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Record Reviews1 2 3 4 5 6 7 8 9 10 11 12 | 0-9| A| B| C| D| E| F| G| H| I| J| K| L| M | | N| O| P| Q| R| S| T| U| V| W| X| Y| Z| Below are some recently posted reviews.  RSS Feed
VERMILLION SANDS, THE / MOVIE STAR JUNKIE:
Split: 7"
Each band here got one song and one side of the split but from the liner notes it looks like all the same people are in both groups they just play different parts in each. Vermillion Sands’ song slow dance sounds like creepy carnival-esque music. With the Organs and Wurlitzer it’s very atmospheric and visceral. Their song writing is strong and reminds me of Leonard Cohen for some reason. It’s such a great and interesting song. The Movie Star Junkies track has a lot of the same aesthetics as Vermilions Sands but it just doesn’t capture that same mood in that same impactful way.
–N.L. Dewart (Rijapov, rijapovrecords.blogspot.com)
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VICIOUS CYCLE:
Pale Blue Dot: CD
To be perfectly honest, Vicious Cycle’s Fucked Up affiliation does very little for me. Prior to hearing this record, quite a few word-of-mouth FU comparisons actually dissuaded me from checking this record out, expecting the mediocre-hardcore-with-uninteresting-indie-rock-interludes version of FU to shine through on this new Vicious Cycle release. Luckily, Pale Blue Dot refrains from incorporating any of that awkward melodrama and instead sounds only slightly (if at all) like FU’s early material. I actually still hear a lot of the Motörhead-meets-Negative Approach sound of Vicious Cycle’s earlier output, but Pale Blue Dot finds the band injecting a ton more melody and expanding on the song structures of those records. Jonah Falco (of Career Suicide, Fucked Up, etc) did a hell of a job recording this album, creating a super unique sound that definitely warrants Fugazi comparisons without sounding particularly akin to that band musically. This is a very cool record that manages to cover a lot of ground without sounding at all disjointed and still stays comfortably within American hardcore territory. I’m digging this big time.
–Dave Williams (Deranged)
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VIC RUGGIERO:
On The Rag Time: 7" EP
Music can be a personal tour guide to some other place and some other time and when listening to such date specific and location specific music such as Ruggiero’s, On The Rag Time vinyl, I’m extremely guarded about letting myself get carried too far away. That said, the sweet innocent nature of this old time blues music makes me feel like I’m in some Louisiana parlor and I can’t help but smile. I don’t find myself listening to this kind of stuff normally but if you’re into time warp blues piano man/song writer stuff than this 7” is for you.
–N.L. Dewart (silversprocket.net, Thought Squad)
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VIC RUGGIERO:
On The Rag Time: 7"
I was way excited to listen to this 7”, I’m a sucker for ‘old-timey’ sounds; I like to view enjoying music as my personal soundtrack thru American history (ragtime to punk rock? Crazy!), and it makes me really happy that people are interested in maintaining America’s older music traditions. I liked this record, and listened to a few times over, really digging the piano. I thought that his music actually didn’t benefit from the lo-fi recording, the usually enjoyable hisses from maxed levels were distracting; it’s not like there is a weakness in his voice or playing. Love the title pun. Subject matter is pretty standard, in sense that a Billie Holiday song is still a standard; universal themes on love, and loss (and booze). Nice dark marbled burgundy vinyl to boot, like a pair of classy Doc Martens. Not really setting any new ground but if you wore a fedora, you’d probably tip it at this guy.
–Samantha Beerhouse (silversprocket.net, Thought Squad)
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VARIOUS ARTISTS:
Street Punk & Disorderly 2009: 2x 7"
What we have here is a double seven inch, eight band, international oi/punk fest courtesy of both Joe Pogo and Longshot Records. I’m sure there’s no need to get into detailed descriptions of the music here. It’s big, bald and tough. It’s all good so I’ll just list off the bands for you. Marching Orders (Australia), Alternate Action (Canada), Harrington Saints (U.S.A.), Secret Army (Spain), Bad Co. Project (Germany), Tower Blocks (Germany), The Analogs (Poland), and Klasse Kriminale (Italy). I’m getting loaded thinking about all the beer this makes me want to drink!
