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· 1:The Backpatches of NYC (Collection 2)
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· 3:One Punk’s Guide to Pinball
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· 5:#410 with Daryl


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One Punks Guide to Pinball, by Kayla Greet
Razorcake #92
Spokenest, Gone, Gone, Gone LP
Pinned In Place, Ghostwritten By LP
Razorcake #91


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Record Reviews

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GOLDEN TRIANGLE:
Self-titled: 7”
Girl fronted party rock, melodic “hey!”s and anthemic hooks galore. It’s good, just not really grabbing me like The Okmoniks or Fe Fi Fo Fums do. If you like those bands, you should check it out. –mike (Rob’s House)


GHOST AQUARIUM:
Light Cannot Escape: 7”
This is an interesting record here, mainly for the fact that it sounds like two very different bands. The a-side is an original, “Light Cannot Escape” that sounds sort of like Dinosaur Jr without J. Mascis on guitar. It’s guitar-driven with some fuzzed out bits, and instantly memorable. The vocal style reminds me of My Bloody Valentine. This song is very much on the shoe gazer side of things. A great song, to say the least. The flipside is a cover of Christian Death’s “Spiritual Cramp,” which they do quite well. Well enough to make you think this was a split 7”. It’s cool and all, but after hearing their original song, I would prefer to hear another original instead of a cover. Anyway, this is worth picking up. It comes on dark gray vinyl. –Matt Average (Ripping)


ZATOPEKS / ACCELERATORS:
Split: 7”
The Zatopeks are the musical equivalent of the following exclamations: Yay! Yay! Yay! Super catchy pop punk from the U.K.! On the record cover they’re wearing Groovie Ghoulies and Ergs shirts, which is a.) a good sign! and b.) a good indication of what this sounds like. The first song is way better than the second, but you’re supposed to open with the best song, right? Still, I have to hope that they stick with the first song, classic pop punk formula in the future. Zatopeks, this is my request! The Accelerators are more on the regular punk mixed with rock‘n’roll side, with a teaspoon of pop punk for good measure. Not as good as the Zatopeks, but it’s hard for regular Mini-Wheats to compete with Apple Jacks! –Maddy (Squinty Joe)


X-OFFENDER:
Self-titled: 7” EP
Co-ed cinder block basement booty-stompin’ not unlike a post-larval Thee Fine Lines, although the guitars herein lack some of the boat-caulking wallop of said band’s stout axes. I enjoy records with television sets on the covers. That is all. BEST SONG: “Get It Right” BEST SONG TITLE: “Oh!” FANTASTIC AMAZING TRIVIA FACT: My house has been recently overrun with box elder bugs. I was in pursuit of one of these creatures while this record was on the turntable, and, as I moved in for the ((literal)) kill, the beetle in question took to the air—only to land smack dab in the middle of Side A, where he was unceremoniously rotated into my stylus, knocking him for a loop. The rest of the extermination process was carried out sans incident. –norb (Milk ‘n’ Herpes)


WITCHES:
Big River b/w Young Ones: 7”
Moody, alt country influenced indie rock. The lyrics are introspective, but don’t fall victim to wankery. The female-fronted vocals strongly remind me of Cat Power—maybe by a bit too much, though. I feel like I even recognized a couple similar riffs as well. Despite that, the disc didn’t wear out its welcome, and I’d love to see what they come up with in the future, especially if they ditch any overly familiar elements. –Evan Katz (Salinas)


YOUNG, THE:
4 Songs: 7”
I want to say first off that I love the artwork for this record. On the front cover is a collage of birds and on the back is a collage of sea creatures: sharks, squids, fish and the like. Very colorful and pretty! Great stuff. No lyrics included, just a small, pink sheet with what appears to be some kind of paper doll cutout—well, an outfit for one, at least. The record itself is pretty decent. The recording could be better—it was done at home and it sounds like it. I thought they could have started off with a better song—the first one on the record, “Attitude Adjustment,” was my least favorite of the four tracks. The second song was getting a little better—I liked the backing vocals. The last song, “CemetaryTown,” was the best in my opinion (also, unsure if they spelled “cemetery” wrong or if they’re making some reference to the Swedish band Cemetary). I actually wish the ending for that track wasn’t so abrupt because I was digging the rhythm and would have been happy to hear it for a bit longer. The vocals are kind of dirty punk with some melody thrown in. Nothing too outrageously original, but the songs overall made me think they might be fun to see live. –Jennifer Federico (Criminal IQ)


