Welcome to Razorcake | DIY Punk Music | Punk Bands | Punk Rock Bands | Punk Magazine Welcome to Razorcake | DIY Punk Music | Punk Bands | Punk Rock Bands | Punk Magazine
 

























· 1:Webcomic Wednesdays #121
· 2:#356 with Samantha Beerhouse
· 3:Top 5s From Issue #85
· 4:Louis Jacinto Photo Column - Stan Lee of The Dickies
· 5:Webcomic Wednesdays #119


Subscriptions
Renewal
New Subscriptions
Stickers and Buttons
"Because We're Fuckin' Classy" Koozie


Razorcake #86
Wailing Of a Town, by Craig Ibarra
Razorcake #85
Pale Angels, Imaginary People LP
Toys That Kill / Joyce Manor, Split 7"


Can't find Razorcake at your favorite store? Lend us a hand and we'll send you a free issue.



Razorcake will send you one free issue if you ask your librarian if they would carry Razorcake in their stacks. (This offer is good for both traditional libraries and independent libraries.) To get the free issue, you must send us the librarian's name and email and the library's postal address. We will then contact them directly and donate a subscription to them. U.S. libraries only, due to postage.

No Idea Records

Record Reviews

1 2 3 4 5 6 7 8 9 10 11 12

| 0-9| A| B| C| D| E| F| G| H| I| J| K| L| M |

| N| O| P| Q| R| S| T| U| V| W| X| Y| Z|

Below are some recently posted reviews.

RSS Feed

BAD BEACH:
Seasick: 2 x CD
This is a compilation of two full lengths and an assortment of demos from this late ‘80s British punk/post-punk band I had never heard of until now. The LPs presented here, 1987’s Cornucopia and 1988’s Cut It Off, present a band going full-on deathrock. It’s like a British Dance with Me-era T.S.O.L., cross pollinated with a bit of early Christian Death, a bit of d-beat, and Dave Vanian at his most melodramatic and gothic. Seriously, if I ever heard the opening track from Cornucopia, “Morgan Le Fey,” somewhere, I would assume it was from one of those middle period Damned albums. While taken in one sitting—especially with the bonus tracks included with this, the albums can be a bit on the long side—they are both incredibly solid albums. Both albums do break up the more straightforward, echoey, bass and drum-heavy goth punk tracks with songs such as the ethereal interlude of “Blind Fate” on the first album and the oddly folky opening track “Cut It Off (Pt. 1)” from the second album. There was even a flute somewhere on that second disc. Lyrically, this makes me think of the early Rudimentary Peni EPs with their shift between political concerns and more personal or esoteric concerns, such as love and death and puppy killers. The demos on the first disc are your standard rougher versions of the stuff on the LP. The BadBeach Trio—Sonic Sunset demo from the second disc is a bit different because it’s from 1995, a full seven years after the second LP, and consists of songs featuring a heavy female vocal presence. All in all, this is a very solid re-release of some excellent tunes I had never heard of before, and I’m sure anybody into all those punk/post/dark/goth wave DJ nights which apparently happen like ten times a night, at least here in L.A., will find this worth well tracking down. –Adrian Salas (Boss Tuneage, bosstuneage.com)


BABY TEARS:
Rusty Years: LP
Three songs into this, something sounded off. Suddenly I realized that I just may have been listening to this at the wrong speed. D’oh! At 45 RPM, this record was highly intriguing and came across like a mash-up of the Lost Sounds and Xbxrx. At 33 RPM, which I’m assuming is the intended speed, this sounds more like Francis Harold And The Holograms style noise-punk and, sometimes, like an even more unconventional Birthday Party. The lo-fi recording and the silk screened album cover convince me that this is indeed a DIY product and not just some hipster douche’s self wank fest. It’s an interesting listen, for sure. I just wish it was meant to be played at 45. –Juan Espinosa (Rainy Road, Doom Town)


ARMADA, LA:
Self-titled: LP
Lyrically I’m totally onboard with this—barbs about the shittier aspects of the modern world, including enslavement via debt, the reinterpretation of the term “organic food,” the failure of capitalism, resisting the system, etc. Musically, however, I’ve just never been all that impressed with “hardcore” metal—as that term is used these days—and the genre really does zippo for me. Here’s hoping that the seeds buried in the lyrics take root in at least a couple o’ fans who do dig that sound, ‘cause, frankly, they sure as shit ain’t gonna hear about stuff like this in the mainstream media or on the current hit program on Telemundo or TV Azteca. –Jimmy Alvarado (Fat Sandwich)