–Ty Stranglehold (Longshot)
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VARIOUS ARTISTS:
Shiftless Decay: CD
If you were to ask me to name a city that I'd want to hear a DIY compilation from, I’d probably say Detroit. An urban wasteland of poverty and crime? Check! Without the huge scene safety, incest and “makes-it-worth-it-ness” of punk meccas like Oakland and New Orleans? Check! It would just have to rock! Does it disappoint? Hell, no! This comp ranges from noisy punk, to garage, to psychedelic punk and then some other stuff like weird jazzy, instrumentalness. It all overlaps in a weird way (noisy garage?), so it’s never jarring. There’s not a dud on here.
–Craven (X!, x-recs.com)
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VARIOUS ARTISTS:
Half-Assed Chicago: LP
This regional comp LP is too good to be true. The first three tracks go Brokedowns, M.O.T.O., Sass Dragons! Hot damn! Releases like this remind me how good it can be. Exclusive songs from all bands, clear green vinyl, a wide variety of punk sub-genres. Fun fun times. Even bands I don’t necessarily like listening to I enjoy on this record. After much contemplating I could only think of two Chicago band I really like that aren’t on here. Pick this up.
–Daryl Gussin (Johann's Face)
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VARIOUS ARTISTS:
Econo-Comp: CD
Thirty-five tunes from an equal number of bands, many of which I’m fairly certain hail from Southern California. You’ll find here tracks from YAPO, Dead Lazlo’s Place, Entropy, Naked Aggression, The Vermin, Death Mickies, Last Rights, Homesick Abortions, Outtastep, Oppressed Logic, California Redemption and many others. On the whole this reminds me of ‘90s compilations like Nothing to Believe In and Backyard Shenanigans, the latter of which also has track by a number of the bands here, the recurring genre is thrashy hardcore, but the songs are catchy enough and there’s enough diversity in delivery while adhering to the genre’s rigid constraints that the bands manage to refrain from sounding all the same, for the most part.
–Jimmy Alvarado (recordsontap.com)
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TRANZMITORS:
Busy Singles: CD
This is a singles compilation from the Tranzmitors which actually sounds coherent enough to be a standalone LP. I never heard the band’s full lengths, but this is a great chunk of power-pop. These guys strike me as the modern successors to the driving power-poppery of the Pointed Sticks and the Exploding Hearts. A lot of the songs are built around a foundation of keyboards, crunchy Rickenbacker style jangle, and lyrics about girls. Plus, you get the vocal variety pack of the croony dude and the more gravelly dude. I would name names as to who has which voice but without seeing them live I couldn’t tell you. These guys would be the perfect band to play a punk rock prom along with the Undertones. My main problem with the disk is that for me it’s frontloaded with my favorite track, “Bigger Houses, Broken Homes,” being the very first song. It’s one of the greatest, driving, upbeat songs about suburban breakdown I’ve heard since the Briefs cover of “Dead in the Suburbs” and the Buzzcocks’ “Something’s Gone Wrong Again.” Don’t get me wrong, most of the rest of the songs are solid gold, but for me “Bigger Houses…” is platinum.
–Adrian (Deranged)
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TRAINWRECK RIDERS:
The Perch: CD
Competent alt.country! That’s about all I can really put down about this album. Countryish stuff (which to me does not mean the Top 40 pop-rock that’s on the majority of country stations) is odd in that it works better when it’s either massively understated (i.e. early and late period Johnny Cash, Willie Nelson’s Red Headed Stranger) or really schlocky heart bearing. I mean, yeah, Bright Eyes is overwrought but it sticks with you, and Hank Williams songs are about as emo as it gets. In the case of the Trainwreck Riders, this album delivers relatively energetic twang with laid back vocals that’s good for driving through long stretches of desert and plains, but there’s not really any reach out and grab me moments of bleeding all over the place conviction like with someone such as Slobberbone.
