It-X, plan-it-x.com / Starcleaner, star cleaner.com / Lost Cat, lostcatrecords.org)


PROLETARIAT PUNCH:
Signs of Civilization: CD
From what I can gather, this is a discography of sorts covering a couple of tape releases, a single, and some other tracks the band’s released over the past few years, packed inexplicably in a Harum Scarum CD cover, which is in turn glued to the inside of a lyric booklet. The tunes are overwhelmingly of the thrashy variety that often sounds like a history lesson in U.K. anarcho punk, with moments where they slow the manic tempos down a bit and occasionally drop in some Subhumans-derived reggae. Was a bit skeptical of ‘em at the outset because of the obviousness of their influences, but they definitely won me over by doing things well and with sincerity. –Jimmy Alvarado (Recluse)


HAPPY NOOSE:
Amagosa: 7”

Huh. Definitely an overwhelming sense of goth punk with this one. Ominous Bauhaus-inspired vocals and droning chords that sound like synths but are probably guitars. Think of a less ferocious Lost Tribe and you’re getting there. Didn’t quite connect with me personally, but I can’t say these aren’t an atmospheric batch of songs.

–Keith Rosson (Happy Noose)


H.D.Q.:
“Hand Me Downs” b/w “Toronto”: 7”

Welcome return by one of the bands that defined my youth. This English band was one of the more melodic bands amid a sea of thrash in the late ‘80s. Taking cues from Dag Nasty to begin with and then becoming ever more melodic until their breakup in the early ‘90s. Three quarters of the band went on to form Leatherface with Frankie Stubbs and members played in bands such as Generic, the Jones, amongst others. This release is a fantastic return to form, still keeping a DC edge with a dash of Hüsker Dü, but adding a ‘90s, ‘00s U.K. vibe. While the influences are clearly American, the sound is so English, mining territory this band pioneered but others like Snuff, Southport, and Blocko emulated. Wonderful stuff.

–Tim Brooks (Boss Tuneage, bosstuneage.com)


PROLETAR / ANALDICKTION:
Split: 7"
Tonally, Proletar and Analdicktion are a worthy pairing. Jakarta-based Proletar has been together since 1999, and they have been featured on more than twenty releases since that time. The band recalls a high-octane reinterpretation of Napalm Death, if the lyrics were addressing imperialism, outsourcing, and politics of the left; pretty cool topic matter to hear from voices outside of the U.S. Take that intellectual activity with the blizzard of serrated chords and Proletar’s three tracks and make for a fine A-side. On the B-side is Anadicktion, a recently defunct group from Singapore, who are a bit more of an anomaly for me. I’m intrigued by the brutality of the vocals that are so engagingly awry with effects they seem to boil up from the bottom of a swamp (or fly in from outer space on radio waves made of crude oil) but songs like “Fuck Artsy Indie Girl Bullshit” and “Trendy Hipster Castration Bloodbath” seem a bit like caricatures. But the goregrind vocals are so pleasingly spooky that I eagerly sleuthed around for more material. Analdicktion’s 2011 album, Sluts, is well-reviewed, but similarly hard to get down with due to song titles like “Semen Covered Butchered Whores” and “Severed Scene Slut” and from the abundance of rape jokes in a few reviews I checked out in my hunt for more material. I get that the gore misogyny is probably intended to be more goofball than machismo, but the outcome is normalization of creepy misogynistic thinking. Call me Tipper Gore, but it reminds me in part of why even at punk and hardcore shows in 2013, many of my female friends can’t pass a night without being groped or harassed by dudes in the scene, and how DIY, even though it’s implicitly left leaning, can still feel like an angry hetero boy’s club. In sum, this is an EP of rad grindcore sounds but ultimately mixed messages. –Jim Joyce (Suburban White Trash, suburbanwhitetrashrecords.com)