ARCTIC FLOWERS:
Procession: 12” EP
I can’t be the only one who wishes that funeral songs were more catchy and less mopey. Arctic Flowers agrees. They play up early ‘80s goth to the hilt: quasi-Egyptian symbology? Check. (No ankh, but the “Eye of Horus” eyeball.) Ruins and/or druids and/or crop-circley imagery? Check. At least a couple of early Siouxie, Bauhaus, Super Heroines, and/or 45 Grave records in heavy rotation? Check. We’re in the midst of a slew of music revivals and jokes I haven’t used in decades are coming back to me: What’s worse than someone throwing up into your mouth? A dead person throwing up into your ears. Kidding aside—I listened to this type of stuff a lot growing up because that’s how the punk/goth detente was established in the mid- to late-‘80s when punk was sucking wind. The good news is that Arctic Flowers fall on the Christian Death/actual good punk band playing somber music side of the equation. They match the ooky-spooky with pumping blood and actual guitars and drums, not Casios keyboards overladen with effects. Nice. –Todd Taylor (Self-released, distro’d by Feral Ward)


ANTISEEN / FLAT TIRES:
Hail to the Chief: Split 7”
Two bands offer up their tribute to The Ramones. I will leave it a mystery as to which Ramone is on the cover, but I can tell you it is not Ritchie! Both bands do dead-on takes on their selections, but Flat Tires offer up just a little bit more grit in the kitchen. The third song is collaboration between the two bands on an Antiseen song. I endorse picking this up post haste. –Sean Koepenick (Rusty Knuckles)


ANGRY SNOWMANS:
What We Do Is Festive: LP
This is a difficult gig: a punk rock Christmas / comedy album. For example: I already hated the much-compromised modern Vandals, so when they released Oi! to the World, I actively started hating their fans. It is against these overwhelming odds that the Angry Snowmans’ What We Do Is Festive melts my black coal of a heart and replaces it with a blinking red Rudolf nose. They invert both punk’s cynicism and Christmas’s consumerism. Punk joy? Wide-eyed, child-like wonderment of a fun time of year? That’s what this record is. Instead of crooning Bing Crosby and Burl Ives, it’s belligerent Bing and sauced-up Burl ripping the wrapping off the Germs, Fear, Black Flag, Zero Boys, X, Misfits, Fear, (“(I Love) Christmas in the City”), and many more. It’s done in a lovingly manner, extremely punk-knowledgeably, often hysterically. Overthrowing the oppressive North Pole regime never sounded so good. Play it from the day after Thanksgiving until January 1, and we’ve got no beef. Outside of that, the reindeer gets punched. Awesome –Todd Taylor (Stiff Hombre)


ANGRY SNOWMANS:
What We Do Is Festive: LP
I’m not really nuts about Christmas music in general, and I’m REALLY not nuts about Christmassed-up punk, or any Christmas-based rock ‘n’ roll for that matter. You can’t really punk out Christmas, and you can’t really Christmas-out punk—they just don’t go particularly well together ((although getting punk records for Christmas is certainly all reet)), and don’t really need to BE together, if’n you ask me. I’d just as soon listen to those songs from the Rankin-Bass Christmas specials of my youth than listen to punk songs re-done in an X-mas motif, really—but, that said, a lot of these songs really are pretty clever ((Black Flag’s “Jealous Again” as “Joyeux Again,” “Operation” by the Circle Jerks as “Decoration,” and “Wasted Life” by Stiff Little Fingers as the inarguably epic “Wasted Elf”)), so if you’re into this sort of thing, you can buy with confidence and not bother fucking with a gift receipt. First Toymaker to the King represent! BEST SONG: “Wasted Elf,” maybe “Decoration.” BEST SONG TITLE: “What We Do Is Festive” FANTASTIC AMAZING TRIVIA FACT: Although the front cover is a Yuletide take-off on the Germs album cover, the insert provides a similarly brilliant spoof of “Back From Samoa.” –Rev. Norb (Stiff Hombre)


