Welcome to Razorcake | DIY Punk Music | Punk Bands | Punk Rock Bands | Punk Magazine Welcome to Razorcake | DIY Punk Music | Punk Bands | Punk Rock Bands | Punk Magazine

· 1:The Rikk Agnew Band, Symbol Six, Barrio Tiger and A Pretty Mess
· 2:Interview with Adam Gnade
· 3:Sign Up for a Razorcake Automatic Payment Plan
· 4:#323 - Future Virgins Edition with Todd Taylor and Mike Faloon
· 5:Burn Burn Burn Interview

New Subscriptions
Stickers and Buttons
The NEW "Because We're Fuckin' Classy" Koozie

Nights and Days in a Dark Carnival by Craven Rock
Chantey Hook, Underground 7" *Limited Color Vinyl
Chantey Hook, Underground 7"
Razorcake #80
Future Virgins 7" NEW!

Can't find Razorcake at your favorite store? Lend us a hand and we'll send you a free issue.

Razorcake will send you one free issue if you ask your librarian if they would carry Razorcake in their stacks. (This offer is good for both traditional libraries and independent libraries.) To get the free issue, you must send us the librarian's name and email and the library's postal address. We will then contact them directly and donate a subscription to them. U.S. libraries only, due to postage.

No Idea Records

Record Reviews

1 2 3 4 5 6 7 8 9 10 11 12

| 0-9| A| B| C| D| E| F| G| H| I| J| K| L| M |

| N| O| P| Q| R| S| T| U| V| W| X| Y| Z|

Below are some recently posted reviews.

RSS Feed

How Far Our Bodies Go: CD
This is where keeping it real goes wrong. I got this for review over at MRR too, to which I immediately said “Oh Shit,: as I did just now when I opened the package from Razorcake and saw it again. I spent a long time while listening to this record trying to figure out exactly how I’m going to say “Idonlikeit” while trying to avoid the maximum level of shit I’ll get later. You see, a friend of mine put this out. Not only that, but three of these guys are total sweethearts and although the other one perturbs me, he isn’t a totally bad gent. I’m giving him a chance to grow on me as I’ve been promised he will, but from time to time it has been a challenge. Okay, so add those things together with the fact that I’ve seen this band live and heard their record and at this point don’t particularly care for any of it... and don’t forget to toss in my natural tendency to “keeps it real” and you can see my problem. But fuck me; this is not a review of my issues reviewing this record. The real issue here is that with this record and band all the elements are there, all the dominos are lined up, but it doesn’t click. You’ve got southern Plan-It-X/No Idea punk vibe in several of its many varieties well represented, but it all comes through a little hollow. I blame it on their youth and it seems like things are happening a little too fast for these guys, but if they slow it down a touch and enjoy the ride, something good could come of it. –Steveo (Sabot)

Shattered: CD
The Exploding Hearts were one of those bands that slowly grew on me rather than wowing from the get-go. I liked their debut album, but it took just a little bit of repeated listenin’, and becoming totally smitten with their cover of FU2’s “Sniffin’ Glue,” to imbed a full appreciation of them firmly in my head enough for me to look forward to their next release. Sadly, that release never came to pass thanks to a car accident killing most of the band in one fucked up swoop. As a result, the title of this collection of odds and sods is poignantly fitting. Like its predecessor, the music here illustrates that these kids were capable of plundering deep into the power pop (a term that is in reference to the late-‘70s/early-‘80s music phenomenon that spawned The Beat, The Quick, The Plimsouls, and countless others and not the slew of crappy bands that have co-opted the term to distance themselves from the pop punk ghetto into which they so deftly fit) vaults for inspiration and wicked hooks, tempering things with enough punk rawness to avoid any potential hypoglycemic fits and ending up with some seriously good, seriously catchy songs. Bands this good right out the box are scarce, so the loss of one before they’ve achieved their full potential means we’re the worse for it. –Jimmy Alvarado (Dirtnap)

Sedition, Subversion, and Espionage: 7"
Wow, pretty killer r’n’r with political lyrics! This is a real find. A cousin to The Regulations, not so literally but in old punk rock sound and lefty lyrics. How many times do you get a lyric sheet with a 45? Not freaking often, but this band has something to say, and the music to back it up. Stirring, powerful, and catchy, and from DC even. Pick it up now! Should be leading the way on Dischord, fitting into the DIY and the politics, harkening back to the bands that started the label. But it’s on Big Neck, maybe because it’s the brother of Odie from the Baseball Furies. –Speedway Randy (Big Neck)

