Welcome to Razorcake | DIY Punk Music | Punk Bands | Punk Rock Bands | Punk Magazine Welcome to Razorcake | DIY Punk Music | Punk Bands | Punk Rock Bands | Punk Magazine
 

























· 1:Webcomic Wednesdays #110
· 2:Webcomic Wednesdays #107
· 3:Webcomic Wednesdays #108
· 4:Webcomic Wednesdays #109
· 5:Parenting for Weirdos: Round One


Subscriptions
New Subscriptions
Renewal
Stickers and Buttons
Gift Subscription


Razorcake #84
Tim Version, Ordinary Life LP + bonus 7"
Radon, 28 LP
Zisk #25
Razorcake #83


Can't find Razorcake at your favorite store? Lend us a hand and we'll send you a free issue.



Razorcake will send you one free issue if you ask your librarian if they would carry Razorcake in their stacks. (This offer is good for both traditional libraries and independent libraries.) To get the free issue, you must send us the librarian's name and email and the library's postal address. We will then contact them directly and donate a subscription to them. U.S. libraries only, due to postage.

No Idea Records

Record Reviews

1 2 3 4 5 6 7 8 9 10 11 12

| 0-9| A| B| C| D| E| F| G| H| I| J| K| L| M |

| N| O| P| Q| R| S| T| U| V| W| X| Y| Z|

Below are some recently posted reviews.

RSS Feed

WHAT IF…:
Self-titled: 7"
When I picked up this 7” I was put off by the cover, the skulls and hearts motif is totally played out, though this art has a whimsy you don’t see often, and well done color. Still, I was willing to give it a chance, and it was worth it. Fun songs about getting fucked up, and maybe fucked, a few poignant observations on living poor and happy, rather than relentlessly chasing a buck. The playing gets tighter as the 7” rolls on (they crammed six songs on it); I bet they tear it up live. They included the lyrics, which are always a bonus for anyone who’s shot their hearing at shows over the years, and the back cover is my favorite illustration on any record I’ve seen: A red “What If...” be-licensed-plated dune buggy heading off into the horizon, the sunset being a warm, glowing foamy mug of beer. Check it out. –Samantha Beerhouse (Do Ya Hear We)


WATTS ENSEMBLE:
Two Suites for Crime & Time: CD
My initial reaction to this was that it sounded like a junior high school band trying to channel their inner Henry Mancini who, in turn, is trying to channel his inner Mingus. My interest piqued ’cause this isn’t the type of music one expects from kids these days, I did a little looking into the group. So far as I am able to determine, the “Watts” in their name is actually in reference to the ensemble’s drummer and composer, Brian Watson and has little or nothing to do with anyone involved living within the boundaries of the area of Los Angeles known as Watts. Further, most of the folks pictured on their site appear to be past junior high school age. Ergo, methinks the whole thing is more than a little disingenuous in addition to being poorly executed and not very good as far as music of this type goes. –Jimmy Alvarado (Kill Shaman, no address)


WAR FROM A HARLOT’S MOUTH:
In Shoals: CD
With a band name like that, I was expecting some kill-your-girlfriend-core bullshit. That was not the case, thank goodness. WFAHM plays metal-core with punk’s indignant fury. There’s double bass drum action, and the songs are loaded with off-time parts and technical bits, but the songwriting is of such a high caliber that the virtuoso parts don’t sound tacked on, and never compromise the music’s drive. I won’t lie, I usually hate this type of stuff, but this band is so good at what they do that it’s impossible not to enjoy and appreciate it. –CT Terry (Lifeforce)


VISITORS, THE:
Tropic of Cancer: 7"
Pleasant surprise; Pop punk, but with more of a ‘70s thing going on than a shitty Queers/Weasel-core thing. There’s rotating female/male vocals that help keep it interesting as well. The whole thing is put together quite nicely to boot, with nice art, crazy looking vinyl, and a download postcard. I’m into it. –Joe Evans III (House Party)


WE ARE ALL SAVAGES:
Booby-Trap: CDEP
A power pop riff similar to early Weezer or Elastica, kicks off the first track and leads into vocals like Pete Doherty. More Babyshambles than The Libertines, WIS tickled my earbuds with these three songs and have been on regular rotation in my disc player. Garage pop fun. My only regret is that there weren’t more songs. Recommended. –Kristen K (Realfnlove, realfucknlove.com)