ADULTS:
Self-titled: Cassette
The packaging here consists of a piece of paper folded around the tape and held in place with the ring from a six-pack. Pretty good. That same sense of scrappiness and using what you have is reflected in the music: nicely stomping New Orleans boom-bap punk with yowled vocals and little guitar leads here and there. It’s a little scuzzy, a little frantic, and a little hard to pin down. Reminds me of all those earnest and resilient Canadian bands putting out tapes via the Sharpie Fumes Collective. The kind of band that may never go beyond playing house shows—and may wind up being one of the raddest bands you ever see at a house show. Anyway, they’ve got cassettes and CD-Rs available, or you can grab this via Bandcamp, which might not be a bad idea at all. –Keith Rosson (Adults)


ACIDEZ:
Don’t Ask for Permission: LP
Killer UK82 style punk from Mexico that is a heavy take on classic Partisans or GBH. A good point of reference would be A Global Threat’s first LP or On the Front Line by the Casualties, but even more full-on and in your face. They can actually play their instruments and the recording on this slab of wax is huge. The packaging is a little weird and there is the totally obligatory band shot on the back where the members are literally wearing their influences on their sleeves, but after flipping this thing over to the second side and realizing this record was going to shred the whole way through, the hardcore snob in me melted away and I remembered days of my youth sitting around listening to Killer Blanks and trying to piss off my parents for no good reason. If there’s still a market for that stuff, these guys should be at the top of the pile. Why aren’t they on tour with the Casualties and Anti-Flag making… thousands? –Ian Wise (Voltage, info@voltageshop.com)


LOVE CANAL:
“The Rotten Ones” b/w “We’re Not in It to Lose”: 7”
LoveCanal formed in 1982 in Huntington Beach and naked on the cover of Flipside number seven. Mystic comp appearances up the ying yang. Olympic auditorium shows. Invited to the Goldenvoice thirty-year party. It’s a Dog’s Life So Blow It out Your Ass was released on National Trust (home to Fang, MIA). Pretty unimpeachable pedigree. Just wish I liked the songs on this debut 7” better. One pretty hurried Big Boys cover and very standard, fair, but almost faceless original. Great packaging and artwork. Sorry, Rick. Fan of the band; this just left me a little flat. –Todd Taylor (Hostage)


SHIT CREEK:
Pissing Blood: 7”EP
As far as I can tell, the title of the 7” comes from accidentally breaking a glass, a sliver got into the dog’s food, and the dog’s now pissing blood. Huh. I thought it would be about liver cirrhosis from drinking too much. For me, Shit Creek’s at their best when they caress the kitten of their inner Beltones and Blitz. (“More beard in the monitors, please. Less ear and nose hair. Thanks. Hand claps.”) When it gets a little bit too much—and this is coming from a person who thinks Frankie Stubbs’ voice is honey—is that Brandon’s (or is it Ben’s? They’re similar-sounding) voice sometimes sounds more tattered than the flag flapping above the Alamo when Mexico did some reclamation in 1836. Favorite song: “Webpage,” which rails against a forty-one-year-old gutter punk with a cell phone and a laptop.  “Freedom’s just the word you use for being lazy,” indeed. –Todd Taylor (Drunken Sailor)


WHITE PAGES:
Demonstration 2011: Cassette
Just about everything is wrong with this band. Poorly mixed recording with irritating vocals in the forefront over some boring hardcore riffs. Every song sounds exactly the same so it’s boring and irritating at the same time. –Craven (Self-released, whitepageswhitepageswhitepages@gmail.com)


WHITE MURDER:
“Safety in Numbers” b/w “Real Tough Chicks”: 7”
Punk/post-punk band outta Los Angeles. Solid stuff that should appeal to fans of The Bangs and Slant 6. Solid players (ex-Red Onions, This Moment In Black History), great female vocals. Recommended.– –Ryan Leach (Self-released, whitemurder@gmail.com)


VEUVE SS:
Viscéres: 12” EP
Hardcore and sludge from one band on one side of a twelve inch piece of vinyl. The straight-up hardcore songs are pretty good. The title track, with its late period Black Flag influence, is really good, and the song “Cathédrales” really stands out. “Discipline” is a blinding rager, and the ender “Creward” starts off thrashy then melts into sludge, and it works here, accenting the anger and feeling of resignation. Could be a really good record, but is marred by the sludge of “Comme Les Vers.” –Matt Average (Echo Canyon, echocanyonrecords.com)


