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No Idea Records

Record Reviews

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INOCENTES:
Miséria e Fome: EP
A lot of old stuff is getting reissued lately, which is a great thing. But it’s easy to miss some stuff in the onslaught. I absolutely urge you to seek this one out. Put it at the top of your list. Hit all the mailorders you go through, or just go direct through the label. It was originally released in 1983, from Brazil, and during the time of a military dictatorship. The band entered the studio with the idea to record an album, however, all but four songs were cut by censorship (they even had to alter lyrics and rename the title track to “Apenas Conto O Que Vi O Que Sent”) that was self-recorded and released by the band. What you get here is four songs of potent, raw hardcore punk that has an undeniable amount of energy and spirit. “Aprendi a Odiar” with its stop-go parts and shifting tempos grabs your attention, and then there’s the urgency of “Calado” that has spoken parts that lead into short and frantic bursts. The songs are mainly mid tempo, but bouncy and catchy. The urgency is great and carries over to the listener. Absolutely love this record! I’m finding myself more and more obsessed with Brazilian punk and hardcore. And for good reason; most of what I’ve heard from that country is awesome. –Matt Average (Nada Nada, nadanadadiscos.com)


WARM NEEDLES:
Pretty Tambo: 7”
Anthemic and catchy Long Island punk rock that reminds me of a bunch of Tampa bands like Tim Version, Dukes Of Hillsborough, and so on. Good stuff. –Chris Mason (Tour Van)


INCINERATION, THE:
Madness: CD-R
Nine tracks of Russian metal that I found to be rather uninspired. Don’t get me wrong, I enjoy a good hesh fest as much as the next guy and this stuff wasn’t so bad until the guitar wanking kicked in then it became a bit too much to take. The booklet was all written in Cyrillic which, unfortunately, I can’t read so I didn’t have a lot to go on as far as band or song information goes. –Garrett Barnwell (Wings Of Destruction)


WAR//PLAGUE:
On a Darker Dawn: LP
Heavy and dark stuff here. Metallic crusty hardcore with a political conscious coded in apocalyptic lyrics. The dual guitar piles on layers of darkness and creates a feeling of unease and despair when one solos over the main riff of the other. It’s as though the world is about to plunge into an era of darkness. The opening of “Harvest” is great. Very on the metal side, with the down tuned guitars—and build up from the rest of the band—it creates a tension that is slowly released with every measure. When they hit the riff after the first verse and let it hang for a minute —yeah! At times they can be overdramatic, such as on the ending of “Pack of 1,000 Wolves,” where you hear wolves howling and the vocalist spitting out “One!” a few times. But other than that, and it’s a minor carping really, this record is pretty good. They create a mood and hold it. The musicianship is solid as hell. I’m pretty damn jaded when it comes to this style, especially after years of it dominating the L.A. area with not very good bands. War//Plague are definitely not a clone band. They breathe some new life into the genre. –Matt Average ((Profane Existence)


HUMAN TOILET:
Self-titled: 12”
Almost professional-sounding NYC hard rock/metal that has apparently stolen more than a few towels from Motel Angus, coupled with lyrics detailing miscellaneous vague perversions ((“Human Toilet” “Must Love Dogs” etc.)) and other degenerate apéritifs. They rhyme “schism” with “catechism” and drop the occasional chin-stroker like “all my fantasies revolve around convenience,” so it’s not like this is, you know, TORG’s “Hot Yogurt Enema” album or anything…but, all the same, my favorite thing about the line “human toilet is not a lifestyle choice!” is that I am heartened to find out that this is not a choice which I will be required to make at any point in my life. Huzzah! BEST SONG: “The Flirt” BEST SONG TITLE: “Giuliani Time” FANTASTIC AMAZING TRIVIA FACT: It’s been a while since I’ve listened to a record with an honest-to-gosh “poet laureate” on it, although I was a bit saddened to find out it was not going to be Leapin’ Lanny Poffo. –norb (Black Thirteen)


WAR ON WOMEN:
Improvised Weapons: 10”
War On Women is a co-ed feminist hardcore punk band hailing from Baltimore, MD—a city currently brimming with great bands—and after only a few listens to this 10”, I’d say it’s safe to add WOW to that list. Playing a brand of aggressive garage punk that features melodic riffs with an abrasive edge and female vocals that alternate between singing, shouting, and spoken-word passages, I found each song really damn catchy. I gleaned a positive feminist message in much of vocalist Shawna Potter’s lyrics, which I dug, though I would have appreciated a lyric sheet with the record to grasp everything she sang. Overall though, I enjoyed this record, and would love to hear more from the band. –Paul J. Comeau (Exotic Fever)


