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Razorcake #90
White Murder, both LPs
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Record Reviews

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Fury in the Foothills: CD
Remember crossover? This reminds me when we were in the crossover period. It was the late ‘80s and punk bands were playing speed metal and speed metal bands were putting punk in their music – one big happy, violent and drunken family. This band reminds me of the period. –don (Slave)

Covert Action: CD
Not too long ago, I saw Duane Peters and the US Bombs play a show, and I fell in love with Duane even more. That man knows how to dance. And the Bombs know how to rock. The Bombs were in fine form with Back at the Laundromat, and their follow-up tracks in Covert Action are tight. The Bombs have their sound down, but they’re still trying new stuff. I especially enjoyed Kerry Martinez’s contribution, “Faith of Marie,” an instrumental that really showcased Martinez’s often-overlooked talent. Man, I hope I see these guys live again soon. I wanna dance with Duane. Preferably to “Faith of Marie.” –felizon (Hellcat)

Art Kills b/w Framed: 7"
I like and respect TKO Records, but my main complaint about them is that they will often release a seven inch or EP with stuff that’s all previously released. Here we have two singles off of the new US Bombs album. They’re both good songs, but, for a few dollars more, you could buy the album and get eleven more songs. And, if you really want to support TKO, pick up the new album by The Boils. They’re fucking awesome. –sean (TKO)

Self-titled: CD
Nice and noisy stuff dancing the fine line between hardcore and pain-metal. On the whole this is pretty good listenin’, but the songs do go on a bit long in places. –jimmy (Fish Fur)

Radio Lied to Me: CD
Picture Poison (not Look What the Cat Dragged In, either) mix it with Weird Al. Take out the humor. Pure ass. –megan (Tuneage)

First, Worst and Cursed: CD
A retrospective of a band that started their reign of terror in Los Angeles back in the late ‘70s and went on to greater fame after a move to San Francisco. As can be expected, the sound is rooted in Dolls/Thunders/Ramones country. On the whole, the proceedings are well worth a listen and, although most Bobby Steele fans will probably groan when they realize this is not the band with ties to the Misfits, I suggest they give it a shot, ’cause it really is pretty good. If the bands you like just HAFTA have some kinda tie to hardcore, guitarist Joe Dirt also played in the legendary Fuck Ups, and you can’t get any more hardcore than them. –jimmy (Dionysus)

Shoot Your Mouth Off: CD
I don’t know what is with Dirtnap. I get a comp and I don’t really like it, but then almost every album to cross my ears I go nuts for. The Triggers go balls-out from the get-go. Tons of energy. The female vocals remind me of The Brat. It’s loud and loose, yet wound tightly together at the same time. One of the best albums this time around. –megan (Dirtnap)

More Motion: CD
Heard the name but have never actually heard ’em. Jeez, there’s some serious musicianship going on here. Got a veritable hodgepodge of disparate sounds from across the musical map coming out in one big jumble – jazz, funk, hardcore punk, noise, found sounds, dub, and loads more. Imagine Fugazi in a really bad mood and you aren’t all that far off. I’m mightily impressed and mightily bummed ’cause I’m under the impression that they’re no more. –jimmy (www.thickrecords.com)

Endless Summer: CD
Okay, one of my favorite bands is Against Me!, who write about touring a lot. But they write about it on a conceptual level, not a descriptive one. Hell, even I am writing a book on touring, but it will be a how-to guide with specific anecdotes. But the first song on this album is such a by-the-numbers tour song it irks me. Do you form a band to write songs about being in the band you formed to write songs about being in a band? Sorry, just a pet peeve. I was listening to this CD in my car with two people. One thought these guys were Blink 182. The other thought they were Weezer. Personally, I think they remind me of Groovie Ghoulies, but the latter seem a lot sillier and artsier than these guys and in any case, I don’t know how many people know the Ghoulies enough to make the comparison worthwhile. But the Ghoulies’ concept seems more a product of the band’s evolution while this sounds more pre-determined. Actually, the more I think about it, these guys remind me more of the Beach Boys than anything. Maybe they’re a bit harder, what with the advance of time and all, but still, yeah, a rocking Beach Boys. By now it sounds like I probably didn’t like this CD, but I kinda did. It’s a fun album, the way that pizza is usually good and parties are usually fun, but having finished this review, I am not too sure it will be back on my radar again unless I wind up running into the band. –rich (Fast Music)