VARIOUS ARTISTS:
The Thing that Ate Larry Livermore: LP
A sort of throwback to when there were compilations for the hell of it, instead of just trying to sell more records. Specifically, to the old Bay Area/Lookout Records compilations, even more specifically The Thing that Ate Floyd. This time around it’s much more pop punk focused (not entirely, but predominantly), and focuses on a bigger picture, geographically speaking. I was actually already familiar with a good chunk of these bands already, (like Dear Landlord, The Copyrights, and The Hextalls) but there were a few surprises (like Lipstick Homicide). Either way, it’s all new material so it’s still enjoyable. As easy as it is to find new bands by screwing around on the internet, it’s nice to see effort put into a comp like this. –Joe Evans III (Adeline)


USELESS, THE:
Putting the Rock Back into Rock Bottom: CD
Not sure why this got to Razorcake HQ now as it was recorded in 2008, but that aside this disc contains twelve tracks of standard-issue punk rock with some unfortunate ska chinka chinkas thrown in for good measure. Not entirely useless (no pun intended), there is some degree of cleverness in the songwriting which runs the gamut of shitty jobs, getting drunk, and getting harassed by the cops though not necessarily in that order. The vocals are at times reminiscent of Tesco Vee, of all people, which isn’t a bad thing. –Garrett Barnwell (1332)


UNWELCOME GUESTS:
Resolutions Demo: Cassette
Now we’re talkin’, this is excellent! Great songs with fairly sparse arrangements that have a real Scud Mountain Boys or Josh Ritter feel. I have seen the name of this band around but had yet to hear anything. Will have to get on it and check out some more Unwelcome Guests stuff. This could not come more highly recommended for fans of everything from Drag The River to Songs: Ohia. –Mike Frame (Vincis, unwelcomeguests.bandcamp.com/album/resolutions-demo)


TV FREAKS:
Self-tiled: 7”
I get stumped more often than not. Not sure how to describe this. Thinking outside the box punk rock is what hits me. The use of synths adds a spacey, art damage, psych touch to the music. But the solid foundation of punk is there right in the forefront with the melodic and hard-driving guitars pushing the music along. The vocals are delivered with reckless abandon—screamed with a fury to make sure you are paying attention. At other times, it seems like the vocalist is taunting with his snotty delivery. The band sounds like they use a combination of real drums and a drum machine. It adds a robotic feel. The bass player seems to have a lot of freedom and plays some riffs with the use of extra notes that remind me a lot of Rudimentary Peni. Intriguing listen, I have to say. It took a lot of spins to even get me to this point. I like that it was sort of challenging and not your average cookie cutter band. Now, I need to sample their previous LP to see if it appeals to me as much as this EP. –Donofthedead (Schizophrenic)


TAKE WARNING:
Self-titled : 7”
France is a nation currently brimming with talented punk bands of all genres. Take Warning is a new band on the scene, with this, their second 7” release following an earlier split release. Take Warning play angry punk’n’roll. The sound quality of this recording is great for punk’n’roll— very gritty—but just clean enough that you can hear everything. Most of the songs on this were pretty run of the mill, but one song that stuck out to me was “Outside,” the first track on the B-Side of the record. This song had the best riffs and lyrics of all the songs on this record. While there was nothing bad about this record, with so many great bands coming out of France right now, I felt this didn’t do enough to stand out from the rest. –Paul J. Comeau (Purepainsugar, party@purepainsugar.com)


SUICIDE DOLLS, THE:
Prayers in Parking Lots: CD
I loved The Suicide Dolls when I saw them open for Ceremony. Their fuzzed-out guitar and chunky bass sound really caught my ear. Guitarist Brian Albano creates a wall of noise with his crazy riffs and leads, and even employs some slide-guitar techniques that give The Dolls a very distinct sound that I enjoyed. With all the praise I have for their live performance, I don’t feel their album Prayers in Parking Lots lives up to the band’s amazing live sound. The fuzzy, blown-out live sound that I loved feels very subdued, almost confined on this recording. This tempered sound works well on some tracks, like “Go,” which is a very low key track; very dark and brooding. However, on tracks like “Senses,” which gets more frantic, particularly during the choruses, I’d have liked the more blown-out sound. Though not quite satisfied with the sound, “Senses,” is probably my favorite track on this recording, because it does showcase some great songwriting, including my favorite lyrics of any songs on the album. Overall, I don’t feel this is a bad album, in fact I’d suggest checking it out, but I feel it does not live up to live experience of the band, and for that I’m a bit disappointed. –Paul J. Comeau (thesuicidedolls@yahoo.com)