WITCH HUNT:
Blood Red States: LP
This band is better than I remember. Listening to this, I totally get why people are stoked on this band. Hard-driving political punk with a multi-vocal attack bolstered by a dual guitar assault and crashing drums. A bit generic in parts, but the delivery sounds passionate and the energy possessed within the grooves of this record are undeniable. They’re angry, yet they don’t sloganeer, and they don’t try to guilt you out for the cause. The opener, “Desperation” is okay, but not the best track and doesn’t measure up to what lays in store for the rest of the record. “Take It All Away” is a total rager. Starts off a little unassuming, then ka-blam! They give it all over to a blasting tempo and shredding vocals. Then you get the bass line that knifes through to “Twenty-Five.” Good, good, good! Originally pressed on Profane Existence a couple years back, and now available again, self-released by the band, and on dark red vinyl. –Matt Average (Witch Hunt)


WILD WEEKEND:
Don’t Push Me Around: 7”
Wow! A band named after a Zeros song covering two Zeros songs! The mind boggles! This makes me want to start a band called It’s Cold Outside, and only play songs by The Choir! If this were a cereal, it’d be Malt-O-Meal’s Frosted Flakes, the generic for, well, Frosted Flakes (Note: How did they get away with calling it exactly the same thing?), and not in the bad sense of generic, but you know, in a replication-of-the-original way! –Maddy (Munster)


WHORE MOANS, THE:
Hello from the Radio Wasteland: CD
At the core, The Whore Moans are a garage punk band from Seattle and a pretty good one. Yet, there’s quite a bit to them. They’re all over the place. They change it up quite a bit, inside the songs, speeding up and slowing down. You end up getting sucked in after a while. Each song is completely different from the last. They’re not afraid to try a sea shanty or a slow acoustic number. The lyrics are good and mostly seem to be about sticking to your guns and living a life of resistance, whatever it may be. They have some of that Seattle/Northwest thing in their vocal delivery, that weird dramatic type of singing that you can hear in Murder City Devils and Supersuckers. The vocals don’t sound like either of those bands, but you can tell that they’ve been drinking some of the same water. Worth checking out. I’ll bet their really great live. –Craven (Mt. Fuji)


WHITE NIGHT:
Self-titled: Cassette
This tape is so contaminated with enriched ‘90s pop punk radio hits that I feel like I should feel guilty for listening to it. This couldn’t possibly be legit and yet it’s righteous DIY pop punk from the people who brought you Shred Savage and the Pterodacdudes. Songs that are structurally sound and sound great. It’s all golden. The only question is why is it on a tape? –Daryl Gussin (Burger)


WAX MUSEUMS:
Self-titled: LP
I can’t believe it took me this long to check this band out. I can’t believe I’ve been living a life without the Wax Museums! While any certified professional would undoubtedly consider this music to be retarded, it’s still leaps and bounds above so much other music being made by people who probably think they’re pretty sharp. But those dumb fucks don’t stand a chance to the Wax Museums. The Wax Museums know how to write great classic songs about stuff like; dogs, guts, glass miniatures, cowboys and Indians, girls, smells, and the list can go on. If you miss the hell out of the Trashies, will never be able to get enough of the Marked Men, and you wanna listen to music that will put a smile on your face as well as make you pump your fist in a semi-ironic way: don’t let this band pass you up like I let it pass me up for so long. Buy everything you can find by them. One of the best LPs of 2008 for sure. –Daryl Gussin (Douchemaster)