Self-titled: CD
Weird, crazy music that would be very close to noise if the production values weren’t so high. Energetic, scary, dischordian stuff but it has a good beat and I can dance to it. Somewhere a bunch of scruffy kids are flagellating with fingers pointed skyward and smiles painted on their faces. –rich (Level Plane)

Anniversary Anthems: CD
Captain Oi winds up their Toy Dolls reissue campaign with this, the band’s most recent release, originally released two years ago as the band celebrated their twenty-first anniversary. Like the album that preceded it, this is one of the better Toy Dolls albums, which is like sayin’ “It’s pretty good for Mozart….” As I’ve said before, a lousy Toy Doll record is still miles above some bands’ finest work, for even when they seem to be merely going through the motions, the Toy Dolls are still tighter than King Georgie’s grip on an oil-related money opportunity and up to their eyebrows in hooks. Included here are covers of “Livin’ La Vida Loca” and, speaking of Mozart, “Eine Kleine Nachmusik,” the latter of which adds fuel with to my love/hate feelings about Olga (in a nutshell, I love his guitar playing, and hate that I can’t play as well as he). Great listen here, of course, and I personally am looking forward to hearing what these guys come up with next. –jimmy (Captain Oi)

Punk Invasion: CD

1) This album has covers of Twisted Sister and the Exploited. Take those two bands and make them one. Keep in mind how old they are by now. Keep in mind you can still listen to those songs as originally recorded.

2) "This record is dedicated to the true punks of the world, those who stand against conformity... and raise their middle finger to authority." Funny thing about guys who very clearly put a lot of work into making sure that they look like all so many other punk bands from the last twenty years. Funny thing also about raising a middle finger to authority. It just pisses off authority. Then authority keeps oppressing you. Why not either get rid of authority through political action or set aside your own lifestyle without much inclusion of authority?

3) Every time I see the Total Chaos logo with the circle A of anarchy, I secretly wish one day to interview the band and ask them a lot of questions about Emma Goldman and the differences between Anarco Syndicalism and Primitivism.

4) There are no lyrics in the inset, but MAN are there a lot of photos with people who spend a lot of time on their hair.

5) Looking punk is really important because it defies the classist conventions of late 1970s British society. If any old Brits come to California, MAN are they going to be pissed.

6) I opened for Total Chaos once. Long story. One of the members had just dyed his hair and it ran all down his face. Wow, even when I was a teenage postcard punk, even I knew the importance of proper rinsing. And some kids came and heckled EVERY act.

7) Yes, I am focusing more on what they look like than the music on this CD. This seems in keeping with the attitude of the band.

8) Most of the high school aged punk bands I have seen in my life could come up with a better cover concept than this has – a poorly drawn skull with septum piercing (through the bone, I guess) and Discharge hairdo, holding a globe with continents that almost look like those of Earth.

9) Where are the punks invading?

10) Just when I was about to give a nod to this CD being filled with not entirely bad music that the kids can at least get a catharsis out of, on comes the bad Rancid rip off mid-tempo song that shows why punk vocalists are often called vocalists and not singers.

11) I would give a nod to the audio collage track about the death of Brian Deneke, whose killer got away with it since it was a "clean cut" kid in a fight against a punk. But it was pretty uninformative and half-assed, and having been in Amarillo lately, even the punks there want to kind of move on.

12) "Hey guys, see how popular the Dropkick Murphys are? Let’s rip them off too, and have a bagpipe and everything."

13) Wasn't there already song called “Jock O-Rama”? I get it when multiple bands use a title like "Betrayed" or something, or when obscure bands use something not realizing another obscure band did as well, but I am pretty sure that these guys know who the Dead Kennedys are.