SLEEP WALK:
Burning Summer: 7” + CD-R
This isn’t really my thing. It kind of sounds like a slower Negative Approach. It’s not bad, but it takes a lot of work to make hardcore interesting (for me) these days. I feel like they could bring the rock a little more. I liked the last song, though; it had a nice DC Revolution Summer feel to it. –Craven (Mind Disease, no address)


SINK THE BISMARK:
Sine Metu: CD / LP
Originality or commercial viability? Unfortunately, as is too often the case with albums I review, it’s usually the latter (or in many cases, neither). I’m not sure if Sink The Bismark is commercially viable, but they do seem to have a lot of what I hear from bands I don’t like that many others assure me are popular: a clean, emo, pop punk sound that reminds me of some band that would have been on Drive-Thru Records a few years back. Ten songs and thirty-nine minutes of music I would have probably enjoyed more if I was in high school in the early 2000s and/or knew these guys and could overlook generic moderation. –Kurt Morris (ihatepunkrock.net)


DESTRUCTORS, THE:
Sex & Drugs & Rock ‘n’ Roll: CD
Retch-inducing EpiFat style punk rock by way of England. Lyrical matter is full of potty humor and lame attempts at being shocking. Think Guttermouth, but somehow stupider. Aluminum ore was mined, trees were cut down and turned into wood pulp; fossil fuels were distilled into plastic to create this refuse. What a bunch of assholes. –Jeff Proctor (destructors666.com)


SHOCK TROOPERS:
Two Fast for Sleeves: CD-R EP
From what little I was able to glean from the web, Shocktroopers are a three-piece unit based in Wyoming. The opening salvo, “Annie and Rex,” is your standard operational thrasher with poppy undertones and flat, obnoxious, nasally vocals. From there, however, is where things start to get a bit more interesting. The remaining three tracks stick to solid mid-tempo rhythms and straight-ahead punk riffing done a billion times prior by a trillion other bands, but the aforementioned vocals start to work in the band’s favor, coming up just shy of sounding like Zero Boys vocalist Paul Mahern, and the guitars occasionally step up to plunk out the occasional simple, oddball lead that adds some much-needed color to the canvas. While not perfect, it’s pretty clear at first blush that these kids are just dancing on the rim of something with some serious potential. –Jimmy Alvarado (no address)


DESTROY NATE ALLEN FEATURING GNARBOOTS:
With Our Powers Combined: CD
Man, this release really left me cold. From what I can gather, Destroy Nate Allen is a husband and wife team that writes songs about anything. Literally, anything. Look! A jar of peanut butter! It’s a new song! They are joined on this release by a full band, which is where the “featuring Gnarboots” line comes in. I think the full band instrumentation really helps out the proceedings, though not enough to warrant many repeated listenings. In some ways I am reminded of This Bike Is A Pipe Bomb and, much like that band, I suspect these songs work better in a live setting as opposed to the relatively static medium of a CD. –Garrett Barnwell (High Endurance)


1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888 889 890 891 892 893 894 895 896 897 898 899 900 901 902 903 904 905 906 907 908

| 0-9| A| B| C| D| E| F| G| H| I| J| K| L| M |

| N| O| P| Q| R| S| T| U| V| W| X| Y| Z|

Razorcake Podcast Player



·TUSK
·ARMS EXPLODING
·DAN MELCHIOR’S BROKE REVUE
·VAJRA
·KICKER
·DEAD MILKMEN
·ALL OR NOTHING H.C.
·VILLIANS, LOS
·HEAVY TRASH


Black and Red Eye



If you live in the Los Angeles area and want to help us out, let us know.



Get monthly notifications of new arrivals and distro and special offers for being part of the Razorcake army.



 
Razorcake/Gorsky Press, Inc.
PO Box 42129
Los Angeles, CA 90042

Except for reviews, which appear in both, the
contents of the Razorcake website are completely
different from the contents of Razorcake Fanzine.

© 2001-2011 Razorcake/Gorsky Press, Inc. Privacy Policy

Razorcake.org is made possible in part by grants from
the City of Los Angeles, Department
of Cultural Affairs and is supported
by the Los Angeles County Board of
Supervisors through the Los Angeles
Arts Commission.
Department of Cultural AffairsLos Angeles County Arts Commission


Web site engine code is Copyright © 2003 by PHP-Nuke. All Rights Reserved. PHP-Nuke is Free Software released under the GNU/GPL license.