–Adrian (Alive)
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TROUBLEMAKER:
: 7"
Quite the mixed bag with these fellows. On one hand, they kick out five short blasts unflinchingly reminiscent of Paint It Black’s earlier material—even the vocals are eerily similar to Yemin’s. On the surface, it’s some reasonably decent stuff, if a little unremarkable. But the lyrics manage to come across as simultaneously self-loathing and yet terribly corny—the breakdown on “Loveless” is what sealed the deal for me: the music stops and the singer belts out “No one will ever fucking love me!” I just can’t deal with hardcore vocalists talking about how alone and unloved they are when there’s three or four other dudes standing behind them serving as the musical vehicle for their self-obsessed lamentations. It’s a big world out there, rife with problems—if you’re gonna focus exclusively on yourself, you’d better have something better than a Cat In The Hat-styled A-A-B-B rhyme scheme going on.
–Keith Rosson (Neutral Territory)
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VARIOUS ARTISTS:
Dangerous Intersections: 7"
Not sure how much of this stuff is exclusive, but Traffic Street’s put out a pretty solid winner here. The Closet Fairies come out swinging with their cover of “Skumpunk,” which sounds like a snot-nosed Fleshies covered “Sonic Reducer” in about ninety seconds or so, and The Dopamines come across as a more frayed and intelligent Copyrights. Weakest track is by Apocalypse Meow, where they wax poetic about how cool it would be to be a baby again, and Todd Congelliere—with more of a URTC flair than a Toys That Kill one—does an awesome, keyboard-heavy jam that somehow sounds forlorn and toe-tapping all at once. Three out of four ain’t bad at all, especially when I realized I just found a few new bands that I’ll be checking out in the future. Watch this label.
–Keith Rosson (Traffic Street)
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VARIOUS ARTISTS:
Dangerous Intersections IV: 7"
This is a four-band pop punk comp that is not my thing, but all the bands sound pretty good. The standout for me is Barrakuda McMurder whose short entry on this record sounds a bit like The Queers and has a similar boyish sense of humor. The Strait A’s “Go Away” is female fronted and, while not snotty enough for my taste, has the sensibilities of a great punk anthem. All four bands have personality and write descent songs. Again, it’s not my thing, but I get a good feeling off it. If your tastes range from Hot Water Music to The Queers, I would think this would be a great record for you.
–Billups Allen (Traffic Street)
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VARIOUS ARTISTS:
Bring It On Back: A Compilation Dedicated to Simplicity and Honesty: CD
Assembled by one Daryl Gussin of this here publication, this hodgepodge mix of live recordings and vocal outtakes (like an answering machine message) was apparently all taped using a digital camera. While the recording quality expectedly takes a hit (the insert refers to the lo-fi element), the assortment is endearing and earthy. The project’s finest moment is its first: “Rio Manzanares” by Panacea String Band is a smooth, gorgeously done piece about a river that, in a better world, would punctuate a farewell between two lovers at a Spanish drive-in flick. God Equals Genocide’s contribution (“Ya Never Know”) is pretty good, too. Other inclusions of note: a recording of a recording of “Joe Hill” by ambitious activist/entertainer Paul Robeson and the swooning and sweet “Lovesick Lycanthrope” by Mincing Pixie.
–Reyan Ali (Self-released)
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VARIOUS ARTISTS:
Annihilate Your Life: CD
A predominantly hardcore compilation featuring, in order of appearance, DIHYF, Salted Wounds, Clusterfux, Hardsole, Man0Alive, Cunnilingus, Döersovit, Truckasaurus, Conrn Whisky, Fetal Hymen, Infernal Racket, Dead Pan, One Per Coffin, Zombie Hate Brigade and Carrion Crawler. Would’ve liked a wee bit more diversity in sounds and styles, but most of the bands here ain’t bad at what they do and fans of the genre should find much to get them off. Best tune here, however, is the tune by Ernie and Cookie Monster they no doubt jacked from a Sesame Street record or broadcast. American treasures they both are and, despite their well documented addictions to rubber waterfowl and cookies, worthy of all the adulation they’ve received over the past four decades.
–Jimmy Alvarado (Rawker)
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VARIOUS ARTISTS:
A Product of Six Cents II: CD
Forty-nine tracks of the fast and faster are on this here disc (nine of which come from the APOSC I 7”). A lot of the tracks blast by like blurred blazes of rage. But don’t worry, this isn’t forty-nine tracks of lackluster Spazz and Infest idolatry and we-can’t-play-so-we-play-fast-hoping-that-nobody-will-notice-and-call-it-grind grind. Just like most comps, there’s going to be some stuff that you can’t stand and some stuff that you can’t live without. This comp has a lot more of the good than the bad. And, furthermore, the stuff that you wish wasn’t around is so fast and so short that it is hardly worth mention. Once you assess the track and realize that you don’t wanna hear it, the next track will be playing. You will be reaching for the case to see which band is playing so that you can take note of which band is desensitizing you more often than not.
