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Razorcake #86
Wailing Of a Town, by Craig Ibarra
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Pale Angels, Imaginary People LP
Toys That Kill / Joyce Manor, Split 7"


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No Idea Records

Record Reviews

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ARGIES:
Himnos de Combate: CD
A collection of singles tracks released domestically to support this long-running Argentine band’s upcoming US tour. Musically, this leans toward the Clash side of the punk equation, right down to the fascination with reggae, yet they manage to retain enough individuality to keep from ending up in the dung heap of bands ripping off days past (cough…Rancid…cough). A damn fine collection and proof that the United States and England aren’t the only hotbeds of punk rock greats. –Jimmy Alvarado (Cochebomba)


ALTAIRA:
Weigh Your Conscience: 7-song CD
Although, yes, you could make a very convincing argument that Altaira cribbed the game plan of Hot Water Music’s Forever and Counting and have looted some from Tiltwheel’s basement, I still think they’re mighty good. (Translation: burlap vocals, the bass, guitars, and drums all have to work hard, and it’s all very personal without resorting to personal attacks or boo hoo-athons.) Altaira have got a natural feel of song weight and dynamics: not one instrument dominates, the vocals snarl when they have to, and the playing goes from epic to atmospheric to anthemic without the acrid smell of a band using the musical clutch for the first time and doing that horrid whisper to scream to whisper bullshit. Besides all that, these seven songs are genuinely catchy, take time to breathe, sound heartfelt, and although well played by each member, aren’t a wankfest. Thumbs up. –Todd Taylor (Attention Deficit Disorder)


ZEN GUERILLA:
Shadows on the Sun: CD
Loud, tweaked out blues rock/punk with more than a slight ‘70s feel. If this had been put out eight years ago and garnered the requisite airplay on KNAC, they would’ve been millionaires by now. Still, this could mark the resurgence of that whole grunge thang. I hope they leave the flannels at home this time, ‘cause that shit gets hot to wear in Los Angeles’s summer sun. –Jimmy Alvarado (Sub Pop)


WORTHLESS:
Which Side Are You On: CD
There’s a little Dag Nasty lurking, but only at a very basic level; not enough to make this thing not worthless. –Cuss Baxter (Chunksaah)


WATCH IT BURN:
Radio Pollution: CD
Although they could rightfully be accused of standing a wee bit too close to Hot Water Music’s ring of fire (the bass tone, the dual vocals, the massive hemorrhaging of instruments into break-off vistas), Watch It Burn tweak the nipples and knobs and make their own music react in slightly new and enjoyable ways. They play so well and deliver with such conviction, that I bet if they steered out of the deep ruts of their influences they’d discover a hugely powerful sound they could brand as their own. As it stands, this CD really is very listenable, enjoyable, the title track is downright amazing (Led can sing), and I pop it on quite a bit, but I wouldn’t call it essential. It’s close. Some songs like “Mid July,” you’d have to be dead not to have the feet a-tappin’. My suggestion is simple, yet difficult. They need to make their own claim, and pay attention to music that hasn’t recently been corralled. Then cattle prod the whole deal, and (nyuk, nyuk), watch it burn. –Todd Taylor (Rise)


VIVISICK:
Punks Were Made Before Sounds: 7"
I love how the Japanese interpret the English language. When it gets translated it comes out all screwy. Besides that, this is a releases that you can count on. I have a strong belief that most Japanese bands practice more before they go into the studio. Everything is so tight even though they are trying to play sloppy. This bands hails from Tokyo, Japan and deliver eight fierce and heart-stopping tunes that is unrelenting in their attack. They mix it up but don’t slow down to keep the energy alive. Comparisons can be made from the large list of influential bands from Japan that were around in the ‘80s and ‘90s. This release and band can stand on their own here. If speed is in your blood and you are a fan of Japanese thrash, this is another item for your consumption. Someone slap me. I’ve been knocked out cold by this. –Donofthedead (Sound Pollution)


VEHICLE DEREK:
Self-titled: CD
What is in a name? Does the band name have a meaning? Derek is a name and what does it have to do with a vehicle? What’s with the arrows going in different directions on the cover? Art student project for design class? Why not title the release? Why not print the lyrics? Too many questions and no one to answer them for me. Pretty straight forward punk here. –Donofthedead (Boss Tuneage)