POOR LILY:
Vuxola: CD
Weird and dynamic enough to appeal to folks interested in genres beside punk. How’s that? Confident, strange, and buoyant songs that are so precise they might as well be laser-guided. Similar in oddity and tone as NoMeansNo and Alice Donut or even more challenging shit like Ruins. Nineteen songs kind of pushes the limits of my endurance, but they’re undoubtedly good at what they’re doing. –Keith Rosson (Poor Lily)


GREBER / HIROSHIMA VACATION:
Split: 7”

Nothing stands out here, just two bands playing discordant, fast-slow-fast, angry hardcore/grind, bordering on powerviolence. I hate to be dismissive, but there’s not much here for fans of old school punk to latch onto. If you love ‘90s style hardcore/grind and need something new to crush posers to, this might be your bag. If you’re looking for actual songs, not so much.

–Chad Williams (Suburban Whitetrash, suburbanwhitetrashrecords.com)


POISON PLANET / GOVERNMENT FLU:
Government Poison: 7"
I have never heard of Government Flu, and that is a problem. This band completely shreds Agnostic Front-style hardcore with that mid-2000s chug vibe but they fucking kill it in a way I haven’t heard in a long time. Fans of the now-defunct Malfunction Records catalog (early Ceremony, Allegiance, Internal Affairs) should go nuts over this. Their side of the record is excellent and the vocals and lyrics are fantastic (especially considering this band is Polish and I believe English is their second language). The Poison Planet side was recorded, I guess, right around their breakup and really show a band pulling something off with a total sense of urgency. Right from the Black Flag rip-off intro the band feels rushed and chaotic, like they only had half an idea of what they were really doing. That being said, I will say one hundred percent without a doubt that this is the best thing Poison Planet has ever released. The lineup on the release (members of Raw Nerve and RazorXFade) probably had more influence than they thought; because the raw sensibilities of those bands translate in a way that Poison Planet didn’t before. –Ian Wise (Refuse, refuserecords.prv.pl)


GET DEAD:
Bad Dead: CD

Given that this is a Fat Wreck Chords product that appears to be intentionally designed to give the impression that it might be a Goner Records product, I feared the worst. The truth is that this record is actually pretty interesting—it’s quite well-produced ((and not in a sucky way, either)) and the band’s varied instrumentation is surely more thought-provoking that I ((admittedly unfairly)) was expecting ((when was the last time you heard anybody actually rock the mandolin?)). That said, I’ve really found that the whole tattooed-and-raspy-voiced-and-hard-but-sensitive-proletarian-punk-poet ((who likes the Pogues and Johnny Cash! Don’t forget the Johnny Cash!)) trying-to-communicate-the-profound-sorrow-which-lies-at-the-bottom-of-his-whiskey-glass songwriting point of view lost whatever tenuous grip it might have ever had on my interest well over two decades ago ((which, to be fair, does not necessarily imply that it’s an invalid perspective)), so I’m gonna leave this one to the guys who wear the little cab driver hats down to the bar. Still, a commendable effort. BEST SONG: “The Process” BEST SONG TITLE: “Kerouac’s Teeth” FANTASTIC AMAZING TRIVIA FACT: There are thirty-eight lines of “thank yous” in the liner notes, and two lines of RIPs.

–Rev. Norb (Fat Wreck Chords, fatwreck.com)


GENERACION SUICIDA:
Con La Muerte a Tu Lado: LP

This is some pretty great punk rock hailing from the belly of the beast, South Central L.A. When you come from a place like that and look at life through a second generation immigrant’s eyes, the world can feel like a really fucked up place. This is because the world, or at least many of the isolated worlds that exist within L.A., are truly fucked. Isolation, boredom, racism, poverty, desperation, and madness—it’s all on this slab of plastic. The noise made to vent these emotions is what keeps the insanity at bay. Musically, it’s very much in the vein of Masshysteri if you ask me, “the Mexican version of The Vicious” if you ask others. You get the idea if you’re a fan of either. Eleven tracks that keep it short and sweet on white vinyl with sick artwork. The dual male/female vocals really give it that extra pop. It’s so simple, melodic, and well-played you really can’t help digging this record. Get ready to move your hips and learn some Spanglish.