WALLS:
The Future Is Wide Open: LP
I guess you could say this is “post-hardcore” or “post-rock” or something of that nature. Listening to this definitely takes me back to the late-‘80s/early-‘90s, a time when bands like Unsane and Cop Shoot Cop were cranking out some hard and heavy sounds without falling into any one category. Depending on how far you have your head shoved up your hardcore purist or trendy power violence ass depends on how much you might cotton to this record. The tempos are mainly on the mid tempo and nervous pacing side, with some blasts of speed and cranium-bashing percussion here and there, while the guitars are as equally anguished and strangled-sounding as the vocals. This is the soundtrack of a heat wave and residing in a greasy, roach-infested studio apartment with no air conditioner or fan to bring any relief. All you can think about is that list of motherfuckers who need to get what’s coming to them. Listen to “A Piece of Rope” with its lumbering and repetitive bass line. The guitar sort of rings out and hangs in the air while the singer bellows about “A cord! A piece of rope. A wire...” Allow yourself to get consumed in the blackness of “The Tears of a Lonely Man” and “Cheap Equipment.” Walls achieve that sound and that feeling of anger, despair, and being completely lost in this world without coming off contrived or whiny. Pretty damn good. A nice companion to have around at the end of the day when everyone and everything else just sets you on edge. –Matt Average (Iron Lung)


HITCHHIKERS, THE:
A Little More Time: 7”
Candy Snatchers/Catheters-style amped-up garage punk is the style this band lays out. Fairly well done but I had more than my fill of this stuff a decade ago. Both songs on the second side sound like watered-down Infections outtakes. Fans of Junk Records and Electric Frankenstein will find a whole lot to like here. –frame (Orange Fight, orangefight.com)


VULTURE:
Oblivious to Ruin: CD
This is just way too slow and sludgy for my tastes. Admittedly, it does say “Steel City Sludge” on the insert. I understand it’s supposed to sound like this, but I still wish it was on vinyl so I could switch the RPM to 45. Truth be told, I wish I had a record player that let me turn it to 72. It’s on CD and it’s the way they want to sound. Imagine you’re walking down the street and your shoes are melting into the asphalt. That’s the pace. I wonder if their drummer manages to break a sweat when they play. I don’t think you could even get a circle pit going to this. –Rene Navarro (Innervenus Music Collective, innervenus.org, vulturedoom.blogspot.com)


HILLY EYE:
“Jacob’s Ladder” b/w “Almanac”: 7”
Guitar/drums two piece with these ethereal vocal harmonies that make the sound so much bigger than the sum of its parts. Side B has this ascendant, cinematic affect with big drums and wordless vocals. Feel like I’m escaping to WitchMountain. –CT Terry (Don Giovanni)


VINCAS:
Blood Bleeds: LP
The album reminds me a lot of NickCave’s early band The Birthday Party. I’m sure these guys have to be sick of the NickCave reference, but it’s a fair cop. The songs are comprised of dark, bass-heavy riffs. The singer has a deep, resonant howl that surges to the music. It’s hard to pull something like this off without sounding derivative. The album has a lot of energy and they do it well. People who can’t get enough of that Birthday Party sound would enjoy this, for sure. –Billups Allen (Douchemaster)


HIGHWAY GIMPS:
She: CD
The first song got me stoked, thinking I was going to get some spooky instrumental surf, but by track two, I realized was in for some stupid alternative shit; then the annoying guy starting singing. –Craven (No address)


VICTIMS FAMILY:
Have a Nice Day!: 7”
Been hearing the name for a long time, but never heard the band, so pardon my lack of context in this review. Victims Family (Victim’s Family with an apostrophe?) have a sound that is born of the mid-‘80s, when metal and punk crossed over with prog and funk bleeding in. But these guys don’t sound like a bunch of mooks. They do fascinating, noodly shit on the guitar and work it into quick-moving, tuneful songs. Would suggest for fans of All, Minutemen, and even Primus. –CT Terry (Alternative Tentacles)


HELLSHOVEL:
Hated by the Sun: CD
Hellshovel, from Montreal, is fronted by an ex-member of Demon’s Claws and also features drumming by garage rock troubadour Bloodshot Bill. Musically, this is a lo-fi garage rock record with heavy psych influences, and it’s really fucking good. Take any band out of the current wave of lo-fi garage rock bands, let’s say something like The Oh Sees for example, take all of the pretentiousness out of it, and cover it with a thick layer of ‘60s psych and you might be somewhere in the ballpark of this record. I can also hear some King Khan & BBQ influence here too. Recommended. –Mark Twistworthy (Slovenly, slovenly.com)