14) Why is it so hard to send a reviewer a real CD, not just the CD and inset? Having to unstaple stuff is annoying, and lose contents are easier to lose, and I just plain think it's funny that they put a hole in the UPC.

15) The last track is called "We Are the Future." Apparently the future is a bunch of aging guys who hold on to the image of the past and the mindset of their adolescence.

16) TotalChaos.com butt flaps. Need I say more? –rich (Reject)

Purgatory: CD
Since they conjure images of Dante from the title, it does seem like this band is on the ascension to something better (B- Pogues-inspired rock), but right now they’re on the hillside next to heaven and have fallen short by of their goal by not paying enough penance (sounding way too like Flogging Molly). Where’s the reckless abandon? Where’s the teeth flying out like a kick-in Chicklets dispenser? I was asked to drink a fucking ton before reviewing this. Done. Verdict: give me Rum, Sodomy, and the Lash. That’s brick throwing time. This is fine for what it is – an imitation that’s yet to improve on the template – but no better. –todd (Thick)

Ambient Metals: CD
Tone: by the hatful. Ambient: yes. Metal: no. I got a little excited when I saw that Geordie Grindle from DC’s Teen Idles was in it but that turned out to mean nothing. As the title sort of implies, it’s a sub-Sonic Youth exercise in rhythmic instrumental drone that’s thoughtful, unintrusive, and mild without being wimpy. –Cuss Baxter (Dischord)

Split: 7"
The Timversion: how do I accurately describe to you how amazing The Timversion are? Do I talk about how their sound is in line with some of my favorite bands like Tiltwheel, Super Chinchilla Rescue Mission, and Panthro UK United 13? Do you even know those bands? Do I talk about how, amidst the noise and chaos of their songs, there are a really cool, Replacements style melodies? Or do I just say, “Forget about everything else I’ve recommended to you and buy something by The Timversion first”? Baggage: maybe it’s enough for me to just say that – in light of all my praise of The Timversion – I’m still happy to flip this record and hear the Baggage side. Baggage are in line with other bands on the Snuffy Smile label in the sense that they take a solid Leatherface influence and blend it with a fuzzy, Japanese rock’n’roll sound and end up blowing my mind. My only complaint about this seven inch is that it’s so tough to get ahold of Snuffy Smile stuff in the US. If anyone knows of a US distro for these guys, please let me know. –sean (Snuffy Smile)

I Don’t Want to Startle You But They Are Going to Kill Most of Us: 7” EP
The title of this 7” is reminiscent of the great book on the Rwandan genocide by Philip Gourvitch, We Wish to Inform You That Tomorrow We Will Be Killed with Our Families. If you haven’t read it and still think the holocaust is the onlymass slaughter this century, I can’t suggest it highly enough. The singer, Annie’s (ex-Ambition Mission and Mushuganas), voice is startlingly clear and distinct, much like how Allison from Discount could belt it out. It’s both tender and barbed and can get nice and growly. From the name of the band, I was expecting some knuckleheaded floor-punching schmubs. Thankfully, it’s more of a nice warning, much like This Bike Is a Pipebomb’s name and intent is. Also, thankfully, it’s a power trio that takes transposed cues from Jawbreaker (sensible time changes to keep the tide flowing), crunchier, less pop Tilt (nice and buzzy), and if it was ever bottled like a musical fragrance, it’s got that East Bay Sound that’s hard to describe but is instantly recognizable. I like it lots. It’s very realized for a band’s first seven inch. Thumbs up. –todd (Left of the Dial)