VARIOUS ARTISTS:
Streetpunk & Disorderly 2009 / Longshot Promo EP #2: 2x 7"
You wouldn’t know that streetpunk and oi are in trouble given the release of this killer double comp of eight of the world’s finest mainline specimens: Alternate Action, Marching Orders, Harrington Saints, Secret Army, Bad Co. Project, Tower Blocks, Klasse Kriminale, and The Analogs. It’s a solid mix of new and more experienced bands, with the only disappointing track coming from Italy’s usually unbeatable Klasse Kriminale. Both records are on marbled vinyl, giving a nice fancy touch to a typically barebones subgenre. These were given away at the 2009 Punk & Disorderly festival in Berlin. I wasn’t there, but Australia’s Marching Orders blew me away when I saw them at the 2008 East Coast of Oi festival in Allentown, Pennsylvania before the show erupted into a mini-riot after Oxblood performed. But I digress. –Art Ettinger (Joe Pogo/Longshot)


VERMILLION SANDS, THE / MOVIE STAR JUNKIE:
Split: 7"
Each band here got one song and one side of the split but from the liner notes it looks like all the same people are in both groups they just play different parts in each. Vermillion Sands’ song slow dance sounds like creepy carnival-esque music. With the Organs and Wurlitzer it’s very atmospheric and visceral. Their song writing is strong and reminds me of Leonard Cohen for some reason. It’s such a great and interesting song. The Movie Star Junkies track has a lot of the same aesthetics as Vermilions Sands but it just doesn’t capture that same mood in that same impactful way. –N.L. Dewart (Rijapov, rijapovrecords.blogspot.com)


VICIOUS CYCLE:
Pale Blue Dot: CD
To be perfectly honest, Vicious Cycle’s Fucked Up affiliation does very little for me. Prior to hearing this record, quite a few word-of-mouth FU comparisons actually dissuaded me from checking this record out, expecting the mediocre-hardcore-with-uninteresting-indie-rock-interludes version of FU to shine through on this new Vicious Cycle release. Luckily, Pale Blue Dot refrains from incorporating any of that awkward melodrama and instead sounds only slightly (if at all) like FU’s early material. I actually still hear a lot of the Motörhead-meets-Negative Approach sound of Vicious Cycle’s earlier output, but Pale Blue Dot finds the band injecting a ton more melody and expanding on the song structures of those records. Jonah Falco (of Career Suicide, Fucked Up, etc) did a hell of a job recording this album, creating a super unique sound that definitely warrants Fugazi comparisons without sounding particularly akin to that band musically. This is a very cool record that manages to cover a lot of ground without sounding at all disjointed and still stays comfortably within American hardcore territory. I’m digging this big time. –Dave Williams (Deranged)


VIC RUGGIERO:
On The Rag Time: 7" EP
Music can be a personal tour guide to some other place and some other time and when listening to such date specific and location specific music such as Ruggiero’s, On The Rag Time vinyl, I’m extremely guarded about letting myself get carried too far away. That said, the sweet innocent nature of this old time blues music makes me feel like I’m in some Louisiana parlor and I can’t help but smile. I don’t find myself listening to this kind of stuff normally but if you’re into time warp blues piano man/song writer stuff than this 7” is for you. –N.L. Dewart (silversprocket.net, Thought Squad)


VIC RUGGIERO:
On The Rag Time: 7"
I was way excited to listen to this 7”, I’m a sucker for ‘old-timey’ sounds; I like to view enjoying music as my personal soundtrack thru American history (ragtime to punk rock? Crazy!), and it makes me really happy that people are interested in maintaining America’s older music traditions.  I liked this record, and listened to a few times over, really digging the piano. I thought that his music actually didn’t benefit from the lo-fi recording, the usually enjoyable hisses from maxed levels were distracting; it’s not like there is a weakness in his voice or playing. Love the title pun. Subject matter is pretty standard, in sense that a Billie Holiday song is still a standard; universal themes on love, and loss (and booze). Nice dark marbled burgundy vinyl to boot, like a pair of classy Doc Martens. Not really setting any new ground but if you wore a fedora, you’d probably tip it at this guy. –Samantha Beerhouse (silversprocket.net, Thought Squad)


VARIOUS ARTISTS:
Street Punk & Disorderly 2009: 2x 7"
What we have here is a double seven inch, eight band, international oi/punk fest courtesy of both Joe Pogo and Longshot Records. I’m sure there’s no need to get into detailed descriptions of the music here. It’s big, bald and tough. It’s all good so I’ll just list off the bands for you. Marching Orders (Australia), Alternate Action (Canada), Harrington Saints (U.S.A.), Secret Army (Spain), Bad Co. Project (Germany), Tower Blocks (Germany), The Analogs (Poland), and Klasse Kriminale (Italy). I’m getting loaded thinking about all the beer this makes me want to drink! –Ty Stranglehold (Longshot)