–Rene Navarro (Going Underground, Goingundergroundrecords@gmail.com)


POISON IDEA:
Kings of Punk: 2x LP
What else can be said but “essential”? Poison Idea is an anomaly in the pantheon of American hardcore. They withstand the test of time. This beautifully reissued record is a testament to that. You should already know that the tunes here are amazing. The second record features live stuff from 1984-1986 that brings all the fury that is PI. I could only imagine what it was like to see them back then, and now I don’t have to wonder. There is also a poster, photos, artwork and Jerry A. telling the story of shooting the grotesque album cover. Keep the reissues coming TKO! –Ty Stranglehold (TKO)


GASMASK TERROR:
17101961: 7” EP

I imagine some will howl to the contrary, and there are definitely exceptions (Metal Urbain comes to mind), but by my recollections is that France has never much been a consistent hotbed of quality punk and especially hardcore. This definitely falls into the “exception” pile. You get four tracks of Discharge-inspired hardcore with a ferocity that is more akin to Scandinavian bands like Totalitär than the band upon which the template is built. In short, quite impressive.

–Jimmy Alvarado (Solar Funeral)


PIG WELT:
Root Porno: Cassette
One of the best listening experiences I’ve had in a long time was over the summer, driving with Zach Rooney to our friends’ house while he played rough demos of his new Pig Welt songs. It was a warm day and breezy, and here was Zach playing genius home-recorded desert rock by way of Unwound and Slint through his iPhone (might have been an iTouch). I think I briefly understood the universe, no joke. On Root Porno, he finds the common ground between Up on the Sun and David Grubbs, between a cluttered attic bedroom and the expanse of the Mojave and the cool, damp woods of the Northwest. It’s effortless, catchy head-space rock with bonus droning, for people who want to drive/float/smoke on a long, slow day. Get this immediately. –Matt Werts (Holy Page, holypage.org)


FULL SUN:
Stay Awake: 7”

Jeff Grant crafts catchy songs without big choruses, sneaking the hooks into guitar lines and the vocal melodies at the ends of verses. He honed that skill in his old band, Pink Razors, and is really killing it with his solo project, Full Sun. The pace on these three songs is a little slower than that on his first two releases, and the hooks have more room to breathe. It’s like a melodic punk scratch-off ticket, the record needle flaking away layers of fuzz and sound effects to reveal prize songs.

–Chris Terry (Let’s Pretend)


FULL SUN:
High Ceiling Bare Floor: Cassette

This compiles the first two tapes by Jeff Grant’s solo project, Full Sun. “High Ceiling” is a bit punkier, with the left field dubby elements in their own songs. “Bare Floor” begins to integrate the low-fi studio trickery into the indie-inflected punk. The end result is in the middle of a Marked Men, Lee Perry, Guided By Voices triangle. Fifteen songs total.

–Chris Terry (Houseplant)


PERKELE:
A Way Out: CD
This oi band from Sweden has been around since 1992 and has been consistently releasing quality music. This is another home run from them. These ten new songs of old school oi anthems that have a touch of Sham 69 mixed in are a powerful stampede of bootboy anger and passion that will have you singing along with them. This band has gone out of their way to create an album of hooks and tight playing with gruff vocals that give the songs a hard edge. It stands out from the generic stuff that passes off as punk rock a lot of the time, like the horrible Blink 182. These guys sound nothing like them and don’t pander to the masses to dilute the aggression and pure power of these intense oi songs. The songs are played with such feeling and commitment that you can hear the love and emotion that the band has put into this new album, so much so that it fills you with a sense of energy and excitement that makes you want to shout about them to all of your friends. If you don’t own any of their albums, go out and start with this one; if you’re already a fan, you need this one! –Rick Ecker (Spirit Of The Streets, oi-punk.com)


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