Self-titled: 7" EP
Although i kind of miss the New Bomb Turks, my missing of their records is a bit less acute; were, however, i to find myself in some manner of anguished state whereby my only recourse for preserving my mental well-being was to ingest some form of useful placebo, Side A of this record would likely stave off any manner of withdrawal seizure i'd be likely to contract, and is slightly more soulful than the NBT in parts, but not to the annoying extent of requiring me to testify or similar foolishness. Side B starts with the much more Zeke-y "What's the Point" – i.e., stoner speed rock (might be amusing to find out some day it's actually a Zeke parody) – and concludes with "Oleo," which is like vaguely competent R&B speedmetal or something, like someone who owns more than one Metallica record trying to adapt James Brown riffs for their own sinister purposes. The one truly transcendent moment here is the guitar solo in "Suck Mule," where the backing tracks simply bang back and forth from high E to A (yes, i was actually motivated enough to figure out the chords) whilst the geetar man gets his wild freak on, evoking such gems of olde as the Dickies treatment of the guitar solo section in Led Zeppelin's "Communication Breakdown" and the solo in DOA's "Smash the State" (minus the timely "OH SHIIIIIITTTTTT!"). Promising, i guess. BEST SONG: "Suck Mule" BEST SONG TITLE: "Suck Mule" FANTASTIC AMAZING TRIVIA FACT: Odd that i would mention the Dickies "Communication Breakdown" in the same breath as DOA's "Smash the State," as DOA cover "Communication Breakdown" on the same album with "Smash the State" on it. –norb (Get Some!)

Dead Flowers, Bottles, Bluegrass and Bones: CD
In the last five years, I sure have listened to a lot of punk. It tends to make a person jaded by hearing so much music. Things that I buy for myself might sit for a month before I actually listen to it. Not that it’s bad, but sometimes it takes a lot more oomph to get me excited. So when I hear something progressive, it catches my attention. The Swingin’ Utters have progressed from album to album to continue to catch my attention. Their progression from an average street punk band to now is night and day. They still take the old school sound and add elements of piano, violin and other instruments to give their songs more flavor. Also, the three vocalist attack makes for a more layered appeal. The mix of songs on this release makes this an enjoyable listen from start to finish. The songs vary in style and tempo from each other. Many bands releases sound like one big song. That is not the problem here. One thing I can’t get out of my head is that this band sounds like Social Distortion to me when Johnny sings. –don (Fat)

From Here… to Nowhere: CD
This is supposed to blow – older looking American (or living in America) guys going back to UK punk roots. It’s an activity that’s been whipped more than a mistreating slave. But, for some inexplicable reason, this CD isn’t only catchy solely an old familiar way. (Like, “Ooh, nice Partisans riff” or “so that’s what the Toy Dolls would sound like when they’re pissed” or “Man, the best of Cock Sparrer, that’s some great shit.”) The Subversives have actually introduced new wrinkles to a genre that I thought had been dry cleaned, hung up on a rack, and sold back as new to bondage pants-wearing teens at the mall. So, if you’re at the store and your hand’s burning from touching Total Cash Register, and you want something that’s heavy, catchy, and you don’t feel like they’re singing solely to sell records to thirteen year olds with tall hair – and you like U.S. Bombs’ War Birth or Dropkick Murphys Do or Die – this ain’t a bad soundtrack to spend an evening playing darts or bowling to. Thumbs up. –todd (Charged)

Bernadette b/w Born to Run: 7"
Crunchy, satisfying, sweaty rock’n’roll. Sure, there are similarities with The Stallions, who Rick sung for also – like, they’re both excellent and they both seem to have the spark and charge that comes from excitement and not calculation. I can’t seem to put my finger on it. The rock machine’s been made for such a long time – having been perfected in different forms by the Dictators, the Gories, and the Mummies – and so many bands have drag stripped down many a well-traveled road. It’s nothing new, but The Stupor Stars sure as hell don’t disappoint. They make muscle car rock that truly rips ass and makes it glaringly obvious – to me, at least – when a bunch of well-financed hipsters jump in a grocery cart with a squeaky wheel who start playing the equivalent of oldies radio on a weak signal try to lie to the audience by saying “We are rock.” The B-side is a ripping version of Bruce Springstein’s “Born to Run.” Great 7”. –todd (Honeyhole)

