Welcome to Razorcake | DIY Punk Music | Punk Bands | Punk Rock Bands | Punk Magazine Welcome to Razorcake | DIY Punk Music | Punk Bands | Punk Rock Bands | Punk Magazine
 

























· 1:Webcomic Wednesdays #111
· 2:Webcomic Wednesdays #114
· 3:#350 with Daryl Gussin
· 4:Boredom and Velocity (formerly A Broad Abroad)
· 5:Razorcake Issue #29 from 2005, Featuring Alicja Trout


Subscriptions
New Subscriptions
Renewal
Stickers and Buttons
Gift Subscription


Razorcake #85
Pale Angels, Imaginary People LP
Toys That Kill / Joyce Manor, Split 7"
Tenement, Bruised Music, Volume One LP
Razorcake Punx Por Vida T-shirt


Can't find Razorcake at your favorite store? Lend us a hand and we'll send you a free issue.



Razorcake will send you one free issue if you ask your librarian if they would carry Razorcake in their stacks. (This offer is good for both traditional libraries and independent libraries.) To get the free issue, you must send us the librarian's name and email and the library's postal address. We will then contact them directly and donate a subscription to them. U.S. libraries only, due to postage.

Imprint Indie Printing

Record Reviews

1 2 3 4 5 6 7 8 9 10 11 12

| 0-9| A| B| C| D| E| F| G| H| I| J| K| L| M |

| N| O| P| Q| R| S| T| U| V| W| X| Y| Z|

Below are some recently posted reviews.

RSS Feed

SASS DRAGONS:
New Kids on the Bong: CD
The Sass Dragons shouldn’t work as a band. Their music’s akin to a food fight at a well-stocked buffet. It should be an unholy, sloppy mess. Blues riffs spalook off of Dwarves-chug-alongs. Reggae openings to songs splash onto and stain the carpet of dirty DIY punk. Saxophone intros juicily horn slide down the bib of a doo wop ditty. There are fast-thrown thrashers, indie rockers (“The Tails of Meow-Meow and Fuck-Fuck”), and banjo solos. What holds it together is the glue of absolute glee. The Sass Dragons, instead of being a gross, entire-random-meal-of-unassociated-music-genres-chucked-into-a-blender-in-order-to-suck-it-through-a-straw-because-we-have-no-identity-of-our-own type band, are like the lead-footed bus drivers of the developmentally challenged bus. They actively encourage the seemingly random outbursts and request that all limbs hang outside the windows while taking the corners so fast that the tires squeal along with you, the listener. Plus, they have a lot of songs about fuckin’ and stalking, which just sweetens the pot. Highly recommended. –Todd Taylor (Johann’s Face)


RAW POWER:
The Reagan Years: CD/DVD
The first thing I thought when I saw this was: How much does this thing cost? Beer City Records is a quality label to begin with and they have really triumphed by making over four records worth of Italy’s Raw Power’s output in the 1980s available in a DVD box for $25. Wow! This is such a no-brainer, it is hard to write about. Formed in Poviglio, Italy in 1981, Raw Power play hardcore punk with a hint of rock and roll guitar riffs. As their catalog reaches into the later ‘80s, the band edges into a more street punk sound a la Broken Bones. Here is the product breakdown: Disc one contains the albums Screams from the Gutter (1984) and After Your Brain (1986). Disc two contains Mine to Kill (1989), You Are the Victim (1983) and the Wop Hour 7”. Disc three is a DVD containing two live shows. I’m not a huge live DVD kind of guy, but these two shows from ‘86 and ‘87 are a nice companion. My neurotic side detests the thought of old band videos rotting in someone’s mom’s basement, so I get some sort of Hank Hill satisfaction seeing them put to good use. Economy and fundamentals are at the root of this box set. There is an argument that could be made for too much of a good thing, but this band is worth it. Since technology is spoiling people’s attitude about the value of music at an alarming rate, the ability to cram more, more, more into a punk rock release should be something of a consolation prize. I really hope this budget box set becomes a model for releasing some lesser-known discographies. Bravo! –Billups Allen (Beer City)


PYGMY SHREWS:
The Egyptian: CD
Ahh, dual male and female vocals… For this reviewer, that’s almost as good as a cold beer on a hot day. Almost. Well, here it is: the long-awaited first full length from Brooklyn’s Shrews. They continue their hardcore noise tirade riding on a melodic surf of dissonance and fuzz. Some I took a shine to are, “Your Party Sucks,” which will be the new house party track and “Dead Wrong,” which is a spoken word chain of rhetorical questions. Big Time is sold out on their myspace, so be sure to snap this up right quick. Recommended. –Kristen K (Wäntage USA)