Self-Titled: CD
Six tracks and sixty-one minutes of dark drone music. It’s nice to have running in the background or maybe while you’re sleeping, but I find it hard to imagine someone saying, “When we go on our cross-country drive, let’s make sure and bring some drone music.” Or, “Hey man, can you put on that new drone CD you got?” –Kurt Morris (Lens)

Dumps Luck: CD
If you took a CD of a pop punk band and then backed over it with your car, or pick up truck if you live in Florida, a few times... If that disk would actually play again, doubtful, but if it did actually play—it would probably skip a lot, but if it played again—it might sound like a gravelly version of what once was pop punk. That would be these dudes here. They have a catchiness buried under a thick coating of grit, grime, and the sounds of the gutter. But under the sludge, there’s an enthusiasm to the whole CD that is infectious, and also a slight sarcasm that was once a standard for bands of this genre. “I hate myself but I don’t want to die”; self-loathing yet funny at the same time. Dumps have got something here. Just when the CD gets to that part where things get repetitive, dudes pull through because of their enthusiasm for the songs captured in the recording. –Dave Disorder (Kiss of Death)

The Wonderful and Frightening World of: LP
Holy sheeeeiiit. That’s pretty much sums up all my dropped jaw can muster. Why? These guys sound like all the best parts of early Hüsker Dü and Pick Your King-era Poison Idea without sounding like they’re trying to ape those bands, making for one really good reason to go out and buy a record player, if you don’t already have one. I give it four days before I completely wear the grooves out. –Jimmy Alvarado (No Way)

Split: 7"
I get frustrated some times. I get frustrated when I don’t get good stuff for review and I get really frustrated when I get good stuff for review from bands who can’t seem to make up their mind if they’re going to continue being a band. I mean how many times can you put your little heart out there for a band that you know is just going to break your heart? This record has not one but two bands giving me angina. Firstly there’s Dirty Looks. At least half of whom live in the Bay Area and, on occasion, will play a show when all of them are in town. I got their demo in the last year or so and I was blown away. Naters of Bent Outta Shape laying down some “Bob Stinson if he was wasted and suddenly found himself in Naked Raygun on guitar,” backed up by Ren and Skip (also of B.O.S.) and fronted by Gaylen…a lady who can lay down the grit in just the way I like it. To my question of “are you guys going to tour at all?” I believe I got some reply of “not really and half of us are moving back to Oakland.” Now if there’s one thing I hate more than being let down by good bands breaking up before they’ve realized their full potential, it’s those bands breaking up after I laid down a thousand or so dollars to put out their record. So I balked. Bossy—although I don’t think they ever asked me to do a record—is a similar sort of situation coupled with the fact that I thought they blew at the Fest and god bless little Jimbo but that man can’t stay in a band for more than ten minutes. Their two songs here way outshine their performance that balmy night in Florida. Well, anyway, thank the man upstairs for Marco of Salinas. A young man with the deep pockets of a school teacher and the testicular fortitude of a deep sea welder. He treads where I dare not go and reaps the spoils of those dangerous outings. She ain’t too much to look at but she is a pleasure to listen to. –Steveo (Salinas)

Here Lies: CD
Stoner rock meets blazing garage punk with blown-out vocals. Members of Glasspack and Raging Slab are in the band. Comes off a whole lot like what I remember Laughing Hyenas sounding like. Any fan of Zeke, Ironboss, Melvins, or, especially, The Hookers will want to check this out. –Mike Frame (4 Walls)

She Had a Cameltoe: 7"
When I lived in Tucson years ago, I would see Shawn (the man behind DL) at shows, looking like a skinny bottle of whiskey that was always filling back up. He seemed unstable and fun, someone you want to hang out with as long as you had a bail bonds card on ya. Well this is how DL is too, er, in digital form. Twisted synth punk. His newest single sounds like the Boggles on the title track: vocals through a TV speaker, really, really electric sounds, more pop-pop-click than his usual vibe. But it’s great and what American wouldn’t like a song about a cameltoe? The back side, “Abrasion” is more along the lines of his other work: moody drama class vocals, strong keyboards, and garage rock drums… homemade damage. It’s a killer song that you can sing along to like a drunk Brian Eno. –Speedway Randy (Goner)