Bernadette: EP
This is snotty, snotty, snotty punk rock’n’roll with a power pop twist. There is a real sense of urgency that translates well with a band like The Stupor Stars, one of the most overlooked bands ever. In the far future, after all is said and done, there will be some members dead and a group of geriatric punks who claim to be the real “Rick Hall or May Lou or King Roberto or Lowell or Alan” like all those fools who tried to say they were Buckwheat – nigga please. I was paid well in advanced by the band to tell you that this EP is good. Regardless of that bounced check, I still think this record rules. The B-Side is “Born to Run” by Bruce Springsteen – don’t panic – it sounds nothing like the original. I asked Rick Hall, the singer “What’s the deal with the Springsteen cover?” He answered, “The band decided to do it.” I quipped back, “Oh so the ENTIRE band has bad taste?!” You know, I’m not down with The Boss because The Boss never existed. All I can remember is reading that Andy G admitted to liking Bruce Springsteen. Man, I thought that was pretty bold. I’m not bold – I just hate everything, except for this Stupor Stars EP. Satan bless the Stupor Stars. –nam (Honeyhole)

You Sing! Me Play!: CD
I liked this CD the minute I saw the cover art and the name of the band. I like food names (Razorcake, Strawberry Mud Pie, Punch and Pie, and, uh, more that I can’t think of right now). And I love female-fronted Japanese punk bands. (Pear of the West and Thug Murder are high on my list, which needs lengthening. If you are in a rockin’ female-fronted Japanese punk band, send me stuff to review, care of Razorcake!) You Sing! Me Play! didn’t disappoint me, either. Strawberry Mud Pie’s songs are very catchy, with a happy, rock’n’roll feel without being too poppy. Within the first song, you are already singing along: “Woohoo, she used to run away.” (At least, I think those are the words. Sometimes it’s hard to get past the singer’s Japanese accent, but that’s okay. It’s fun making up words, too.) You can tell the band is influenced by fifties rock’n’roll, and in the case of You Sing! Me Play!, that’s a good thing. I want more of this kind of stuff! –felizon (1+2 Records)

Twelve Imaginary Inches: CD
What is there to say about the Stitches that hasn't been said before? You know the score here: snotty vocals, great mid-tempo punk rock, lots of creepers, and lots of intoxicants. Catchier than a venereal disease in Baltimore. I can't tell you which song is my favorite because the only place where the song titles are written is on the CD itself, but they are all good. There are a bunch of little keyboard parts on this. These guys must think they're Hawkwind or something. –Josh (TKO)

Bandology Vol. 1: CD
If you don’t recognize the name, you don’t skate. Long time pro skateboarder has played in some bands through the years. Featured here are four tracks each by The Faction, Odd Man Out, Shovelhead and Soda. The Faction, probably the most popular band he played with, have been part of the skate rock scene during the early-to-mid ‘80s. Odd Man Out, the next band he played in, were more progressive rock. Shovelhead play grunge that was prevalent during the time period. Soda play a Tilt-ish, female-led pop punk that makes me think that I might actually keep this disc. Also provided are two extra tracks that Mr. Caballero has recorded as projects. I don’t know if people will run out of the house in a manic frenzy to purchase this, but the Soda tracks are pretty damn good and are the highlight for me. –don (Sessions)

Get Well Soon: CD
The Starvations have been able to cinch the dark heart of so many styles of music, to squeeze it, have it languidly bleed down their arms and meander deep under their skin. Stains, that with no amount of scrubbing, will never come out. Equal parts sickness, celebration, and the macabre. The Starvations, immediately upon listening, have so much figured out: chemistry, alchemy, fermentation. The playing is too assured, too other-worldly realized. Possessed. There’s a vision that doesn’t have to stoop to the past in a constant bow of reverence, but to scoop it up by the ladle and have it violently sizzle over the glassy shards of the present. Yes, it’s punk, but, thankfully, in the widest dilation. Touchstones are merely that – starting points: early Gun Club, The Blasters, fiery Nick Cave and I also hear distant echoes of Bauhaus. Not in sound, but in intent, they’re also akin to what Throw Rag’s all about. Then it’s all boiled and shantied up with occasional piano, accordion, harmonica, and congas in a way that makes it seem more stripped down and closer to what I’ve always thought true roots music should sound like. True gothic, (in the original definition of the word) before it was attached to a genre of music – highlighting decay amongst the decadence. –todd (GSL)

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