PROLES!:
One Small Step: 7” EP
PC punk stuff out to learn us about the injustice, mind control, non-boogieing richies, and the insidious nature of Helvetica. –Jimmy Alvarado (Free To A Good Home)


P.R.O.B.L.E.M.S.:
Gotta Get away from You: 7”
The A-side is a nice bit of driving punk/hardcore, not too fast or slow with a nice riff. B-side’s faster and not quite as interesting. –Jimmy Alvarado (Tombstone)


RAZORHOOF:
Self-titled: CD
Crushing metal that could hold its own with bands like High On Fire, Weedeater, and 16. Thick and chunky guitars and drums, with a vocalist who works perfectly with the sound. He sounds like his voice is blown out to hell and back. They keep the songs moving at a decent pace, but not too fast to sacrifice the pulverizing power of their songs. Seriously, one of the better heavy bands I’ve heard this year. I imagine they destroy when they play live. Only one hundred of these were made, so act quick. Worth your money and time. –Matt Average (Oscillator, myspace.com/oscillatorrecords.com)


SALVATION CITY ROCKERS:
Self-titled: 2 x LP
This band brings a lot of different things to the table, and unlike most bands, succeeds in putting forth an album with varying sounds as opposed to varying quality. There’s good street punk, some solid oi, and a few tracks smack dab in the vein of the “punky-reggae party” genre best exemplified by Los Fabulosos Cadillacs’ Rey Azucar album. The songs are in French, which is great, since that way I can just assume all the lyrics rule. Also, it’s a lot easier to read when you are not being distracted by song lyrics you feel somehow embody your trials and tribulations. This is a really solid release from a genre you don’t hear very often, so definitely check this out. –Rene Navarro (Joe Pogo)


REDSKINS:
Epilogue: CD
Back when I was a kid (well, adolescent, actually) in the ‘80s, my dad would occasionally bring home albums he’d gotten from the record store next to his work that he thought his punker sons would find interesting. One of these was a Redskins album, and I remember being really put off by the horns and the occasionally ‘80s pop feel many of the songs had, and of course, the album was summarily ignored past what couldn’t have been more than two spins. Listening to this—a collection comprised of their two singles for the CNT label, three demo tracks, one live track, and three tracks from a precursor band, No Swastikas—makes me wish I’d paid just a little more attention to that album. Sure, the horns and occasionally too radio-friendly beats are still there, but what I’d failed to notice all those years ago is that they were pretty goddamned good at what they did. Many times here they deliver the tunes with such intensity that they come off sounding like the Minutemen on a warp-speed meringue binge, melding post-punk with soul, left wing politics, and yes, oi/punk sensibilities. This is some really good stuff here, and I’m wishin’ a) it was longer and b) I hadn’t been a dope and kept that album so’s I could compare this against it. –Jimmy Alvarado (insurgence.net)


PRIZZY PRIZZY PLEASE:
Chroma Cannon: CD
This is a reference I thought I would never use in Razorcake, but for all the world this band sounds to me like Bob Seger. Yes, a harder rocking, artier Bob Seger for sure, but Bob Seger none the less. The reason I say this is because the vocals have the bar rock vibe of something that would be on a classic rock station (In my hometown of Ruidoso it was 101.5, “The Kid”), and the alto sax on most of this album only reinforces that feeling. Some of the tracks like “Large Hadron Collider” and “New Shoes” actually have an alright spacey, party rock thing going on, but, man, I really don’t like the saxophone. It keeps making me feel like the song “Katmandu” is getting ready to jump out from behind a shady corner and aurally knee-cap me. –Adrian (Joyful Noise)


PREDATOR:
Self-titled: 7” EP
Three tracks of primal thud-punk—simple riffs, monotone vocals, no frills drumming, and a bass that goes blurt-blurt-blurt. It ain’t Joe Satriani, but who seriously wants to hear that kinda mirror-worshipping masturbation-by-guitar anyway? These kids are quite fuckin’ effective just the way they are. –Jimmy Alvarado (Robs House)