VARIOUS ARTISTS:
Shiftless Decay: CD
If you were to ask me to name a city that I'd want to hear a DIY compilation from, I’d probably say Detroit. An urban wasteland of poverty and crime? Check! Without the huge scene safety, incest and “makes-it-worth-it-ness” of punk meccas like Oakland and New Orleans? Check! It would just have to rock! Does it disappoint? Hell, no! This comp ranges from noisy punk, to garage, to psychedelic punk and then some other stuff like weird jazzy, instrumentalness. It all overlaps in a weird way (noisy garage?), so it’s never jarring. There’s not a dud on here. –Craven (X!, x-recs.com)


VARIOUS ARTISTS:
Half-Assed Chicago: LP
This regional comp LP is too good to be true. The first three tracks go Brokedowns, M.O.T.O., Sass Dragons! Hot damn! Releases like this remind me how good it can be. Exclusive songs from all bands, clear green vinyl, a wide variety of punk sub-genres. Fun fun times. Even bands I don’t necessarily like listening to I enjoy on this record. After much contemplating I could only think of two Chicago band I really like that aren’t on here. Pick this up. –Daryl Gussin (Johann's Face)


VARIOUS ARTISTS:
Econo-Comp: CD
Thirty-five tunes from an equal number of bands, many of which I’m fairly certain hail from Southern California. You’ll find here tracks from YAPO, Dead Lazlo’s Place, Entropy, Naked Aggression, The Vermin, Death Mickies, Last Rights, Homesick Abortions, Outtastep, Oppressed Logic, California Redemption and many others. On the whole this reminds me of ‘90s compilations like Nothing to Believe In and Backyard Shenanigans, the latter of which also has track by a number of the bands here, the recurring genre is thrashy hardcore, but the songs are catchy enough and there’s enough diversity in delivery while adhering to the genre’s rigid constraints that the bands manage to refrain from sounding all the same, for the most part. –Jimmy Alvarado (recordsontap.com)


TRANZMITORS:
Busy Singles: CD
This is a singles compilation from the Tranzmitors which actually sounds coherent enough to be a standalone LP. I never heard the band’s full lengths, but this is a great chunk of power-pop. These guys strike me as the modern successors to the driving power-poppery of the Pointed Sticks and the Exploding Hearts. A lot of the songs are built around a foundation of keyboards, crunchy Rickenbacker style jangle, and lyrics about girls. Plus, you get the vocal variety pack of the croony dude and the more gravelly dude. I would name names as to who has which voice but without seeing them live I couldn’t tell you. These guys would be the perfect band to play a punk rock prom along with the Undertones. My main problem with the disk is that for me it’s frontloaded with my favorite track, “Bigger Houses, Broken Homes,” being the very first song. It’s one of the greatest, driving, upbeat songs about suburban breakdown I’ve heard since the Briefs cover of “Dead in the Suburbs” and the Buzzcocks’ “Something’s Gone Wrong Again.” Don’t get me wrong, most of the rest of the songs are solid gold, but for me “Bigger Houses…” is platinum. –Adrian (Deranged)


TRAINWRECK RIDERS:
The Perch: CD
Competent alt.country! That’s about all I can really put down about this album. Countryish stuff (which to me does not mean the Top 40 pop-rock that’s on the majority of country stations) is odd in that it works better when it’s either massively understated (i.e. early and late period Johnny Cash, Willie Nelson’s Red Headed Stranger) or really schlocky heart bearing. I mean, yeah, Bright Eyes is overwrought but it sticks with you, and Hank Williams songs are about as emo as it gets. In the case of the Trainwreck Riders, this album delivers relatively energetic twang with laid back vocals that’s good for driving through long stretches of desert and plains, but there’s not really any reach out and grab me moments of bleeding all over the place conviction like with someone such as Slobberbone. –Adrian (Alive)


TROUBLEMAKER:
: 7"
Quite the mixed bag with these fellows. On one hand, they kick out five short blasts unflinchingly reminiscent of Paint It Black’s earlier material—even the vocals are eerily similar to Yemin’s. On the surface, it’s some reasonably decent stuff, if a little unremarkable. But the lyrics manage to come across as simultaneously self-loathing and yet terribly corny—the breakdown on “Loveless” is what sealed the deal for me: the music stops and the singer belts out “No one will ever fucking love me!” I just can’t deal with hardcore vocalists talking about how alone and unloved they are when there’s three or four other dudes standing behind them serving as the musical vehicle for their self-obsessed lamentations. It’s a big world out there, rife with problems—if you’re gonna focus exclusively on yourself, you’d better have something better than a Cat In The Hat-styled A-A-B-B rhyme scheme going on. –Keith Rosson (Neutral Territory)