VARIOUS ARTISTS:
Tomorrow Will Be Worse: CD
That seems to be the title of my life when I prepare each day to go to work. Besides my piss ant life, this is something I missed out on when it initially came out as a 4x7” box set. So much was said about this comp that I felt I should have gotten it. Rave reviews were everywhere. As in most cases, I didn’t react quickly and didn’t find a copy that was still in the box. A later pressing was available in vinyl but the boxes were gone. Damn fucking record collectors. I put it as one that got away. But luck struck my way for once. Not that the circumstances were ideal, but one of our reviewers was backing out. I was getting more thrash, hardcore and power-violence stuff! Sounds selfish doesn’t it? Oh well... I try to handle everything that is passed my way. I may not be the highest authority on this stuff but I do enjoy it. Knock me on my ass and blow me over with pure venom. For those not in the know, this a classic US and Japanese thrash fest on one CD. I want to list all the bands on this release to give you the massive collection compiled here. Representing the US are Capitalist Casualties, Hellnation, Spazz and Charles Bronson. Japan is destroyed by Flash Gordon, Nice View, Fuck on the Beach and Real Reggae. I’m partial to the Japanese bands because of heritage bias. But don’t get me wrong here, this is a must have comp to get if you are one who has callused ear drums and enjoys pure rage and speed. Power-violence may have passed as the in-thing, but you can not deny that you need a pure, under-a-minute hurricane blast of untamed punk rock. 44 songs in under 40 minutes. OCD patients take note. –Donofthedead (Sound Pollution)


VARIOUS ARTISTS:
Redefiling Music: LP
First things first. In my humble estimation, No Idea’s one of the best totally indie, totally reliable labels – punk or otherwise – on the planet. Their mailorder smokes. They’ve got the sweetest, most unpredictable vinyl color schemes (this one’s yellow, red, and blue, with green where the colors meet). Not only do they keep the rock coming at a rapid, glorious pace, and with high caliber precision, they’re some of the nicest folks I’ve come in contact with but have never personally met. There’s no reason for my tongue to be in their ass. They’re just a great example of what’s right about the underground and I’m stoked they’ve been around for fifteen years and 100 releases. This comp is a cover affair, and it reflects No Idea’s roster nicely: some roots punk rock, some hardcore, some emo, and some “huh, that’s pretty good, but I don’t know what to call it.” After listening to this several times, I’ve come to this conclusion: I like the bands on No Idea much better than the stuff they cover. Highlights are as follows. Radon cover Morrissey’s “Interesting Drug.” Sean made fun of me for about ten minutes for me knowing a Morrissey song. His scuff hurt. I had no defense. Can one be a man and defend Morrissey? No. Sean and I are scheduled to fight. Radon’s awesome. I suggest you buy every 7” and their album. Asshole Parade cover the Circle Jerks’ “Red Tape.” Nice. Group Sex, the album, if you listen to it closely and take it to heart, will make your life easier: deny everything. That's gospel. Panthro U.K. United 13 could probably take a shit on my front step, I’d pat it down, wait for it to fossilize, put it on the turntable, and call it genius. They cover The Clash’s “Safe European Home.” Purchase Panthro’s full-length, The Sound of a Gun. Small Brown Bike cover Thin Lizzy’s “Jailbreak” (replete with cop siren sounds). It really fucks with SBB’s inherent dynamic of swelling and gushing, and it’s downright weird have them hardrock it and try the solo-y bits. Palatka make Gorilla Biscuits’ “Good Intentions” even more abrasive, knuckly, and shorter. Hot Water Music cover Bruce Springsteen’s “No Surrender.” I still won’t back The Boss. Fuck him. But HWM are great. They even make my toes tap to something I’d usually pee on. Anthem Eighty Eight cover Assuck. They sound almost exactly like Assuck. Scary, fitful stuff. Rumbleseat cover, “Jackson,” by Johnny Cash and June Carter. Fuck yeah. Can’t go wrong with Johnny Cash and the dual male/female vocals are perfect. Soulful and sparse porch stomp. Clairmel cover the Lemonheads, you know the pop band on Taang!, and the lead dude Evan Dando fucked someone famous (like your mom or Courtney Love or someone). The Hoover-quality suckage of the L-heads almost overshadow my like for Clairmel during the song, but Clairmel makes it out OK. –Todd Taylor (No Idea)


VARIOUS ARTISTS:
Out of the Garage Vol. One: CD
Okay, damnit, now’s a good time to disregard all preconceived notions that Nashville is nothin’ more than a cartoonish rhinestone-encrusted country’n’western mecca for bug-eyed skoal-lipped truck-drivin’ rednecks and their saggy-faced gum-smackin’ honkytonk floozies ‘cause this deliciously diverse disc proves without a doubt that rock’n’roll in the form of lo-fi indie-rock insanity is loud, alive, and well in Music City, USA. Such sonically corrosive bands as Dharmakaya, Spider Virus, The Obscure, Rebecca Stout, psomni, Fall With Me, and Carter Administration all offer an illustriously varied assortment of dynamic musical proficiency that’s uniquely compelling, comprehensive, and downright original. This is one helluva collection of audial noggin-thumpers from start to finish, and I fully intend to absorb a daily dose of it for the remainder of my brew-knockered days here on earth. –Guest Contributor (Spat!)