VERSE:
Bitter Clarity, Uncommon Grace: CD
From the very beginning of their existence, Verse has been a band to push the boundaries of what is modern hardcore, forging a distinct and recognizable sound unlike anything else out there. Their first two albums, 2004’s Rebuild, and 2006’s From Anger and Rage have special places in my heart not only for personal reasons, but because they are two of the finest hardcore records of all time. With Bitter Clarity, Uncommon Grace, Verse returns with their first album since reuniting and unleash one of their finest records to date. The sound that the band developed on their first two records—and refined on 2008’s Aggression, their third LP—reaches its finest expression on this recording. The raw, searing riffs and brooding melodic riffs for which Verse is known are all here in abundance, with an increased level of guitar wankery and technicality thrown in the mix, as in the track “The Relevance of Our Disconnect,” one of my favorites on the album. It’s impossible to discuss a Verse album without talking about the lyrics. Vocalist Sean Murphy is one of my favorite lyricists, for his deeply personal and fiery political lyrics. The two are bound together tightly on almost every song on Bitter Clarity. My favorites include the previously mentioned “The Relevance of Our Disconnect,” from which the name of the album is derived, “Finding a Way out When There Is No Way,” and “The Silver Spoon and The Empty Plate.” The last of these finds Murphy at his most direct, in terms of political expression with the chorus “Police are pigs, [and all] justice is blind / greedy men in suits only serve to divide,” words to which I think everyone reading this can scream along. While critics might be down on the band for breaking up and reuniting, questioning the legitimacy of their current run, let me annihilate all of them right now. Bitter Clarity, Uncommon Grace is the real deal, a defining statement from a band that still has a lot to say, and a record we’re all sure to be listening to and discussing for years to come. –Paul J. Comeau (Bridge 9)


HAWKS:
Push Over: LP
Some Minnesota malcontents kick up a mean racket here. Gruff vocals dripping vitriol, lurching rhythms, loud guitars, and an overall attack that would’ve easily earned them an Amphetamine Reptile comp slot two decades ago. –jimmy (Learning Curve)


VERLAINES, THE:
Untimely Meditations: CD
I think Graeme Downes has lost his mind. The longtime Verlaines frontman is known for obtuse lyrics, unusual arrangements, and vocals that slalom between the melodic and the challenging. I’m familiar with most of the band’s previous nine studio albums and there isn’t one like Untimely Meditations in the bunch. At first I thought it was going to be a more direct record. The opening song, “Born Again Idiot,” has lyrics I could grasp on first listen and a great guitar riff that went right from A to B. All right, I thought, let the Verlaines make a more commercial album. They’ve paid their dues over the past thirty years, let ‘em indulge. How wrong I was. This record swerves wildly, not just from song to song but within songs. Horns that sound like Van Morrison. Guitar lines like Steely Dan. A boozy rhythm section that calls to mind the Kinks early ‘70s days on RCA. Sounds awful right? Even if you dig one or more of those elements, they have no right being in the same beaker. I think Graeme Downes is crazy for trying and genius for pulling it off. It’ll take me months to wrap my head around all ten tracks, but I’ll be trying. –Mike Faloon (Flying Nun, flyingnun.co.nz)


HATED ‘TIL PROVEN:
Songs for the Short of Attention: CD
This awesome political hardcore band from England delivers an excellent debut album with Songs for the Short of Attention. It suffers from some overly metal lead guitar lines here and there, but it’s a fast-paced, vibrant release overall. There’s a clear Exploited influence, as well as an influence from catchier newer bands like Leftöver Crack. Now as always, simple political punk plays extra funny with a British accent. Or maybe I’m simple for thinking so. –Art Ettinger (TNS, tnsrecords.co.uk)


HANDICAPITALIST:
Raw Punk Rock: CD-R
This is the shittiest looking demo I’ve ever seen. They’re not even trying and it doesn’t deserve a review. A song on here called “Smart Girls” is about how low IQs make the singer’s “dick get soft.” He goes on (to quote the lyric sheet), “I don’t give a shit about those boobs that you flaunt, over achievers (sic) are the ones that I want.” So, for a second, you think maybe he doesn’t like smart girls anymore because he says “over achievers.” You think he’s over... achievers, but then you realize that he just spelled overachievers wrong. So, later, when he sings “I only fuck smart girls,” in the chorus, it makes me wonder how the hell he’s doing it. Maybe every girl is a smart girl in comparison to him. Whatever, this CD-R didn’t play. –Craven (No address)


VENENO LENTO:
Self-titled: EP
Excellent record! Tuneful and driving punk rock from these guys. There’s a definite U.K. influence, but not a starry-eyed knock off. You can hear it in the guitar playing and some of the riffs, which sound inspired by the likes of Steven Kent (the Business) and Nicky Garratt (U.K. Subs). The songs are mid tempo and catchy. You get some fist pumpers like “Eu Não Quero!” and the awesome “Meu Caminho O Inferno” (definitely one of my favorite songs of the summer—the guitar riff, the chorus, and the backing vocals that come in at the end—whoa!), then there are some slightly slower songs like “Arprisionado” and “Garotos De Rua” to let you catch your breath. Brazil has a lot of high quality bands lately. Oh how I’d love to go down there and witness it firsthand... –Matt Average (Nada Nada, info@nadanadadiscos.com)