POWERCHORDS, THE:
More than Me: 7”
The title tune is pure strain power pop, rife with the requisite hooks and occasionally jangly guitars. The flip, “Chemical Girl,” is a bit more punky with shades of early Dickies buried in there. Nice little single. –Jimmy Alvarado (Bachelor)


POTENTIAL JOHNS:
“Can I Really Not Go with You” b/w “Past Due”: 7”
I’ve been a big fan of counting small blessings lately; carrying around things that are precious to me. Most of those precious things can’t be held in my hands. They’re tucked inside. Friendships. Lines from books. Chords from songs. Lyrics. Memories of live shows. These are the inoculations against overwhelming darkness and cynicism. Jeff Burke—the one man behind all of the Potential Johns in the studio, and one quarter of The Marked Men—we’re fortunate to have him on our side of music. It does no one any good to say that he’s a genius, a savior, or a voice of a generation. (Geniuses usually go batshit crazy, saviors get crucified, and voices of a generation have a way of becoming douchebags selling upper class consumables.) But Jeff, undeniably, has a talent of writing and playing songs that are intricate yet simple, punk yet genre-less, personal yet inclusive. Listening to this single spin, and you can almost hear another universe of music opening up. And that’s fuckin’ dazzling. –Todd Taylor (Dirtnap)


POPITILOPITILUS:
Self-titled: 7” EP
Oddball hardcore that swings all over the map—hyper-thrash one second, Cowsy noise rock the next—then on to tunes about terror gnomes and having lasers for eyes. –Jimmy Alvarado (Stank House)


PISTOL WHIP:
Terminal: CD/DVD
Smog Veil unleashes some killer Erie, PA punk from 1977 and ‘78! This band is incredible, coming on like a great combination of the Dictators and Radio Birdman. There is a lot of that hard rock turning into punk sound to be found here, and that is some of my favorite stuff of all time. Fans of Nervous Eaters would find a whole lot to like here, although this band has a dash of that Australian dark sound that seems to inform so many of the Oz bands. The DVD has some footage shot on 8mm from way back when, as well. I am so glad to hear some more of this proto-punk style stuff and having studio recordings instead of crummy-sounding live recordings just make it all the better. This is simply an essential reissue for anyone who is a fan of the rockin’ punk end of the spectrum. –Mike Frame (Smog Veil)


PI:
Plethora: CD
Ranchero punk! Or maybe Norteño punk… possibly cumbia punk? I probably would have to ask my parents to be sure. Either way, this is awesome. Probably one of the best party albums I’ve heard in a long while. Also, this finally fulfills my longstanding wish of hearing a band do something like this, with the extra plus that it doesn’t suck. In fact, quite the opposite. Get a fast punk band, add an accordion, get them to do polkas (“Polka Time”) and some ballads (“Love Taco”) and a taste for Tex-Mex music, and you have this band. That sounds like a recipe for a novelty disaster, and in the hands of a lesser band it might be, but these guys pull it off. “Cantina” and “Campesino” are some rippers that could start off both a rowdy backyard BBQ full of either punk rockers or my extended family from New Mexico. The mix of good ol’ anarcho style Spanish and English lyrics in the mix on songs like “Suckcess” and “Maquilapolis” is a nice touch tambien. Also, the title of the album has to be a reference to Three Amigos and who didn’t like that movie? This gets thumbs up all around and my seal of approval. –Adrian (Saustex, saustexmedia.com)


PIGS:
Illuminati House Party: LP
Heavy stuff here. But it’s not all doom and thud. This is a good mix of straight-up rock, with songs like “Population Control” and “Hard Lovin’ Van,” and then they give you stuff like “The Call,” which is in the realm of Sabbath and Sleep. But the crème de la crème is the Sabbath-inspired riff godhead “Lurch,” which is so undeniably good it requires a couple more listens before moving on to the next song. Then you get the epic “Taser Trilogy,” which is, as the title suggests, a three-part instrumental jam. At points this stuff reminds me of mid- to late-’80s SST output: jam heavy and out of left field. Would love to see these guys live. This record comes packaged in a foldout, two-color screen printed cover, along with a CD-R of the album to listen to in the car. Fuck yeah! –Matt Average (Sugar Mountain, sugarmountain@gmail.com)