VARIOUS ARTISTS:
Give : CD
Hot-diggedy-damn, this skull-thumpin’ third installment in the Give ‘Em The Boot series is, by far, the most brashly belligerent and raucously rip-roarin’ of ‘em all. It’s the undeniable best in a vociferous trilogy of the most bad-ass punkrock comps to ever rape, pillage, and plunder my inner ears! The majority of the mayhemic music-makers who spastically blast their tuneage throughout this brain-destroyer of a disc are more alleypunk-oriented (with a couple of rhythmically pure reggae numbers thrown in for good measure!) than the ska-cluttered redundancy of Give ‘Em The Boot II. Hell yeh, thankfully a whole lot less ska is present, so the fluidity of the songs perfectly gel and magnetically create an all-for-one, one-for-all effect as if every band on here participated with each other in the entire recording process of this CD. Yep, punkrock communalism at its most competent! And, of course, it’s assuredly a diverse and varied roster of song-tossers which includes The Distillers, U.S. Bombs, Dropkick Murphys, Lars Frederiksen and the Bastards, Rancid, F-Minus, Devils Brigade, Agnostic Front, The Nerve Agents, Tiger Army, Duane Peters and the Hunns, Nekromantix, Roger Miret and the Disasters, Leftover Crack, The Slackers, Joe Strummer and the Mescaleros, King Django, The Pietasters, Mouthwash, The Gadjits, and Hepcat. Man, I can honestly unabashedly say that this is one of my top audial recommendations of 2001, and you can take that to the bank, bub! –Guest Contributor (Epitaph)


VARIOUS ARTISTS:
American Fight Club No. 1: CD
This compilation of four Outsider bands is pretty cool. One band I am already familiar with, The Hudson Falcons. The others are The Authority!, Callaghan, and The Trends. There are roughly seven songs apiece, making for a lot of listening. The Authority are kinda skinhead punk. They aren’t too bad. Pretty cool stuff without too much of the skinhead clichés. Callaghan is a little more rock’n’roll punk. Somewhat catchy but not too poppy. Hudson Falcons I have heard described as punk meets rock’n’roll meets Bruce Springsteen. That sounds scary but it works. They have eight songs on here with four I haven’t seen on their two full lengths. The others are older rougher versions of songs off the Desperation and Revolution CD. Very cool. The Trends are my favorite on here. More punk than the other bands. Kinda snotty and poppy at the same time. I keep skipping to track twenty-three and listening to just their six songs over and over. The Trends themselves are worth this cost of this CD. The others are a real cool bonus. –Toby Tober (Outsider)


VARIOUS ARTISTS:
Alpha Motherfuckers: A Tribute to Turbonegro: CD
This is a frenetically ragin’ balls-out tribute to one of the trashiest, hardest rockin’ bands of the past 100,000 years: the sonically spectacular and clamorously terrifying Turbonegro. The manic music-makers and psychotically tweaked tune-blasters who spastically pay homage to the mighty thundering Turbonegro on this here brain-damaging destroyer of a disc include Nashville Pussy, Therapy?, Supersuckers, Scared Of Chaka, Queens Of The Stone Age, Hot Water Music, Zeke, Spacebitch, ADZ, Dwarves/Splittin Wix, Real McKenzies, and fifteen other loud and lively groups of melody-molesters. Hell motherfuckin’ yeh, this is as evil, vile, and viciously volatile as it gets... big greasy dangerous dollops of brawny bigger-than-life rock’n’roll fury! After several sizzlin’ listens, my ears are now uncontrollably smokin’ up a storm! –Guest Contributor (Hopeless)


UNSEEN, THE:
The Anger and the Truth: CD
Sometimes I think I’m just getting old, and this happens to be one of those times. See, this ain’t necessarily bad hardcore, per se, but it’s just doing jack shit for me. I feel no urge to get up outta my chair, let alone kick a cop’s teeth in, which is always the standard by which I measure things. More simply, if I wanna beat someone up seven seconds into the first song, it’s some pretty good stuff. If I actually get up and do it, it’s a keeper. As I said, this ain’t exactly bad, but comparing this to, say, early JFA or even the Stretchmarks is kinda like comparing Dokken to Motorhead, meaning there is no real comparison. The weak metal chugga chugga stuff didn’t help matters much, either. Now I gotta get up and break out my Spontaneous Disgust tuneage so I can shake off this age-onset jadedness and get back to feelin’ like myself again. –Jimmy Alvarado (BYO)