VARIOUS ARTISTS:
Mystery School Records Presents Forbidden Fruits of Rock N Roll: CD
This compilation includes twenty-seven songs by twenty-seven bands, mainly from the seedier pockets of punk. The high points are previously unreleased tracks by The Hookers, Self Made Monsters, and Barbatos. Other popular bands featured include Dwarves, Midnight, ANTiSEEN, and Brody’s Militia. As with any quality comp, a handful of the groups are totally new to me, the best of which are the Briefs-like Mommy Sez No and the brutal Pier Six Brawlers. Not that calling a comp way above average is saying much in the dreaded world of comp-land, but this really is well worth looking for. –Art Ettinger (Mystery School, mysteryschoolrecords.com)


GROND:
Steel Coffins: CD
Basic metal from Russia. Not even a Celtic Frost cover could save this disc from what it was destined for: a date with a garbage can. – –Juan Espinosa (Atomic Carnage, no address)


VARIOUS ARTISTS:
Inxcompxlete: 7”
Jeebus, where to begin: the packaging for this 7” compilation is a complete monstrosity. You have a plain white album jacket screen printed with the track listing on the back cover. The front cover is adorned with a random 12”, also screened but is completely useless since the music is contained on a separate 7” whose dust sleeve is glued onto a black piece of paper sized to fit inside the 12”. Frustrated yet? You also get a turntable mat (whether you need it or not, and let’s face it: you don’t.) All this nonsense almost makes the CD inside a 7” sleeve a good idea. Shitty packaging aside, this is actually a pretty solid comp featuring In Defence, Sick Mess, Guns N Rosa Parks, Instant Asshole, and the mighty Conga Fury leading the way. As you can imagine, the bands are all of the hardcore/thrash/what-have-you variety with the whole comp breezing by in a matter of minutes. A musically decent comp with terrible artwork equates to: meh. It is what it is. –Juan Espinosa (World Won’t Listen)


GRAND HOTEL PARADOX:
Rust: CD
I can’t say I’ve ever had the opportunity to review a band from Dubai, but there’s a first time for everything. Eight songs clocking in at twenty-four minutes from this trio seems a little short, but it’s still enough to gather an idea of their sound. There are two vocalists, one sounding like Blake Schwarzenbach pre-polyps surgery and the other fitting what I would imagine a punky nerd would sound like if he fronted an indie rock band. (Yes, I realize that makes no sense, but in my brain it fits perfectly.) The energy on these songs is upbeat; the majority of the music is a combination of indie rock and punk, both in a more poppy version, but not sounding over-polished. The strongest song on Rust is the tune “Home.” It’s not as fast as some of the other songs or as punk-influenced, but it’s got a more emotional feel than the other material. Like many albums I review, Rust isn’t a horrible album, but it’s not a great album either. It seems to fall on the better side of average, which is a good step in the right direction. Tightening some of the songs and songwriting (there were times when the vocalist seems to be singing lyrics so fast he’s almost tripping over them) would help. Also, there is the sense that these songs lack a coherency as one unit; they seem to not flow as well together on the album as they might have. The problem isn’t so much their order on the album as it might be the way the band seems to write songs. Rust doesn’t seem as consistent as it could or should be. –kurt (grandhotelparadox.com)


VARIOUS ARTISTS:
From Russia with Hate: CD
I fell out of the heavy and speed metal scene when I was fifteen or so, but I still have a soft spot (irony!) in my heart for the genre. I lot of what I hear these days, especially on regional comps such as this, is gaggingly one-dimensional; hearing one band on the comp is more or less the same as hearing any other band on the record. That was not, I am damn pleased to say, the case with this outing. From Russia with Hate features fifteen bands who have all parachuted squarely into the black metal drop zone. The stereotypically “evil” names across the board are a dead giveaway but there is a surprising diversity of sounds among those bands. Some of the tunes are fairly typical black metal offerings, and yes, there is an abundance of cookie monster vocals, but even those garden-variety metal bands were actually pretty good at such garden-variety songs. Some of the songs bore the musical tattoo of Napalm Death pretty clearly, and some even strayed towards the anarcho-punk border, bearing gifts for Amebix and Discharge. My personal favorite, “Metal Zombies” by Blood Pollution, is highly reminiscent of Kill ‘Em All-era Metallica, and that sound fucking rules. So if you’re into black metal, check this out. If you don’t like black metal and somebody happens to play this for you, give it a try. –The Lord Kveldulfr (Wings Of Destruction, wod-prods@mail.ru)


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·NO LESS
·TELEVISIONARIES, THE
·MUNCIE GIRLS / THE GREAT CYNICS
·ENVY
·AR-KAICS, THE
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