Second Coming: CD
I’ve been an unabashed Dickies fan for as long as I can remember. That said, I loathed this album when it first came out to the point that, up until now, it was the only one I actively refused to own. The wherefores involved in my detestation boiled down to one thing: a production that strived so hard for mainstream success that it effectively smoothed off all the gloriously jagged bits that made the Dickies sound like, well, the Dickies. The rhythm guitars were just lost in some void and “Dummy Up” sounded like some outtake from an aborted Dexy’s Midnight Runners album. And then there were the cover songs, the last refuge of the band’s true greatness, sullied by faithful interpretations of “Hair” and “Town Without Pity” rather than the ramped up approach that made their renditions of “Nights in White Satin,” “She,” and “Paranoid” on albums past such barnburners. Revisiting it some eighteen years later, I’ll grudgingly admit things aren’t as dire as previously believed. Sure, the covers still suck something awful and the rhythm guitars remain MIA, but the strength of songs like “Going Homo,” “Cross Eyed Tammy,” “Booby Trap” and others shine through the lackluster production. No doubt to make things that more enticing, the Killer Klowns five-song mini-LP has been tacked onto the end. Yeah, it still ain’t my favorite album by them, but it ain’t half as bad as I thought. –Jimmy Alvarado (Captain Oi)

Many Were Killed, Few Were Chosen: CD
I’ve gotten nearly an EP per issue from these guys over the last couple of years, so it’s nice to see they’ve decided to forego yet another and go for broke with a full-length. Considering their pedigree (they started out as the Destructors way, way back in 1977, broke up, one dude went on to play with the Blanks before reforming the Destructors and taking them into the next decade, where they became part of the infamous U.K. ‘82 crop of punk bands), it comes as no surprise their sound harkens back to the so-called “glory days” of U.K. punk. What is surprising is they sound just as relevant and as energetic as they did lo those many years past. The speed of their tunes leans more toward mid-tempo punk than minimalist thrash these days, but they can still belt them out with a power and conviction many new bands seem unable to muster. The lyrics alternate between the serious and the not-as-serious, and there’s even a remake of the aforementioned Blanks’ “The Northern Ripper” on here. –Jimmy Alvarado (Rowdy Farrago)

777: CD
The Ruined: Sorry, but hard as I try, I just can’t get past the metal component to their sound. Destructors: Damn these guys are prolific! No sooner did I review their full-length when this came along. Two tunes with a horror vibe to ’em, mid-tempo at their fastest, neither of which are too shabby. –Jimmy Alvarado (Rowdy Farrago)

Negative Feelings: 7"EP
Skinny ties used as nooses. Amphetamines instead of cocaine. Mr. Plastic has one foot in the new wave (keyboards, excited robot vocals) one foot in the rock (a human drummer, slashy instead of bouncy guitars). In a good way, this EP takes cues from Dirtnap’s deep roster; a modern twist in an alternate universe where musicians learn equally from both The Adverts and the Vapors, utilizing the technology of today. Think along the lines of a mix of The Triggers, The Charming Snakes, and The Briefs, all about the get into a nasty wreck, speeding down a wiggly freeway. Not bad. –Todd Taylor (NMG)

USA Punk 70's: CD/DVD
…to be brutally frank, if you’re already in possession of the “Excuse My Spunk” CD, your Dennis Most & the Instigators collection is more than adequately stocked. To further the thought, while i imagine, rightly or wrongly, that stuff from the 70’s like “Excuse My Spunk” and “Penetrate” might very well have bequeathed profound influence on the likes of GG Allin & The Jabbers, and while i also applaud the “let’s turn it up to 10!”sentiment of 2004’s “I’m Not Dead Yet,” anyone who doesn’t think that weak, white, “new wave” covers of ballsy classics like the Equals “Baby Come Back” were precisely what caused hardcore to invent itself in 1981 is sadly misinformed. However, i can say, with some conviction, that this is the first time i’ve ever reviewed anything containing a Bubblepuppy cover. Wheee! BEST SONG: “Penetrate” BEST SONG TITLE: “Don’t Take Me for Granted, Janet” FANTASTIC AMAZING TRIVIA FACT: Comes with a DVD of Dennis Most & Audiolove playing at Xavierian Bros. High School in 1976. The best part ((besides the Hollies cover)) is that they’re playing in front of a banner that clearly says “SASS.” –Rev. Norb (Dagger)

Count Me In: LP
When I was seven, I once took a ride on my bike and I hit the curb at a funny angle. I flew from my bike and skidded to a stop on the loose gravel which also contained shards of glass. That was more fun than listening to this record. Bryan Static –Guest Contributor (Bridge Nine)