TRAVIS CUT:
Shambles: CD
I like the cover art, but the music sucks. “Pop punk” you’ve heard a million times before. I do not wanna hear it again! –Matt Average (Firefly)


ALLEGIANCE:
Whose Border, Whose Fight: CD
Based solely on the sound of this, one might mistakenly take these guys for some long-lost British oi band from 1982 or so, but no, this is comprised of fifteen tunes recorded within the last six years in Japan by what appears to be two Japanese dudes and a white guy. True to the style they’re obviously influenced by, the arrangements are spare, yet oddly melodic, and the lyrics are often political in nature, resulting in an overall well executed package. I dog a lot of the newer oi stuff, primarily because so much of it sucks so bad, but this is a nice example of a band managing to keep things “traditional” without resorting to wallowing in a cesspool of drunken, violent stereotypes. Thumbs up. –Jimmy Alvarado (www.ghetto-rock.com)


ALLERGIC TO BULLSHIT:
Train I Ride: 7” EP
Ivy, who sings for ATB, has a wonderful set of pipes. She’s clear, loud, and can hold a note. The fact that she’s fronting a dirty DIY punk band makes these proceedings mighty fine. This’ll probably help about fifteen people out, but ATB sounds like Seaweed (nice and sinewy. The songs breathe and aren’t claustrophobic) coupled with the occasional fun but sad motivation of Bitchin’. Songs range from the joy of riding a train to the sorrow of being a product of a foster home (“Fuck You Motherfucker”). Iggy Scam (author of the great zine, Scam) not only plays guitar but writes an informative essay on a pack of spray-painting, beer-drinking punks and some things to remember when fingered by The Man as a group. Skip laundry for a couple days and send your two dollars to ‘em. You won’t be sorry. –Todd Taylor ($2 ppd., Half-Day)


ABUSE, THE:
Are You Ready for…: 7” EP
Pretty typical American street punk here. Songs about not belonging, living in the “lawless streets,” and, of course, drinking comprise the bulk of this release. They’re good on a musical level, but lyrically there’s nothing remotely new, exciting or remotely clever. –Jimmy Alvarado (www.theabuse.web1000.com)


A FRAMES:
Self-titled: CD
Seeing as there’s a dearth of information included with his, I know jackshit about both band and release. So far as I am able to deduce, these guys are either some old fringe-punk band from the early ‘80s or are heavily influenced by such groups. The music is rife with the angular, choppy rhythms and monotone vocals that so many of the bands in that gray area between art punk and edgy new wave seemed to wallow, sounding sorta like Servotron covering the Normal. Either way, old or new, these guys rock somethin’ fierce. –Jimmy Alvarado (S-S)


9 POUND HAMMER/SOUTH 75:
Split: 7"
Four songs by two bands that refuse to let the memory of the Fabulous Thunderbirds and Molly Hatchet fade into obscurity. Take from that what you will, and keep in mind that the labels on this record are printed on the wrong sides. –Not Josh –Guest Contributor (Eugene)


2¢ WORTH:
United States of Hysteria: CD
From Sin City, USA, these guys give you a CD of twenty-one songs. They remind me a lot of older Bad Religion. Fast and melodic. It’s a well done CD. If you like Bad Religion or melodic punk, this is for you and it’s only six dollars post paid from AVD Records! –Mike Beer –Guest Contributor (AVD)


+/-:
You Are Here: CD
The band is doing the symbol thing like Prince or it’s easier to graffiti your band name around town instead of writing it out as Plus/Minus. That was the only thing of interest here. The music bored the shit out of me. –Donofthedead (Teen Beat)


MODERN DAY URBAN BARBARIANS:
The Endless Retreat: CD

Another bassist/drummer duo. This one, strangely enough, sounds like a less musically proficient Stingers

–Jimmy Alvarado (www.sinkhole.net/pehome)


MINDS, THE:
Plastic Girls: CD

New wave is pretty hit-or-miss. This falls under the hit category. It’s catchy, rocking, and kinda retarded, although not as so-retarded-they-must-be-geniuses as the Spits. They’re a good band without having to hide behind a Yamaha Portasound or duct-taped striped shirts. Thumbs up.

–Josh (Dirtnap)


METHADONES, THE:
Career Objective: CD

Another release from the old pop punk dynasty! Here we have Dan Vapid’s latest effort, with all its Mass Giorgini production and pop punk yumminess. Decent pop punk, heavy on the rock end of things, no surprises here. This is Golden Grahams.

–Maddy (Thick)


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·ARTS
·GENERATORS, THE
·NOCTURNE FOR A DYING PLANET
·RUNX TALES #1
·TOOTH
·LEIDKULTUR
·UNDER PRESSURE
·VARIOUS ARTISTS
·AN EXTRA DAY FOR RIOTS


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