Welcome to Razorcake | punk bands live reviews Welcome to Razorcake | punk bands live reviews
 

























· 1:Off With Their Heads Interview
· 2:#259 with Sean Carswell
· 3:#260 with Rishbha Bhagi
· 4:Webcomic Wednesdays #24
· 5:#261 with Juan Espinosa


Subscriptions
Renewal
New Subscriptions
Stickers and Buttons
The NEW "Because We're Fuckin' Classy" Koozie


Zisk #22
Toys That Kill / Future Virgins, Split 7"
Lenguas Largas, Self-titled LP
Treasure Fleet, Future Ways LP
Bananas, The, Nautical Rock n Roll LP


Can't find Razorcake at your favorite store? Lend us a hand and we'll send you a free issue.



Razorcake will send you one free issue if you ask your librarian if they would carry Razorcake in their stacks. (This offer is good for both traditional libraries and independent libraries.) To get the free issue, you must send us the librarian's name and email and the library's postal address. We will then contact them directly and donate a subscription to them. U.S. libraries only, due to postage.

Spokenest: We Move 12"EP : Order/Stream/Download

Daryls, The
5/16/01 at the Garage

By Sean Carswell
Tuesday, May 22 2001


I'm gonna do this backwards and start with the last band, the Daryls. I became a Daryls fan kind of by default. They'd put out a short run CD on Mutant Pop. My girlfriend picked up the CD and listened to it again and again until I had no choice but to either like or hate it. I came to like it. The songs remind me of being in elementary school and sucking on a piece of hard candy because I know that, if I bite into it, the teacher will hear and make me spit it out, so it lingers in my head, giving me two-minute jolts of a sugar high and a little guilty pleasure. So, yeah, I knew it was going to be poppy and derivative as hell, but I was looking forward to seeing the Daryls. A free show at the Garage just made it that much sweeter. Apparently, though, I was the only one. Literally.

By the time the Daryls took the stage, there were exactly nine people in the Garage-five of them were from bands that had already played, one was the lead singer of one of the band's mom, two worked there, and one was me, the lone fan. I didn't care and apparently the Daryls didn't, either. They launched into their set with more energy then the previous bands (who had actually gotten to play in front of people). They started with some new stuff off the seven inch soon to be released, which was a little louder and faster than the songs of theirs that I knew. A little more mutant and a little less pop. I dug it. Three of the guys from the previous band packed up the last of their equipment and headed out. The crowd dwindled down to six. The Daryls kept playing as if the room were packed. They tore through a few songs off their only full length CD, "Punks." The previous band's singer's mom danced. She'd told me earlier that she was only sticking around because she felt sorry for the Daryls, but apparently, the Daryls were winning her over.

They paused between songs for a little banter with the crowd, who didn't respond because, well, I didn't feel like talking, the bartender was packing up, and the guys from the other band were on their way out the door (and taking their mom with them). In honor of their now deceased leader, the Daryls played their ultimate hard candy anthem, "I Wanna Be a Ramone." As they got to the chorus, lead singer Brian said, "Everybody, sing along." When he didn't hear anyone singing, he looked over at the bass player as if to say, "This crowd is lame." Meanwhile, I was thinking, Dude, I'm the only one here and I was already singing along. Then it occurred to me that maybe these guys weren't completely rocking out because they didn't care that the room was empty. Maybe they were pouring all their energy into this set because they didn't know that the room was empty. The lights glaring onto the stage were pretty bright, and most of the crowd all night had been hanging out towards the back of the room. Maybe the Daryls didn't know that they were playing for only me, the bartender, and the sound guy. When they launched into their next song, which was about their fourteenth song in twenty-five minutes, I guess the same thing occurred to the sound man. He turned on the house lights to give them a good look. The Daryls saw an empty room. They finished the song anyway, continuing to rock out. All right, I thought. They did know that this was basically a rehearsal. They gave it their all, anyway. Rock'n'roll.

At the end of their set, the bartender bought them a round. The sound man apologized for shutting them down, promised to give them a better spot in the line-up next time, and told them that they were better than "Ninety-five percent of the bands that play here." I hung around an chatted with them. Good guys. I'm looking forward to their upcoming seven inch.

So know to answer the question that I'm sure is on your mind. If the Daryls were so good, why didn't anyone stick around? Well, the first band (I do remember their name. I just don't want to give them any publicity) sucked really, really bad. Really bad. Blink 182 wannabes. They actually drew a crowd of about thirty people, but probably their entire crowd left as soon as the really, really bad set was over. Then, SideKick played. They weren't bad. Pop-punk of the Screeching Weasel variety. They haven't really nailed their own sound down, but I guess they're doing all right. They opened for the Angry Samoans two nights later, anyway. SideKick's fans pretty much replaced the fans of the first band and kept the room from looking too empty. Then, SideKick took about five minutes trying to decide what their last song would be, and the crowd thinned. The crowd thinned even more during the Guitar Gangsters' set. Not because they were bad. They were okay. Business/Cocksparrer inspired oi that was very different from SideKick and didn't hold their fans. And since the Guitar Gangsters are from England, they didn't really draw any fans. So there were the Daryls, five years into this punk rock game and playing for me and the tumbleweeds. Oh well. I had fun anyway.






Razorcake Podcast Player



·OI POLLOI
·SUZANNE’SILVER
·C*NTS, THE
·VARIOUS ARTISTS
·RIVERBOAT GAMBLERS
·STAND OUT RIOT
·BEACH PATROL
·PIG DESTROYER
·MORMONS, THE


Razorcake Podcasts



 Printer Friendly Printer Friendly

 Send to a Friend Send to a Friend



If you live in the Los Angeles area and want to help us out, let us know.



Get monthly notifications of new arrivals and distro and special offers for being part of the Razorcake army.



 
Razorcake/Gorsky Press, Inc.
PO Box 42129
Los Angeles, CA 90042

Except for reviews, which appear in both, the
contents of the Razorcake website are completely
different from the contents of Razorcake Fanzine.

© 2001-2011 Razorcake/Gorsky Press, Inc. Privacy Policy

Razorcake.org is made possible in part by grants from
the City of Los Angeles, Department
of Cultural Affairs and is supported
by the Los Angeles County Board of
Supervisors through the Los Angeles
Arts Commission.
Department of Cultural AffairsLos Angeles County Arts Commission


Web site engine code is Copyright © 2003 by PHP-Nuke. All Rights Reserved. PHP-Nuke is Free Software released under the GNU/GPL license.