VARIOUS ARTISTS:
Dangerous Intersections: 7"
Not sure how much of this stuff is exclusive, but
Traffic Street
’s put out a pretty solid winner here. The Closet Fairies come out swinging with their cover of “Skumpunk,” which sounds like a snot-nosed Fleshies covered “Sonic Reducer” in about ninety seconds or so, and The Dopamines come across as a more frayed and intelligent Copyrights. Weakest track is by Apocalypse Meow, where they wax poetic about how cool it would be to be a baby again, and Todd Congelliere—with more of a URTC flair than a Toys That Kill one—does an awesome, keyboard-heavy jam that somehow sounds forlorn and toe-tapping all at once. Three out of four ain’t bad at all, especially when I realized I just found a few new bands that I’ll be checking out in the future. Watch this label. –Keith Rosson (Traffic Street)


VARIOUS ARTISTS:
Dangerous Intersections IV: 7"
This is a four-band pop punk comp that is not my thing, but all the bands sound pretty good. The standout for me is Barrakuda McMurder whose short entry on this record sounds a bit like The Queers and has a similar boyish sense of humor. The Strait A’s “Go Away” is female fronted and, while not snotty enough for my taste, has the sensibilities of a great punk anthem. All four bands have personality and write descent songs. Again, it’s not my thing, but I get a good feeling off it. If your tastes range from Hot Water Music to The Queers, I would think this would be a great record for you. –Billups Allen (Traffic Street)


VARIOUS ARTISTS:
Bring It On Back: A Compilation Dedicated to Simplicity and Honesty: CD
Assembled by one Daryl Gussin of this here publication, this hodgepodge mix of live recordings and vocal outtakes (like an answering machine message) was apparently all taped using a digital camera. While the recording quality expectedly takes a hit (the insert refers to the lo-fi element), the assortment is endearing and earthy. The project’s finest moment is its first: “Rio Manzanares” by Panacea String Band is a smooth, gorgeously done piece about a river that, in a better world, would punctuate a farewell between two lovers at a Spanish drive-in flick. God Equals Genocide’s contribution (“Ya Never Know”) is pretty good, too. Other inclusions of note: a recording of a recording of “Joe Hill” by ambitious activist/entertainer Paul Robeson and the swooning and sweet “Lovesick Lycanthrope” by Mincing Pixie. –Reyan Ali (Self-released)


VARIOUS ARTISTS:
Annihilate Your Life: CD
A predominantly hardcore compilation featuring, in order of appearance, DIHYF, Salted Wounds, Clusterfux, Hardsole, Man0Alive, Cunnilingus, Döersovit, Truckasaurus, Conrn Whisky, Fetal Hymen, Infernal Racket, Dead Pan, One Per Coffin, Zombie Hate Brigade and Carrion Crawler. Would’ve liked a wee bit more diversity in sounds and styles, but most of the bands here ain’t bad at what they do and fans of the genre should find much to get them off. Best tune here, however, is the tune by Ernie and Cookie Monster they no doubt jacked from a Sesame Street record or broadcast. American treasures they both are and, despite their well documented addictions to rubber waterfowl and cookies, worthy of all the adulation they’ve received over the past four decades. –Jimmy Alvarado (Rawker)


VARIOUS ARTISTS:
A Product of Six Cents II: CD
Forty-nine tracks of the fast and faster are on this here disc (nine of which come from the APOSC I 7”). A lot of the tracks blast by like blurred blazes of rage. But don’t worry, this isn’t forty-nine tracks of lackluster Spazz and Infest idolatry and we-can’t-play-so-we-play-fast-hoping-that-nobody-will-notice-and-call-it-grind grind. Just like most comps, there’s going to be some stuff that you can’t stand and some stuff that you can’t live without. This comp has a lot more of the good than the bad. And, furthermore, the stuff that you wish wasn’t around is so fast and so short that it is hardly worth mention. Once you assess the track and realize that you don’t wanna hear it, the next track will be playing. You will be reaching for the case to see which band is playing so that you can take note of which band is desensitizing you more often than not. –Vincent Battilana (A Product Of Six Cents, myspace.com/aproductofsixcents / To Live A Lie, tolivealie.com)