–Vincent Battilana (A Product Of Six Cents, myspace.com/aproductofsixcents / To Live A Lie, tolivealie.com)
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VARIOUS ARTISTS:
8 Acoustic Comp: CD-R
Three-way split of acoustic stuff. Julia (um, I think that name’s been taken, ma’am) contributes three straight up folk ballads, essentially all about the dude that got away. It’s inherently cheesy stuff, but reasonably well done, all things considered. Coffee shop rock, but Julia’s voice does have a nice, forlorn quality to it. The Dead Pawns are a not-so-good bluegrass band with way tuneless and bellowed vocals, and Joey Corman just sounds like your average guy playing shit on an acoustic guitar: a little awkward, with some randomly decent moments. Certainly didn’t think Julia would be the best of the bunch, but she was. The best part is that while this is some tame acoustic folk stuff, the cover’s positively brimming over with a bunch of skulls. Also contains a Dead Pawns song called “Ballad Of A Blasphemer” and a quote from Jesus on the back cover. Pretty odd release overall.
–Keith Rosson (8)
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TV SUICIDES:
Nerve Damage: CD-R
Lyrically it sounds like they’ve been immersing themselves in the same less obvious subject matter the early incarnation of the Misfits occasionally mined. Musically they like the mid-tempo middle ground of proto-hardcore and feature a singer that sounds like he’s been listening to Rollins-fronted Black Flag bootlegs circa 1983. They ain’t bad on the whole, but the recordings here sound like fourth generation mp3 rips of mp3 rips that weren’t that good to begin with, with that weird squeal-in-a-tunnel quality to the cymbals.
–Jimmy Alvarado (TV Suicides)
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TROUBLEMAKE / TURKISH TECHNO:
Split: 7"
Preamble (or pre-ramble, your choice): At some point over the past year, I became aware of Traffic Street Records. I was on a rather well known “social networking” site looking at band pages. Turkish Techno, being a band I recently heard and liked, was one of the bands I was looking at. There was something on their page about an upcoming release on Traffic Street(which is this release). This, naturally, prompted me to look into this TSR. I saw that there were a few upcoming releases that interested me from TSR. I was mostly stoked that the second (planned) release involved TT. As it turned out, several of the releases slated for release after this split came out before this one—so goes punk rock. Anyhow, I’m glad to have it in my hands finally. Troublemake: Here’s the band that I hadn’t heard of, and whose name was making me unsure whether I wanted to hear them. After having heard them, I can say that I would listen to ‘em again. They lay down two solid tracks that sound like more technical (early Lookout!-era) Queers with Justin (from Anti-Flag) filling in for Mr. King. In other words, Troublemake deliver some decent pop punk that isn’t exactly by the numbers. Middle ramble: Now that I think about it, I don’t know why I had no problem checking TT out, while being skeptical about Troublemake because of their name. Turkish Techno: Gruff-vocaled punk for the bearded and non-bearded alike. Their songs on here are bit simpler and more straight ahead than those on the Brokedowns and Shang-A-Lang splits, but they’ll still make you hop up, down, and all around. The only thing kinda whack about this side is that the two Turkish Techno tracks were recorded on different occasions, which is immediately apparent aurally—but really nothing at all.
–Vincent Battilana (Traffic Street)
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TROPIEZO:
Creando Nuevos Enemigos: CD
It appears these kids are making one helluva concerted effort to become the Minutemen of modern hardcore. This is the third release I’ve seen from them in the past twelve months, with another sixteen songs that rarely pass the two-minute mark to add onto an already heaping pile of similar tunes. Mind you, I’m not complaining, ’cause they are easily one of the best bands out right now, but one has to wonder where the fuck they find the time to crank out so many songs, let alone rehearse them to the level of taut, stop-on-a-dime perfection they consistently turn in? Do they have jobs? Do they sleep? Are they human? That said, this is another collection of spastic hardcore that flies from one tempo to the next mid-song in a way that has to be heard to be understood, delivered with a level of precision one expect more from a Teppan-Yaki style chef than a punk band. What all this hyperbolic rambling translates into is that this is one prolific and seriously badass band and they’ve released another CD worthy of much attention and listening time.