OFFENDERS:
Anthology 1981-1985: CD
Sweden’s Just 4 Fun released this anthology of a semi random bunch of Offenders material as a tribute to the late Mikey “Offender” Donaldson, whose untimely death in 2007 shook the underground. Besides being one of the founding members of the Offenders, Donaldson also played on classic releases by D.R.I. and MDC. The only times I got to see Donaldson live were when MDC did their rare, “all original members” shows a few years back. Offenders remains a grossly underappreciated early hardcore band, one of the first to play the super fast styles that became so prominent as the 1980s scorched by. There are some really strange lead guitar riffs on some of these tracks that are as dated as the meat products in the local grocery store I declared never to return to, but, overall, these tracks hold up very well. Easily as catchy and potent as much better known bands, Offenders deserve their place in hardcore history. –Art Ettinger (Just 4 Fun, j4f.dk)


NEVER GROW UP:
Crusaders of Love: LP
I’m starting to think Douchemaster has a direct line to my brain’s deepest punk rock desires. Part of a distinguished list of releases including the White Wires and the Black And Whites, Bryan Rackley and Co. have once again unleashed a pitch-fucking-perfect LP. This record does catchy self-destructive love with a clean (but not sterile) sound echoing early ‘80s pop punk. Maybe it’s something in the water, but these delightful Frenchmen have a sound so enthralling, myself and my two roommates have this record on the list of “you’re not allowed to play it three times in a row.” One song sounds like a heartbreak anthem from the 1950s! Basically, this record is a fucking good time, even if in the songs, the narrator isn’t having one. Can’t wait to see them live. –Samantha Beerhouse (Douchemaster)


NERVE CITY:
Self-titled EP + Self-titled LP: 7" + 12"
Primal, woozy, thumpy, reverb-drenched stuff. Had The Jesus And Mary Chain been even more influenced by the Velvet Underground and laid off the feedback a bit when they started out, they probably would’ve sounded something like this. The seven-inch on Hozac goes one further by shoving the band into a cardboard box that they subsequently drop into the deep end of the pool and hit record. –Jimmy Alvarado (Hozac / Sweet Rot)


MULLENS, THE:
It’s Hard to Imagine…: CD
There’s a definite reliance on mid- ‘60s rock in evidence here, but discerning listeners can also pick out snatches of Bowie and Dolls influence buried in there amidst the Love, Kinks, and Strawberry Alarm Clock. The recording is clear, the production clean, and careful to avoid the now-hackneyed “budget rock” production values, which has never really gone well for the untold millions of bands who’ve incorporated it without truly getting it. –Jimmy Alvarado (Get Hip)


MOUTH SEWN SHUT:
2009: LP
Not to toot my own horn but me and OldHCDude got pictures inside the gatefold of this record! Woohoo! I always get soft and gooey when people want to use my work. Now that I’m all stoked, seeing the cool splattered milky yellow and black vinyl just brought me up a notch. Anticipation is high now to hear what comes pouring out of the speakers. Not disappointed. A band that never let me down live and this recording sounds to be the best I have heard from them. A big fan of good production, this one is forceful with the best of them. I even really like that the ska and reggae numbers have equal energy to their punk ones. Par for their course, vocals are power-driven with angered output that East Coasters seem deliver with regularity. Bass guitar is prominent in the mix, driving the low down notes up front while the drums provide the chest-thumping drive. The crisp distortion from the guitar keeps the aggro level up. Have to say, this is the best output I have heard to date. Thanks for using my pictures! –Donofthedead (Rodent Popsicle)


MOUTH SEWN SHUT:
2009: LP
If you are in a hardcore band and you are considering adding reggae to your repertoire (or even considering it as an influence) you need to ask yourself a question: “Are we the Bad Brains?” If you are the Bad Brains, proceed, just not too much. If you are not the Bad Brains, stop right there. You aren’t the Bad Brains, and will thus inevitably fuck this up. Just stay hardcore. Unfortunately, no one in Mouth Sewn Shut asked themselves this question, and they have several really laughably bad attempts at reggae on this LP. The non-reggae songs are relatively decent crusty hardcore about the usual crusty hardcore subjects. The singer sounds like Barney Greenway a little bit, so extra points for that. But seriously, cut the reggae. –Ryan Horky (Rodent Popsicle)


