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· 1:One Punk’s Guide to Poetry
· 2:#331 with Mike Faloon and Todd Taylor
· 3:#332 with Kurt Morris
· 4:Top 5s from Issue #81
· 5:Marilyn Thunderhorse Interview


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Razorcake #82
Hurula, Vi ar manniskorna vara foraldrar varnade oss for LP
Razorcake #81
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Nights and Days in a Dark Carnival by Craven Rock


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Interview with Trust fanzine
a translation of the full interview posted on plastic-bomb.de
By Guest Contributor

I guess, today you must include a DVD or, even better, a six pack of beer to be different.
We are fans, therefore we publish a fanzine.
We’re neither a label nor a mailorder.




Turbonegro Interview
Originally ran in Razorcake #15, with new intro by Kristen K.
By Todd Taylor

Well, the last time I did acid, I guess. I was in this car with a driving computer and it said to me, “The door is ajar.” How could a door be a jar? I felt like a marionette right there and then. I’m just a marionette. This isn’t a door. It’s a jar. I’m a puppet.




Off With Their Heads Interview
by Tommy Vandervort
By Guest Contributor

It’s much easier to light your merch money on fire when it’s only thirty dollars. I watch videos of that kind of shit and wonder how I have any friends at all.




Interview with The Feederz
originally ran in Razorcake #15, with new intro by Ronnie Sullivan
By Megan Pants

In a lot of ways, the Feederz are an advertisement, a negative advertisement. So we jumped in and we used Feederz because it was part of the whole sickness and we just swallowed it all up.




Hot Snakes Interview
New intro by Kurt Morris, originally ran in Razorcake #25
By Guest Contributor

 

Seeing as I spend most of my time nude or partially clothed, I was pretty numb.




An Interview with Chris Bailey of The Saints by Tony Adolescent
New intro by Kurt Morris, originally ran in Flipside
By Guest Contributor

Whether I like it or not, my humble talent is to make noise.




Alice Bag Interview
Photos by Kat Jetson, Originally ran in Razorcake #24
By Todd Taylor

I was walking down a dark street and there was a man walking behind me, and I remember thinking, “You better be scared, because I could kill you right now.” I felt like there was nothing that could happen to me, that nothing could touch me.


Interview with Hasil Adkins
Originally ran in Razorcake #19 and #20
By Bradley Williams

You can go faster if you take your shoes off.




Interview with The Ergs!
Originally ran in Razorcake #23
By Megan Pants

Yesterday some woman asked, “Does that picture of Frank Zappa on the toilet make you horny?”




Interview with the Marked Men
New intro by Matthew Hart, originally ran in Razorcake #22
By Todd Taylor

We’re still all a little bit off in our own way. We’re not average people.

 




Interview with Todd Congelliere of Recess Records, Toys That Kill
Underground Railroad To Candyland, and Stoned At Heart
By Mike Faloon

Toys That Kill and Rivethead were touring and showed up to Omaha and the promoter said, “You guys don’t have to play. No one’s here.” So we call that getting Omaha’d.




Interview with Worthwhile Way

By Guest Contributor

Their unbridled energy and positivity was like a fucking revelation
in the midst of the sea of bearded, pseudo-curmudgeons.




Interview with Greg Bennick
of Trial and Between Earth & Sky
By Dave Williams

The idea of reclaiming our lives for ourselves was always a sweetly romantic reality for me. We had a couple guys in the band who took the idea to the limit one morning in Ohio and got arrested for shoplifting breakfast for us all.




Interview with the Arrivals
Writing Songs Like Vonnegut Wrote Books
By Mike Faloon




Nardwuar Vs. Jello Biafra
New Introduction by Kristen K.: Originally ran in Razorcake #08, 2002
By Nardwuar



Many things have gone wrong in my life, but every once in a while, something goes right.




Interview with Superchunk, featuring Jim Ruland
Originally ran in Flipside #110
By Todd Taylor

We try to write fast songs and they suck.




An Interview with Pegboy
New Introduction by Ranae Hummel. Originally ran in Flipside #112
By Sean Carswell

Pierre: The show was going pretty good when in the middle of a set this kid yells out, “You guys are phat!” I look over at Larry and both of us at the same time lift up our shirts and stick our bellies out like, yeah, we’re fat, so fucking what?

Larry: And the kid’s like, “No, P-H-A-T phat.” So, thanks, buddy.




Interview with Hot Water Music
New Introduction by Kristen K. Originally ran in Flipside #120
By Todd Taylor

I’m playing my guitar and I have this amazing life and it just blows my mind because I never ever thought it would ever be this good. It just kills me.




Interview with Kenneth Higney
An Outsider Musician, Both Incredible and Obscure
By Ryan Leach



I recently came across something someone wrote about me having sold my truck to come up with the money to record Attic Demonstration. If that were true, the album would’ve sounded a whole lot better.


Interview with At The Drive-In
With an Updated Introduction by Matthew Hart
By Todd Taylor

 

I think we put stuff together and find the meaning later.




The Untold Story of Emmett Louis Till
An Interview with Documentarian Filmmaker Keith Beauchamp
By Chris Pepus

The case provoked international outrage and helped generate support for the civil rights movement




Interview with TSOL
This interview originally ran in Razorcake #04, 2001.
By Staff

We deal with the kind of thing we came from—and the dope, and the heroin, and excess, the punk rock loss of values, or complete snubbing our noses or giving it the finger—if it was the wrong way to do things then that was our way, and to the hilt.




An Interview with Underground Medicine
I figured if we split the costs, I’m only going to lose half as much!
By Mike Frame

The holy trinity of suck: Foreigner, Styx, and Kansas.




An Interview with The Hussy
Reckless abandon from Madison, WI.
By Sal Lucci

Heather: I played guitar when I was in middle school because that was the cheapest instrument to rent.




Nardwuar The Human Serviette Vs. Ian MacKaye
This interview originally ran in Razorcake #04, 2001
By Nardwuar

"Two bananas could never hurt anybody."




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