Break Through It All: 7"
This record does what it’s supposed to. It makes me want to wreck people. It does what Blood For Blood did for me for a brief time. It makes everything look twisted and ugly and deserving of at least one boot party for all that it has done to you. It’s hardcore, it’s heavy, and it isn’t afraid to lay down a little double bass for just the right amount of time. What I wish it didn’t do was cover Cock Sparrer. It’s not the most offensive version of “England (here Boston) Belongs to Me” but it’s really nothing special. The other two songs are apparently on their LP so if you were thinking of getting this for the cover on the B-Side you might be okay just having that LP. For you nerds this is limited to 1,000 hand-numbered copies on blue/black splatter vinyl and red/black splatter vinyl. Are we over “splatter” vinyl yet? You see it so often these days because of Pirates Press that it’s lost all specialness to me. –Steveo (Bridge 9)

Split: 7"
Dear Landlord: The new guys. Equal parts Rivethead and The Copyrights (literally), this band is a fucking powerhouse. I’m calling it pop punk, but with more raw power than 1-4-5. They’ve also figured out a nice loophole to the eternal “do we want to double our vocals when we record?” by having up to three dudes (again, who can belt ‘em out) all singing at once at times. We’ve got a strong contestant for best band of the year. Chinese Telephones: The established guys. You’ve probably heard the name before, particularly if you’ve read this magazine before. Still fun, catchy, and upbeat punk rock that kind of reminds me of the one God Hates Computers song I heard. Now get that proper full length out. Overall: A pretty great look into what’s going on in “somewhere in between pop and straight-up punk rock.” –Joe Evans III (It’s Alive/ Recess)

Split: 7"
Pop punk, in the progressive, non-ass sense. Man, I miss Rivethead. The early ‘00s were an unkind time for pop punk, so it took more than songs about girlfriends and bubblegum to pull through without being called a cardboard cutout of the Ramones or a straight-up donger. Dear Landlord has Half Pint and Zack of Rivethead, so the tempos, words, and vocals are a direct continuation of the “hard luck, but better off than most of dumbass America” of Rivethead; songs that are toe tappers without the self-lobotomy kit that seems to come with too much pop punk. Gritty, explosive, exciting, and clear. Songs that you won’t feel guilty listening to if you’re over sixteen years old. Yeah. Rulin’. Chinese Telephones: Sometimes, you don’t want to tell how great you think bands are, that they’re so humble and that sort of praise will knock ‘em off their game. But I will say this: The Chinese Telephones are right at the point where they’re going to eclipse some bands they’ve got tattooed on their bodies. –Todd Taylor (It’s Alive / Recess)

Medium Noise: CD
I feel about this band the way I might feel if I was a teenager and my punky little brother had a band that practiced in our parents’ garage and I listened to all their practices while I read The Bell Jar on the porch and looked forward to college. By this, I mean I can’t help but like this band a lot in a smiley and proud older-sister kind of way. They write good songs, they’re politically aware, they seem to be enjoying themselves. Lots of spirited, yelled-out vocals, unrelenting guitars, and awesome drumming. I want to bake them vegan cookies and watch people go nuts for them at shows. Go, Dead Mechanical, go! –Jennifer Whiteford (Sex Cells)

Slow Down to Speed Up: CD
Think Tad Doyle fronting Nirvana. Or maybe J. Mascis singing with Tad. Wait, no, Kurt Cobain with Dinosaur Jr. Better yet, move along. Mike Faloon –Guest Contributor (Livid)

Capital Cities: LP
Seven songs, 45 rpm 12”. Think Clean Plate, Level Plane, Perpetual Motion Machine, deals like that. Think sparse instrumental sections that build up to the yelling parts. Think that Daniel Striped Tiger manage to pull off some pretty interesting moments (most notably in the second song, “Defense Mechanism,” where the music shorts out right in the middle of a section—first in one speaker and then the other, so the first time you heard it you thought your record player had just taken the dirtnap—only to come back into one of those gentle, instrumental buildups. It was totally out of place and awesome for that fact.) Think that they remind you musically of Life At These Speeds and vocally like a slightly drugged Light The Fuse And Run. Think that while so few of the bands of this ilk rarely release records that totally floor you, it’s still a nice sound to have going on while you’re drawing or doing the dishes. Think that Daniel Striped Tiger, and almost all of the bands that remind you of them, seem to fare so much better in a live setting. Think that despite that fact, Capital Cities is still a pretty nice piece of work, though the band and label would’ve ultimately been better served had this record been reviewed by someone who’s way more geeked out on this kind of shit than you are. –Keith Rosson (Clean Plate)