–Jimmy Alvarado (discodehoy.com)
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VARIOUS ARTISTS:
DC-Jam Skate Rock Vol.1: 2xCD
When I saw the front of this disc, the first thing I thought was “Whoa, what’s with the crappy computer art? I wonder what they’re trying to pass off as skate rock.” Well, when I flipped the case over and started reading the bands, I was treated to a who’s who of skateboard fueled punk rock both past and present. The old guard is well represented by bands like JFA, Big Boys, McRad, Minus-One and Government Issue while the current rippers are led by the likes of Frontside Five, Off With Their Heads and Wednesday Night Heroes. Not to mention several rad bands that I had never heard before. This compilation stands up well with the early Thrasher comps. I’m stoked for Vol. 2!!!
–Ty Stranglehold (DC-Jam)
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TERRIOR BUTE:
Realm Dwellers: CD
Terrior Bute is a three-piece band from Milwaukee and their sound is comprised of yelling party vocals, keyboards and drums. It seems like their sound is reminiscent of the defunct Nebraska screamo/punk/post-hardcore band, Bright Calm Blue, minus guitars. The disc has eleven songs in twenty-six minutes and it does a good job of getting its point across in that time. The first and last tracks are filler but otherwise this is the musical equivalent of an exclamation point. I say that with the stipulation that I have a feeling that Terrior Bute is one of those bands that is better live than they are on their recordings. I can only hope their live show matches the energy they seem to display on the album.
–Kurt Morris (Vicious Pop)
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TAMARYN:
Weather War: 7"
Appearance-wise, Tamaryn would have fit in well at a 1980s goth club. But the song contained on this record is far more complicated than anything you’d expect from a wannabe post-punk, dance hall gloom number. Interesting on all levels, the dark, brooding track makes me wonder what else the corny yet compelling Tamaryn has up her ruffled sleeve. This one-song, one-sided 7” on the elusive Hell, Yes! label is limited to just 300 copies (250 of the regular version, and 50 of a limited version with a gold, silkscreened cover). I think I’m going to have to start wearing eye shadow if I hear it again.
–Art Ettinger (Hell, Yes!, myspace.com/hellyeshellyeshellyes)
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THIS BIKE IS A PIPE BOMB / SHELLSHAG:
Split: 7"
On this 7” both bands cover each other and Shellshag actually goes on to do their take on “The Promise” by When In Rome. I’m a sucker for ‘80s pop culture nostalgia so with their side having that and “What I Want” by This Bike is a Pipe Bomb you already know one third of these six songs are great. As far as This Bike is a Pipe Bomb’s side I don’t think these guys are capable of making a bad song. The first two tracks are a little more shin diggin’ than their other stuff but some how they manage to make me want to keep listening to country down folk music. Genres aside, all these tunes are just so upbeat sounding and sing songy that I can’t help but keep spinning this 7”.
–N.L. Dewart (Starcleaner)
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TITLE FIGHT:
Last Thing You Forget: CD
Crisp production, big melodies and a vocalist that can hit all the right notes and still sound a little ragged and roughhewn. While I’m always impressed with the seamless quality that bands like this almost always showcase playing live, it takes a lot more to sell me on an album. And I’m really not sure why, as Title Fight seems to be mashing all the right buttons, but there’s something here that’s falling just a little bit flat. It just seems like nowhere on The Last Thing You Forget do these guys ever really ever go off—there’s a sense of restraint here that just doesn’t work in their favor. I feel like they’re capable of going ape-shit crazy but they’re just meekly walking around pretending to be orangutans, know what I mean? To their credit, I’m hearing echoes of bands like Saves The Day, Lifetime and labelmates Death Is Not Glamorous, but they’re distant ones—Title Fight’s well into the process of firmly carving out their own place. It’s just that I don’t really feel like they’re quite there yet. Decent melodic punk stuff but just a little too unfocused and tame for me.
–Keith Rosson (Run For Cover, runforcoverrecords.com)
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