MOTHER’S CHILDREN:
That’s Who!: LP
Hey current Ottawa punk rock scene: you’ve done it yet again. About a year ago there were like a thousand new bands in this town, most of them good, if not great. Inevitably, some of them turned out to be summer romances or slightly longer flings, but others stuck—long-term polygamous relationships based on boozing, power-pop, biking, hardcore, and pizza. I consider myself incredibly lucky to be part of a community that continues to flourish and gain recognition, and one of Ottawa’s best exports, Mother’s Children, have just churned out one hell of an LP for Deranged Records. As first evidenced on last year’s Dance to the Rock N Roll Band EP on Going Gaga, these four fellows (whose current and previous affiliations include Year Zero, Million Dollar Marxists, the Sick Fits, Cloven Hoofs, and a handful of others) have the goods required to pen some of the most memorable power-pop-rock-n-roll songs this side of the first Any Trouble LP, infused with a proto-punk/glam snottiness and energy that sets them well apart from the legions of copycats currently huddling under the power pop banner. It’s easy to shrug this kinda stuff off these days, but regardless of musical preference, give this a spin and a good listen. You won’t regret it. –Dave Williams (Deranged)


MODERN ACTION:
“Modern Action” b/w “Bleeding Red”: 7”
If you can put an exact scientific quantifier as to why bands like this ((whatever “like this” means)) sound immediately identifiable as being from southern California and nowhere but, i’d like to get my hands on your data. I can only guess that their mothers were frightened by the “Somebody Got Their Head Kicked In” comp LP whilst they were in the womb, because this band sounds so much like the bands on that record that if i were to go and look at the album cover today, i’d only be half-agog if i saw a Pushead character wearing a Modern Action t-shirt staring back outta the mosh pit at me. Snappy melodies and eighth-note cymbal rhythms aside, somebody might wish to take these lads aside and inform them that a chorus consisting solely of your band’s name repeated twenty times in a row ((the phrase “Modern Action” is uttered sixty-four times total in the song)) is rarely considered a particularly sterling bulwark of creativity. Then again, i’m always up for anything that makes me feel like it’s summer/fall ‘82 again, so thanks for that, if nothing else. BEST SONG: “Modern Action” BEST SONG TITLE: “Modern Action” FANTASTIC AMAZING TRIVIA FACT: “Modern Action” –Rev. Norb (Modern Action)


MIND SPIDERS:
4-song EP: 7"
Mark Ryan is probably most well known for being in the Marked Men, and is undoubtedly a large part of that band’s fascinating chemical reaction. He’s also been a long runner in the you-should-check-them-out High Tension Wires and was a one-time Riverboat Gamblers guitarist. This collection of four songs showcases a slightly less frenetic Mark, peeling apart songs, letting them spool out, and then drenching them in an almost wet layer of sonics. Sick with hooks and natural-sounding (for some reason, I keep picturing highly polished wood grain), there’s a sheen to these songs (which Mark recorded himself, I believe), but it’s there to highlight and bring out some lustrous, subtle textures that’d be lost if the production was mindlessly scuffed, forced, and agitated “to be more ‘punk’.” Great stuff. –Todd Taylor (Dirtnap)


1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888 889 890 891 892 893 894 895 896 897 898 899

| 0-9| A| B| C| D| E| F| G| H| I| J| K| L| M |

| N| O| P| Q| R| S| T| U| V| W| X| Y| Z|

Razorcake Podcast Player



·WILT CHAMBERLIN’S BABY
·BRIAN JONESTOWN MASSACRE
·BRUTAL KNIGHTS
·Generacion Suicida Interview Podcast
·HAIL SEIZURES
·VANISHING, THE
·GREAT DISMAL SWAMIS, THE
·Bad Religion, Sparta, the Unmutuals
·ZISK, #9


Razorcake Podcasts



If you live in the Los Angeles area and want to help us out, let us know.



Get monthly notifications of new arrivals and distro and special offers for being part of the Razorcake army.



 
Razorcake/Gorsky Press, Inc.
PO Box 42129
Los Angeles, CA 90042

Except for reviews, which appear in both, the
contents of the Razorcake website are completely
different from the contents of Razorcake Fanzine.

© 2001-2011 Razorcake/Gorsky Press, Inc. Privacy Policy

Razorcake.org is made possible in part by grants from
the City of Los Angeles, Department
of Cultural Affairs and is supported
by the Los Angeles County Board of
Supervisors through the Los Angeles
Arts Commission.
Department of Cultural AffairsLos Angeles County Arts Commission


Web site engine code is Copyright © 2003 by PHP-Nuke. All Rights Reserved. PHP-Nuke is Free Software released under the GNU/GPL license.