VOMIT:
Bloody Awful: CD
The cover has the band’s name in, well, uh, vomit lettering. The graphic for the cover is a vomit-filled toilet with a bloody, used tampon in it, bloody handprints on it, and blood spotted panties lying to the side of it—not forgetting the blood all over the tile and walls. The back cover has portrait pics of the band members (?) from their youth for juxtaposition purposes, which aims at a hearty laugh (I’m guessing). The graphic behind the disc tray is (I think) an indiscernible piece of infected flesh stapled back together. Well, I’m not quite sure what to do with this album. I’m kind of indifferent towards it. The instrumentation is not that bad. It’s like the Meatmen decided to go the way of D.R.I. (yes, even some of the crossover). It’s interesting, but it’s not really my thing. The lyrics range from crude to cornball, while making stops at can’t-go-wrong punk lyrics about being depressed, the army, and religion. Again, not really my thing, but I’d listen to it again before I put on the radio—but that doesn’t say shit. –Vincent Battilana (Self-released)


VIVA LE VOX / PAPERDOLLS:
Split: 7”
Viva Le Vox is a South Florida three-piece that plays bluesy, rootsy rock and roll. First song, “Down at the Laundromat,” with its shuffle beat and raspy vocals kind of reminds me of the alley cat band Tom puts together in “Solid Serenade” to woo the lady cat with his soulful rendition of “Is You Is or Is You Ain’t My Baby.” Next up, “Six Inches Off the Floor” picks up where “Down at the Laundromat” left off, and is one of the peppiest songs about suicide I can recall. A fun couple of songs here, worth repeated listens. Paperdolls is a South Florida acoustic two-piece. The wilting vocals, gothic and romantic lyrics (in the classic, literary sense) and Django Reinhardt-inspired gypsy folk guitar by Guido Castellanos on the first song “Dark. Cold. Sudden” is certainly impressive. Next, “Woodburning Kit,” with band mate Tara taking lead vocals, follows in similar fashion as the lead track, though Tara’s voice seems to be more playful with a bit more range, though both songs are beautifully crafted. All in all, this is a very nice pairing. –Jeff (Incest)


VITAMIN X:
Full Scale Assault: 12”
I saw Vitamin X play awhile back and had a grand time. What a fun show! That said, I think my days of getting super excited about listening to hardcore at home are somewhat numbered. For example, I think Full Scale Assault is a good record, it’s super solid, and Vitamin X clearly know what they’re doing (and even if they didn’t, they’re backed by a steadfast crew; for example, Steve Albini recorded and mixed it, and John Brannan sings on a couple of tracks), but I didn’t find myself getting terribly doe-eyed about it. As I said, it’s a good record, there are some cool tunes and plenty of songs to get riled up with, and I think fans of hardcore would be into it; it’s just that I think hardcore as a genre has its work cut out for it in terms of bringing something fresh. The album artwork is really nice—done by John Dyer Baizley (who’s in a band himself and has done lots of artwork for other notable bands); it has to me a Pushead kind of feel to it. Included in the record is also a small poster, which I think diehard fans would be pretty psyched about. Lots of nice live pictures and all the lyrics spelled out for ya on the sleeve. My favorite song was “Grim Reaper,” which has a nice, fat, crusty bass line. If hardcore gets your blood pumping, it’s definitely worth checking out. –Jennifer Federico (Tankcrimes)


VIOLENT ARREST:
Criminal Record : 2 x EP
These guys (ex-members of Heresy, Ripcord, Dumbstruck, etc) remind me of N.O.T.A., especially with the opening riff to “Youth Violence,” which sounds very similar to “Propaganda Control.” Big and crunching guitar sound, gravelly vocals, some oi influences, and catchy drumming. The more I listen to this, the more and more I like it. You get the blistering attack of songs like “Shit for Brains,” the entire a-side, and then you get the mid tempo rippers like “Suicide Squad” and “Barren” to break up the speed trials. I spent a Friday night spinning this double 7” set over and over. That says this is either a good record, or I’m a social loser. Or maybe both, if we’re going to be honest about it all. –Matt Average (Grave Mistake / No Way)