Exit Decades: CD
Very much like Joy Division, yes, but minus Ian Curtis’s dark drawl, the poignant-yet-hopeful vocals of Cut City’s Max J. Hansson gives the form an immediacy that feels neither dated nor derivative, but moving and even necessary. What better way to dance away the darkness than with thick basslines, nimble percussions, and echoing siren guitars? Very good and highly recommended if you’re into the above-mentioned, Soft Cell, Echo and the Bunnymen, Siouxsie and the Banshees, and the like. –Susan Chung (GSL)

Theories of Hate and Time: 7"
I’m assuming that this is an Ohio side project since members play in other bands such as Gordon Solie Motherfuckers, The Inmates, 9 Shocks Terror, and Upstab. I have read that the band has done splits with Brody’s Militia, Chainsaw, Conga Fury, and Zemezluc. They also have been in existence for seven years. These are things I didn’t know. What I do know is what is coming out my speakers: raw, fast hardcore punk rock that easily could have come out somewhere between 1983 and 1984 and a very live-sounding recording that definitely was not recorded in a ProTools studio. The guitars sound spastic, like it was live, due to the gritty and unpolished sound. The bass has a weird pounding tone, like it was recorded amplified and not straight to the board like most recordings. The drums have a one or two microphones, max, and sound like it was just recorded overhead. The vocals sound almost blown out due to the full force delivery. No doubt that this stuff is angry. If it sounds this mean on record, I can’t wait to see how well this stuff comes off live. –Donofthedead (Schizophrenic)

Wired for the Last Move b/w Basement Star: 7” 45
I like, but do not love, this self-described “DIY arena rock band” from NYC, and i think the main reason for the lack of lovin’ is that the band has yet to write a single song that i can remember more than twenty or thirty minutes after hearing it. I mean, i’ve seen ‘em live, got both the albums and some of the singles, and the only thing i could tell you about their songs is that they’ve got an instrumental titled “Sad Walk at Knifepoint.” I have no idea what it sounds like any more, i just know i like the title. Case in point: I have already forgotten what the A-side sounds like; the B-side i still remember a little bit, because i remember the singer’s voice treading that ever-so-precious territory between Wendy Case of the Paybacks and Suzi Quatro, but if i can hum even four bars of the song forty-five minutes from now, it will be a breakthrough moment in the band’s history with me. This band would probably be a lot bigger if they would court the goldfish demographic, since said fish are reputed to only come equipped with about thirty minutes of memory. Alternately, perhaps i’m a goldfish myself. I do feel a bit thirsty. BEST SONG: “Basement Star” BEST SONG TITLE: What? I have forgotten. Is it feeding time yet? FANTASTIC AMAZING TRIVIA FACT: Band has been paid in vegan chocolate cake frosted to look like a leopard. –Rev. Norb (Slow Gold Zebra)

Front Row Tickets to Armageddon: CD
Great hardcore that’s part blazing-fast powerviolence (minus the cookie monster vocals), part heavy metal, and with thirteen songs in about fourteen minutes. I’d say the biggest downside is that you couldn’t enjoy all the guitar theatrics (Review within review: HOTT LIXX HULIHAN: Debut : 7” EP: It’s an air guitar 7”! How great is that?), but the CD has some live footage if you put it on a computer. Totally awesome. –Joe Evans III (Wajlemac)

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850

| 0-9| A| B| C| D| E| F| G| H| I| J| K| L| M |

| N| O| P| Q| R| S| T| U| V| W| X| Y| Z|

Razorcake Podcast Player

·Patti Smith Live

Razorcake Podcasts

If you live in the Los Angeles area and want to help us out, let us know.

Get monthly notifications of new arrivals and distro and special offers for being part of the Razorcake army.

Razorcake/Gorsky Press, Inc.
PO Box 42129
Los Angeles, CA 90042

Except for reviews, which appear in both, the
contents of the Razorcake website are completely
different from the contents of Razorcake Fanzine.

© 2001-2011 Razorcake/Gorsky Press, Inc. Privacy Policy

Razorcake.org is made possible in part by grants from
the City of Los Angeles, Department
of Cultural Affairs and is supported
by the Los Angeles County Board of
Supervisors through the Los Angeles
Arts Commission.
Department of Cultural AffairsLos Angeles County Arts Commission

Web site engine code is Copyright © 2003 by PHP-Nuke. All Rights Reserved. PHP-Nuke is Free Software released under the GNU/GPL license.