VARIOUS ARTISTS:
8 Acoustic Comp: CD-R
Three-way split of acoustic stuff. Julia (um, I think that name’s been taken, ma’am) contributes three straight up folk ballads, essentially all about the dude that got away. It’s inherently cheesy stuff, but reasonably well done, all things considered. Coffee shop rock, but Julia’s voice does have a nice, forlorn quality to it. The Dead Pawns are a not-so-good bluegrass band with way tuneless and bellowed vocals, and Joey Corman just sounds like your average guy playing shit on an acoustic guitar: a little awkward, with some randomly decent moments. Certainly didn’t think Julia would be the best of the bunch, but she was. The best part is that while this is some tame acoustic folk stuff, the cover’s positively brimming over with a bunch of skulls. Also contains a Dead Pawns song called “Ballad Of A Blasphemer” and a quote from Jesus on the back cover. Pretty odd release overall. –Keith Rosson (8)


TV SUICIDES:
Nerve Damage: CD-R
Lyrically it sounds like they’ve been immersing themselves in the same less obvious subject matter the early incarnation of the Misfits occasionally mined. Musically they like the mid-tempo middle ground of proto-hardcore and feature a singer that sounds like he’s been listening to Rollins-fronted Black Flag bootlegs circa 1983. They ain’t bad on the whole, but the recordings here sound like fourth generation mp3 rips of mp3 rips that weren’t that good to begin with, with that weird squeal-in-a-tunnel quality to the cymbals. –Jimmy Alvarado (TV Suicides)


TROUBLEMAKE / TURKISH TECHNO:
Split: 7"
Preamble (or pre-ramble, your choice): At some point over the past year, I became aware of Traffic Street Records. I was on a rather well known “social networking” site looking at band pages. Turkish Techno, being a band I recently heard and liked, was one of the bands I was looking at. There was something on their page about an upcoming release on
Traffic Street
(which is this release). This, naturally, prompted me to look into this TSR. I saw that there were a few upcoming releases that interested me from TSR. I was mostly stoked that the second (planned) release involved TT. As it turned out, several of the releases slated for release after this split came out before this one—so goes punk rock. Anyhow, I’m glad to have it in my hands finally. Troublemake: Here’s the band that I hadn’t heard of, and whose name was making me unsure whether I wanted to hear them. After having heard them, I can say that I would listen to ‘em again. They lay down two solid tracks that sound like more technical (early Lookout!-era) Queers with Justin (from Anti-Flag) filling in for Mr. King. In other words, Troublemake deliver some decent pop punk that isn’t exactly by the numbers. Middle ramble: Now that I think about it, I don’t know why I had no problem checking TT out, while being skeptical about Troublemake because of their name. Turkish Techno: Gruff-vocaled punk for the bearded and non-bearded alike. Their songs on here are bit simpler and more straight ahead than those on the Brokedowns and Shang-A-Lang splits, but they’ll still make you hop up, down, and all around. The only thing kinda whack about this side is that the two Turkish Techno tracks were recorded on different occasions, which is immediately apparent aurally—but really nothing at all. –Vincent Battilana (Traffic Street)


1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888

| 0-9| A| B| C| D| E| F| G| H| I| J| K| L| M |

| N| O| P| Q| R| S| T| U| V| W| X| Y| Z|

Razorcake Podcast Player



·DENUNZIO
·MARKED MEN, THE
·MUSEUM MOUTH
·PERE UBU
·BLANK STARE
·ANS
·VARIOUS ARTISTS
·PRANK WAR
·DIGITAL LEATHER


Razorcake Records



If you live in the Los Angeles area and want to help us out, let us know.



Get monthly notifications of new arrivals and distro and special offers for being part of the Razorcake army.



 
Razorcake/Gorsky Press, Inc.
PO Box 42129
Los Angeles, CA 90042

Except for reviews, which appear in both, the
contents of the Razorcake website are completely
different from the contents of Razorcake Fanzine.

© 2001-2011 Razorcake/Gorsky Press, Inc. Privacy Policy

Razorcake.org is made possible in part by grants from
the City of Los Angeles, Department
of Cultural Affairs and is supported
by the Los Angeles County Board of
Supervisors through the Los Angeles
Arts Commission.
Department of Cultural AffairsLos Angeles County Arts Commission


Web site engine code is Copyright © 2003 by PHP-Nuke. All Rights Reserved. PHP-Nuke is Free Software released under the GNU/GPL license.