VARSITY WEIRDOS:
High School Teen Party: 7”
Okay, I’m actually going to write a review in which I describe what the band sounds like! This sounds like the Riverdales, with a slight Teenage Bottlerocket influence in a general sense. Pretty good stuff, but it’s no Radio Oh Oh Oh! Still, this band could become great, and they include one of those yellow 45 plastic things with the record! If this were a cereal, it’d be Super Golden Crisp. All the elements are there, but we need a final secret ingredient to push it to the top! –Maddy (It’s Alive)


VARIOUS ARTISTS:
Welcome to the Golden State: 11-song 7”EP
A nice, if rough, snapshot of current DIY hardcore in California. There’s an adolescent feel—almost a Pee Chee sketch and doodle quality to most of the songs—that’s both charming in its predictability and rough enough to believe that the bands believe in what they’re playing. This wheel’s been long-invented, but ‘81-style hardcore is like a ‘72 Nova. That shit can take a beating and it still, somehow, work and get to where it wants to go. Standouts are the tracks of Ecoli in the middle (one where they temporarily take the first person narrative of AIDS, then take issue with cell phones and skin disease), Broken Needle, Crawlspace, and Valoids. –todd (Cowabunga, www.cowabungarecords.com)


VARIOUS ARTISTS:
The World’s Lousy with Ideas, Vol. 3: 7”
I’d like to personally thank the people at Almost Ready Records for not sending the full album art, but instead a jacket that consists of screen shots from Terminal Boredom. Hopefully this is a limited edition review cover and I can sell it on EBay and finally get that dental work I’ve been wanting. Or maybe I should just keep it and rock the four tunes that are on here till my brain bleeds with ecstasy. Featuring the Suspicions, the Wax Museums, the Romance Novels, and Nobunny; this comp. is a nice reminder of what’s great about these bands, or a pleasant introduction to them. Any fan of poppy garage, punk-ish pop, or garage-esque punk will appreciate this. –Daryl Gussin (Almost Ready)


VARIOUS ARTISTS:
The Altercation Punk Comedy Tour—Metal Up Live: CD
I feel like there’s been a gradual but ongoing crossover between music and comedy over the past few years. I like that. And much like more and more bands taking the DIY route and booking their own shows in whatever unconventional venues, I like the idea of different styles of artists taking that same approach. Such is the case here, with four “punk rock” comedians who took that same approach. I couldn’t help but feel that a lot of the “punk” elements of the routines revolved around shock value and stories about getting fucked up, which was a little disappointing (don’t get me wrong, I love me some Redd Foxx, but I can’t help but feel like it’s a really easy go-to, and cheapens the whole thing when it gets overdone), but there’s still some pretty great laughs amongst the four tracks here. I’d be interested in seeing what they do down the line. –joe (Altercation)


VARIOUS ARTISTS:
Mad Mike Monsters Volume 2: A Tribute to Mad Mike Metrovich: LP
Some of my favorite people in the world are those who seem to be somewhat famous for just having good taste in music. Mad Mike Metrovich is one of those lucky bastards who made his way in the world sifting through dusty stacks of unwanted records. A Pittsburgh disc jockey, Mad Mike would scour the dirty corners of Pennsylvania looking for obscure records to play on his radio show. This series features some of Mad Mike’s most coveted singles, mastered into easily obtained collections, filled with Mad Mike’s story and loads of rock’n’roll. Fans of made up words, overdriven sax solos, and hootin’ and hollerin’ cannot afford to miss this series. Volume Two features songs such as the Del-Mars’ “Snacky Poo,” The Rhythm Addicts’ “Oomp Boomp,” and Count Farrell’s “Wizard of Ah’s.” If you’ve heard of any of those songs already, you’re waaaaay too cool to be reading this. –Billups Allen (Norton)


VARIOUS ARTISTS:
Den Magiska Cirkeln Presenterar Stolt en Vinylsingel Fem Band Fjorton Minuter: 7”EP
A compilation of contemporary Swedish hardcore. I think the title means: The Magic Circle Presents Something in Vinyl Single from Bands Fijordcore Minute and I couldn’t agree more. The comp instantly reminded me of regional comps that were coming out in the U.S. in the early ‘80s, especially in the Midwest, (like the Master Tape comps.) where not only does there seem to be fifty songs on a single 7” (there are really twelve), there’s more than one would expect in variation (although to have a tuned hardcore ear wouldn’t hurt to realize this fact), and that, on the first several listens, all you can do is hope to hold on to the speeding bullet and enjoy the whizzing-by scenery and then, later, try to match up Svartenbrandt, Bad Amputation, Instäng, Förmögennet, and Thurneman with their tracks on the vinyl. Well realized, executed in a way that I’ll definitely keep an ear out for all of the bands, and a handy snapshot of a part of the world I’ll probably never get to visit. I feel lucky that I got to sample “typical Swedish music” (said in travel brochure voice) in the comfort of my bedroom thousands of miles away from the nearest glacier. –todd (DMC, myspace.com/dmc_rec)


TRUCKSTOP LOVECHILD:
A Damn Good 33:52: CD
Truckstop Lovechild is an awful cock rock band, somehow trying to fit in as a grimy punk act, since even metal types are likely to shy away from such lameness. One of the most irritating albums I’ve heard in ages, this shit is full of ‘80s lead guitar lines. If it’s kitsch they’re going for, it isn’t funny. With witless lyrics about devil worshipping, liquor, and trucking, it all falls flat. They’re good at what they do if what they’re doing is trying to clear the room. –Art Ettinger (Zodiac Killer)


TRAP THEM:
Seizures in Barren Praise: CD
Saw them at Murderfest last year and I was truly blown away by their power. Now, finally hearing a recorded product, they really know how to take that live energy and bottle it up in the studio. They are a mixed bag, taking bits and pieces from here and there to create their inferno of noise. You hear everything from punk, hardcore, grind core, d-beat, crust, sludge, and metal in their recipe for music. It’s like dissecting bands like HolyMountain, The Victims, and Kylesa and sewing them together to create a new angry entity. From start to finish, I felt like I was being taken for a ride through a vacuum. The intensity which came across immediately kept me at attention throughout the entire listen. Hope to catch them live again and experience these songs with more familiarity. –don (Deathwish)


USELESS ID:
The Lost Broken Bones: CD
Mid-’90s style pop punk in the vein of No Use For A Name. Their claim to fame is that they’re the biggest punk band to break in Israel, which, admittedly, is an interesting detail. Lyrics are introspective and there’s a gloomy tone . My problem with the record is that it straddles the line between decent melodic punk and that bland corporate emo sound that I really can’t stand. I think they’re good at what they do, but maybe I’m just a little too old for this style of punk. –Evan Katz (Suburban Home)


VAGINASORE JR:
This Here Peninsula…: CD
My first introduction to Vaginasore Jr (other than chortling at their name) was seeing them at this year’s Fest. What I remember, in particular, is seeing guitarist Dave being floated through the crowd, while playing guitar, as people poured Sparks down his gullet. They also played “Don’t Change” which is, in fact, the greatest song INXS ever wrote (as if there was any doubt). I didn’t remember much else about the band, as after about five days of swilling cheap beer in the prolonged Northern Florida summer, bands and specific details all kind of mesh together after a while. So, from the limited memory I had from seeing them at Fest, I was excited to give this a spin and re-acquaint myself with the band. What we have here is some real solid, sincere and gruff, fun punk rock akin to singer/guitarist Russ’s other band, the Tim Version and other Floridian cohorts such as Grabass Charlestons and Billy Reese Peters. A dozen songs that are quite remarkably like lyrical essays; they tunefully fit a dictionary’s worth of words into songs that are social commentaries on our scene, life, relationships with friends and family and more. What is particularly pleasing is the absence of the twang-y bro down that’s infested itself in this part of the punk world like a parasite, thanklessly feeding off of its host, leaving behind a trail of zombified Hot Water Music/Merle Haggard mash-ups. None of that stuff here, friends, just dudes ripping shit up and having fun doing it. Thankfully, they let us in on some of their fun with this album. –Jeff (A.D.D.)


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·CULTURCIDE
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·NO MORE COFFEE #3
·MONEY SHOT, THEE
·BURMESE
·DIFFS, THE
·NICE BOYS
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